Ah man. A new King Salami album is always something to be celebrated. Do you dig trashy, primal rock ‘n’ roll as much as we do at RPM? Do you like your rhythm & blues to seriously kick some arse? And do you by chance like sausages? Well, you’re in the right place then, as this 8 legged groove machine straight outta Wurstville (that’s somewhere in London town to us normal folks!) pack clubs all over Europe and Asia with their energetic live shows.

‘Kiss My Ring’ is their fourth long player and the follow up to 2017’s ‘Going Back To Wurstville’, and with their ever-cool retro themed artwork and sonically seductive sound, it would make a mighty fine addition to your record collection.

 

The title track opens the album and sees the band blast back in fine form. “Get on your knees and kiss my ring!” is the vocal refrain the whole band shout over a primal burst of 50’s rock ‘n’ roll. Full of mad percussion and sax appeal, it comes on like a 50’s dancehall twist. Snappy beats, furious bass runs, choppy riffs and howlin’ vocalizin’, what’s not to like here?

It’s a veritable smorgasbord of influences, which is hardly surprising when the crazy cats that make up this four piece come from France, Spain, the Caribbean and Japan, yet reside in London town. Years of treading the boards of clubs and toilet venues throughout Europe, the world and even Peckham! Yes, this band has put in the hours and it shows in their music.

The choppy, Wilko Johnson inspired riffage of T Bone Sanchez cuts through the mustard and makes their mash up of The Sonics, The Rezillos and James Brown an exciting proposition indeed. Don’t let overly silly song titles such as ‘Oofti Goofti (Wild Man Of Borneo)’ and ‘ The Jellybutt Of Timbuktoo’ fool you, this band play harder and faster than most so called punk bands you see on the circuit these days and they are tighter than a duck’s arse!

Shake and twist to the likes of ‘Don’t Make Me Mad’ and try your best not to move to the groove as the King urges you to do ‘The Pulpo Dance’ in his unmistakable tones.

The band have never been afraid to bash out a few instrumentals and the likes of ‘Stormy’ and ‘Space Spy’ have enough going on musically to capture the imagination and get them old hips a moving! Dick Dale and Link Wray eat yer heart out!

 

With not a meat related lyric in sight (unless you take the title track the wrong way!) ‘Kiss My Ring’ is a vegan’s delight, lyrically more about… well, I don’t really know what they are on about most of the time, but I know they have the power to incite a riot in your pants and an itching feeling in yer old size nines.

Down and dirty garage rock, inspired by the best sounds from the 50’s and 60’s, King Salami And The Cumberland Three are the perfect party band and ‘Kiss My Ring’ captures their essence to perfection.

Buy ‘Kiss My Ring’ Here 

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Author: Ben Hughes

 

 

 

The first video “City Of Class” off the upcoming Bitch Queens album of the same name is here

Three minutes of in your face punk-rock & crazy live-action. The new album will be out 27th of September on LuxNoise (CH) & Spaghetty Town Recrords (USA) and preorder starts today. Get your limited vinyl package with orange marbled vinyl, poster and pin.

You can pre order Here

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British rising stars The Fallen State are thrilled to announce their headline UK tour in October 2019.

The Fallen State is one of the most exciting British rock acts to emerge in recent years and this tour will celebrate the band’s new studio album “A Deadset Endeavour”, which was released earlier this year through Last Man Music.

“A Deadset Endeavour” is the perfect showcase for the UK five piece rock act – a band with a mutual love for powerful, anthemic and beautifully executed rock. The Fallen State’s soundscape blends grooving and ruthless rhythms courtesy of drummer Rich Walker and bassist Greg Butler with the exuberant and soulful voice of singer Ben Stenning, the artful emotive phrasing of lead six-stringer Jon Price and a Dan Oke inspired harmonic wall of warm, contemporary rock guitars. From the powerful opening salvo of “Statements” to the driving rhythms of “Open Wound” to the heavy brutal riffing of “Torn”, “A Deadset Endeavour” is a stunning statement of a band at the very top of their game.

The Fallen State are a stunning live act. The band supported Pop Evil across Germany, France, UK and Holland in February and March 2019, having previously toured with the likes of Black Stone Cherry, Tremonti, US Grammy winners Halestorm, 3 Doors Down, Puddle Of Mudd and fellow UK rockers Young Guns and Heavens Basement.

The UK forthcoming festival dates and headline shows are as follows:

UK Tour Dates:
Fri 18th October 2019 – Barnstaple, The Factory
Sat 19th October 2019 – London, 229 The Venue
Sun 20th October 2019 – Plymouth, Underground
Mon 21st October 2019 – Bristol, Exchange
Tue 22nd October 2019 – Birmingham, O2 Academy 3
Wed 23rd October 2019 – Oxford, O2 Academy 2
Thu 24th October 2019 – Manchester, Rebellion
Fri 25th October 2019 – Newcastle, Think Tank
Sun 27th October 2019 – Nottingham, Alberts
Mon 28th October 2019 – Bournemouth, The Anvil

Since forming in 2013, The Fallen State have developed a fearsome live reputation by selling out shows with their modern, incisive and inspiring performances allied to their prolific output of five skillfully crafted EPs (“I,II,III”, “Crown Your Shadows” and “The View from Ruin”). The Fallen State’s critically acclaimed single “Nova” (featuring Chris Robertson from Black Stone Cherry and released in Christmas 2017) was a huge hit. Jon Price and Dan Oke are endorsed by PRS guitars. The “Nova” single has had over 3 million views across socials.

The Fallen State Is: Vocals– Ben Stenning / Guitar– Jon Price / Guitar– Dan Oke / Bass– Greg Butler / Drums– Rich Walker

Website:www.thefallenstate.com
Facebook:www.facebook.com/thefallenstate
Twitter: @thefallenstate

Born Robert W. Derminer on December 12, 1944, we know him as Rob Tyner the voice of Motor City powerhouse The MC5 where he originally played bass before putting his talent to use as vocalist.

With moves like James Brown and a wardrobe like Marc Bolan he will forever be remembered for his rally cry of ‘Kick Out The Jams Motherfucker’ The band released three albums from ’69 and the classic ‘Kick out the Jams’ through the ’70s ‘Back In The USA’ to the bands final album ‘High Time’ a year later. The band fell apart due to infighting and drug problems but before it turned sour they really blazed a trail and managed to bug the powers that be – Big time!

Their impact cannot be denied and Tyner was a big part of that from his unique afro and his distinctive voice to their political stance in quite volatile times not just in the USA but around the world.  The MC5 featured on the cover of Rolling Stone Magazine even before they had a record out. The band had strong left-wing political ties and were happy to air their Anti-establishment views through their lyrics.  Along with Iggy And The Stooges they were punk way before punk was even a thing. They were loud, energetic and had style but most of all they had songs! Their back-to-basics rock and roll included now classics like ‘Ramblin’ Rose’ ‘Kick Out The Jams’ which must be one of the most covered songs in history. ‘Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)’ and ‘Looking At You’ (Another that’s been covered by bands such as The Damned and The Mission). They were certainly unique and at the time caused quite a stir to the mainstream who didn’t know what to do with a bunch of young men who were clued up and armed with a voice their spat with Hudsons Department Store being a good example.

Tyner (going by his real name) was first approached by Wayne Kramer via the underground left-wing hipster scene in Detroit and his talent wasn’t on the bass but out front and center via the microphone. It was also Tyner who named the band MC5 which if you didn’t know it’s short for Motor City Five and the legend was born.

They were well known locally as the band to see with their incendiary live shows that were full of energy and it’s well documented that they were already hypnotising audiences in excess of a thousand people with a blistering energy and loud garage rock. It was Danny Fields who signed the band to Elektra at the same time he signed The Stooges but it was the MC5 who was the first hard Rock band signed to the label.

In ’68 the band performed at an anti-Vietnam war rally and allegedly played for eight hours straight!  Hold onto that and it might explain how the band were closely tied with LSD and Marijuana usage. They also use to have firearms as part of their stage show brandishing rifles on stage and then a sniper would shoot Tyner as part of their act to end the set.

Controversy was never far from the band’s door as they were embroiled in an ad campaign when a store (Hudsons) refused to stock their album so they took out an ad that claimed the store should go fuck themselves. in response, the store pulled all Elektra artists which led to the band being fired and subsequent signing to Atlantic for their second album so when McLaren thought he was unique engineering the Pistols labels fiascos it had already been done years earlier by the MC5.  Imagine being in an audience not having a clue who the band was and hearing Tyner announce Kick Out The Jams and then witnessing the kind of performance seen in the video?  It must have been life-changing.

After MC5 split he kept himself busy with a number of acts such as fireworks and then the Rob Tyner Band who played shows with the likes of Cheap Trick and AC/DC but by the end of ’78 the band fizzled out having not released an album.  Tyner then chanced his arm in the UK where he worked briefly with Eddie & the Hot Rods before he headed back to the states to work on Detroit legend Scott Morgan’s benefit project. the Guitar Army, which helped to organise and promote the music of Vietnam veterans. There was a solo record released in 1990 entitled ‘Blood Brothers’, but sadly, the singer died from a heart attack a year later, on this very day in 1991.

Several years after his passing, a live release surfaced courtesy of the Motor City Music label/website, ‘Rock and Roll People’, which documented a pair of Rob Tyner Band concerts from 1977 (at the Kramer Theatre and the Embassy Hotel). His legacy might be limited with regards to his recording output compared to many of his peers but never underestimate the influence of the MC5 – Gone but not forgotten Rob was only 46 at the time he passed away Rest In Peace Rob Tyner.

This little belter sneaked out onto the interweb in the last 24 hours so we thought it was our duty to share it with you the good people who check out RPM. Spaghetty Town Records and Boulevard Trash are releasing a 7″ entitled ‘Toofer One’ this vinyl will sell out,  This one has three songs, all produced by Tuk Smith (Heart Attacks, Biters, Tuk Smith and the Restless Hearts) the video is for ‘Lost’ now get out of here and spread the word! the video for one of the other tracks ‘Hurricane Alley# is also on the net but you have to look for that bad boy.

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After almost a year of silence, the Swedish garage rock-beast has awoken yet again. This is the follow up to the band’s debut  ‘Love. Live. Lambada’. Get ready for a party in your ears or a headfuck because Baby this album is an explosion of Rock and Roll with melodies to die for (ok maybe not die but get winded for at least) its sugar-sweet in a way that Biters used to be but its got a pop sensible edge, when I say edge if the Bay City Rollers were edgy then yup edge.  it’s rockin’ I know that much and with the added samples like on ‘To The Rescue’ its where it gets a little psychedelic.  Most of all this album is a fuckin’ smile on a rainy day.  If you’re feeling down put this on and go splash through some puddles barefoot.
when the press blurb said “Think the pulse of Bay City Rollers, the twin guitars of Thin Lizzy, and the energy of Richard Simmons£ man they nailed it  but I think its a little bit better than that and some. ‘Second Coming’ is a homage to classic rock and yet a breath of fresh air. With lyrics about lusting after ‘Sigourney Weaver’ to the lost DJ-career of Simon Pegg’s character in modern classic ‘Shaun of the Dead’ this becomes a lighthearted feel-good album no question. ‘Smiley Riley’ is like if Saturday Night Fever was from Stockholm and not New York and they were trippin’ on twin guitar licks and not so heavy on the disco beats.
‘Tropic Island’ makes me thirsty for some goofy sappy slow dance rock n roll but still, it’s addictive and like a moth to a flame, you can’t not get closer to those speakers its great stuff. Penultimate ‘Events In Advance’ is a tasty slice of Buzzcocks inspired punk rock had Phil Lynott been co-writer with Shelley (just hold that thought for a second) The band checks out with an epic six-plus minutes ‘Space Phase’ is like a loose ‘Beast Of Burden’ trippin’ on some Beach Boys Ooh Ooh’s .  It shouldn’t all work but it does and I’m not concerned if the lyrics make any sense – Frankly, I couldn’t give a shit. ‘Second Coming’ is a cracker and after rolling my eyes at the band’s name I can only apologise to them because they could be called the dogs danglies for all I care I’d be barking mad not to love this record.
Author:Dom Daley

After 35 years of Pure Rock n Roll, The Quireboys are now ready for a new challenge. We bounced a lot of ideas about, but unanimously came up with something rather special that will allow fans to experience and immerse in a totally new side of The Quireboys, with a full Orchestra behind them. This special project aptly named, Orchestral Quireboys will be created, rehearsed and staged as a double header, ONLY @ the 02 Forum Kentish Town UK on the 4th & 5th September 2020. This is not a cheap project but something the band feels will create something live on stage that has never been witnessed before.

The whole set will be recorded Live for an exclusive Limited Edition Double Vinyl & Double CD pack that can only be bought here. We had a bad experience with Pledge recently, hence why, when we heard our label was creating a new Fan Funded platform called Hell Raiser, we knew we could possibly pull this off with our loyal fans support. This album will not be available anywhere else apart from this Hell Raiser Platform, A timeless piece from a magical adventure

All Royalty & VIP tickets for both Live nights @ the Forum next September, Signed Black & Coloured Double Vinyl Packs, Signed CD packs  plus a few other specials can only be bought from our new fan funding platform Hell Raiser giving our Label and management team, full control of this whole campaign.

Its something we know we can pull off, it will take an incredibly long time, not to mention patience, perfecting the arrangements, rehearsing the songs, however in every way possible it will be totally worth it, whats more all Fans who help us reach our Raise can also get the only copies in the World of the show on Vinyl or CD.

This means a lot to all of us and we really want to make it a show like no other. If you feel you can help us make it a reality, please feel free to get involved

God Bless

Spike, Guy, Paul & Keith

 

For standard tickets to both shows you can visit hrh.live

US hard rock band, BULLETS AND OCTANE, are excited to announce the launch of their Kickstarter campaign in order to raise funds to get their new record label “Bad Mofo Records” off the ground, and raise money for PR and other marketing tools. The campaign features lots of great incentives with every donation, ranging from one-of-a-kind memoribilia to signed guitars and even Gene’s stage microphone! The new album “Riot Riot Rock N’ Roll” is slated for release early 2020 on Bad Mofo/Cargo Records UK.

The Kickstarter campaign will launch of today Tuesday, September 17th: https://www.kickstarter.com/projects/bulletsandoctane/bullets-and-octanes-new-album

 

BULLETS AND OCTANE is a hard rock band based in Los Angeles, California. The band has been touring in Europe, North America and Japan playing as a support band for Avenged SevenfoldStone SourThe UsedEagles of Death Metal amongst others, as well as headlining their own tours.

BULLETS AND OCTANE exploded onto the scene with their debut album “The Revelry” produced by Gilby Clarke of Guns N’ Roses and shortly after that signed with RCA/BMG Records releasing their first major label album “In The Mouth Of The Young“, produced by Page Hamilton.

 

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The high-energy San Antonio pop punk/alternative band Finding September might be on the brink of finding themselves a new winning formula with the release of their latest single “Hostage.” Led by frontwoman Emily Bayardo’s brawny and rebellious vocals, the track dives into a darker, more dramatic sound than their previous releases. The song and video made its official debut via Substream Magazine.

The emotionally raw track comes screaming out of the gate with a razor-sharp guitar riff that is soon accompanied by thunderous drums and a chugging bass. Amidst the chaos, the song is adorned with an impressive vocal performance and operatic synth line.

Finding September began creating their pop-thrashing sound in 2018 with the release of their high-octane debut EP History. The record featured a myriad of influences and sounds ranging from pop, punk, R&B, metal and beyond, laying the groundwork for what’s to come next.

Listen to “Hostage” now on Spotify.

Born Mark Feld on 30 September 1947 at Hackney Hospital, the son of Phyllis Winifred (née Atkins) and Simeon Feld, a lorry driver.  Was inspired to get into Rock and Roll by the likes of Gene Vincent, Eddie Cochran and Chuck Berry.

Before becoming Marc Bolan he had the stage name Toby Tyler when he met and moved in with child actor Allan Warren.  He signed to Decca Records in August 1965. At this point his name changed to Marc Bolan via Marc Bowland. There are several accounts of why Bolan was chosen, including that it was derived from James Bolam, a contraction of Bob Dylan, and – according to Bolan himself, that Decca Records chose the name.

He recorded his debut single “The Wizard”,with session musicians playing all the instruments. “The Wizard”, Bolan’s first single, was released on 19 November 1965. It featured Jimmy Page and Big Jim Sullivan

 

Whilst Marc was alive he recorded and released twelve studio albums Made a film ‘Born To Boogie’ and a tv series. He was there at the birth of punk and was happy to take The Damned out on tour with him.  When people think of Glam rock and I mean real Glam rock, not the insipid tripe that came in the ’80s I mean real flamboyant Glam Rocks with great songs by the bucket load and Album after Album that shaped the ’70s and became a staple of TOTP and had kids fainting all around the UK at the sight of his flowing curls and glitter eye shadow.

In ’71 he released ‘Electric Warrior’ that spawned ‘Jeepster’ and ‘Get It On’. The band consisted of Mickey Finn, Steve Currie and Bill Legend. It was followed up a year later with the awesome ‘The Slider’ that spawned the hits ‘Metal Guru’ and ‘Telegram Sam’ then to complete the Hattrick the band released ‘Tanx’ but the biggest hit was ’20th Century Boy’ which didn’t make the album and was recorded in Japan whilst on tour. 

Bolan recorded a further six albums before driving his Mini 1275GT driven by Gloria Jones as the pair headed home from Mortons drinking club and restaurant in Berkeley Square. After crossing a small humpback bridge near Gipsy Lane on Queens Ride, Barnes, southwest London, the car struck a fence post and then a tree. Bolan was killed instantly, while Jones suffered a broken arm and broken jaw. There is a memorial where the crash happened where fans leave all sorts of notes, flowers and messages.  Bolan was survived by a son Rolan Bolan who recently recorded a video for 20th Century Boy Which we featured last week at RPM.

T rex as well as releasing some Twelve awesome albums also managed to knock out a paltry Twenty Nine singles From ‘Deborah’ in ’68 to a posthumous release of ’20th Century Boy’ that reached number 13.  71 to 73 was the purple patch with no less than four number-one singles inc ‘Hot Love’, Three number twos and several top-fives.  T Rex and Bolan really were at the top of their game with chart success second none. Still an influence on bands and songwriters today Bolan will always be a legend and he might well be gone but he’s most certainly not forgotten.