You could say ex-Wildhearts six-string shouter CJ is more prolific than main Wildhearts mouthpiece Ginger right now. Since stepping away from the band, CJ has kept himself busy and upped the ante with his own solo career. Recent tours with Michael Monroe and Ricky Warwick now lead to the release of his 8th solo album ‘DEViL’, an album that was apparently a true labour of love and could well be his musical swan song.

CJ is a true DIY artist in every sense of the word. On ‘DEViL’ he has recorded and played all the instruments himself, bar drums, which are more than ably handled by long-time compadre Jason Bowld, and mixing duties are once again by go-to-guy Dave Draper. If it ain’t broke, don’t fix it!

Lead single ‘One Of The Boys’ is a great starting point. Lyrically, it’s introspective and tackles the doubts and questions of an uncertain future. Musically, it aims for the stadiums with a chorus so uplifting that the ensuing goosebumps will contradict the lyrical message. It’s up there with his best work.

‘DEViL’ follows the blueprint of CJ’s solo career to date, in-yer-face powerful punk ‘n roll, dripping with memorable hooks and killer choruses, no slow songs and no acoustic guitars. Opener ‘Nein Nein Nein’ is a punchy assault to the senses, a wall of urgent beats and distorted guitars leads the way for gnarly vocals. The following, ‘The Art Of Being Free’, is a glorious and instant earworm with a euphoric refrain that is just what the doctor ordered. Mark my words, you’ll be singing along from the opening chorus, and it’s a song that demands the replay button.

But don’t hit that button just yet, as there is more great ear candy to devour. You could say some artists mellow with age, and some bellow with rage, CJ is firmly in the latter camp. He has perfected that vocal sneer over the years, and ‘SOB’ sees our man firing on all cylinders with a track that could be a Wildhearts B-side from 20 years ago (and we all know how good those are, right?). Elsewhere, the regimental rifforama of ‘No More’ bridges the gap between punk and metal nicely, leaving those pop melodies by the wayside, it’s the perfect conduit for a punk vocal delivery. Yet it is bookended by ‘Rotten’ and ‘Twenty Two’, a pair of ridiculously catchy tunes that walk a familiar, catchy and more commercial path. Album closer ‘Fade’ then sees our man in an introspective mood again as he soul-searches one last time.

As it becomes increasingly difficult for artists of all levels to tour and release music, you can forgive CJ for feeling it’s time to step away from the music business and move on to other things. And with the recent sad loss of former Wildhearts bassist Scott Sorry and Ginger’s recent health diagnosis, it feels like we are coming to the end of an era for fans of all things Wildhearts.

But don’t feel sad just yet, Wildhearts fans, as CJ has given us a winner with ‘Devil’, and if it is his musical swansong, then so be it, it’s a fine way to bow out in style.

Now, go pre-order the thing and maybe bag some Devilspit hot sauce for your bacon butty while you’re at it.

Buy Here

Author: Ben Hughes

Never a band to shy away from wearing their influences on their sleeves, Tesla are back with ‘Homage’, which is exactly what the title suggests, a cover album of their influences. Thankfully, Tesla is a band that is more than happy to sing the songs that made them the band they are today, and this new release delivers on so many levels.

Opener ‘Never Alone’ is the only original track on the album, while it is a great song and shows the listener where the band are currently at, thankfully, it doesn’t sound out of place, but it is a strange thing to hear on what is basically a covers album.

Anyway, the first homage up is the cover of Sam Cooke’s ‘Bring It On Home’. Whenever Tesla covers a song, they do indeed make it their own, and that is the case with this classic. I mean Jeff Keith, can only sound like himself and no one else.

One band I never thought I would hear Tesla cover is Queen, and with ‘Spread Your Wings’, the band have done just that, shown the song respect, and done it justice. Thankfully, Jeff Keith, along with the rest of the band, makes the song their own once again.

Tesla’s take on Bob Seger’s classic ‘Night Moves’ is a perfect song for the band to take on and does it justice. Admittedly, it doesn’t sound too removed from the original, but that’s not the point here. The band are clearly having a ball paying their respects to the songs that shaped them. And none more so than on this track, which for me is easily the highlight of the whole album.

Another artist that I would never imagine Tesla covering is that of the King, yeah, they cover Elvis Presley’s ‘If I Can Dream’, which thankfully, the band stay the right side of honouring a great song.

Yes, the band have covered the brilliant Badfinger’s ‘Come and Get It’, and we all know the history behind its inception, with it being written by Paul McCartney and is, for all intents and purposes, a Beatles track. And Tesla has recorded a great version.

On the cover bingo card, Tesla covering James Brown is not one I would have thought would ever get ticked off – but here they go for a straightforward cover of the classic ‘I Got You (I Feel Good). While it is a decent cover, it’s not for me, as it doesn’t add much to the original.

Supertramp’s ‘Give A Little Bit’ is up next and feels like it has been covered to death, but that said, the band have yet again done it justice, while making it ‘Tesla-fied’. Following this up with the first single release from this album is ‘I Love You (2026 Version)’. The Climax Blues Band cover is not one I was familiar with until I heard it on the band’s 2011 album ‘Twisted Wires’. This newly updated version is sublime.

The other covers on the album are good, especially Creedence Clearwater Revival’s Have You Seen The Rain. Jeff Keith’s voice fits the song perfectly. As it does on ‘The Ballad of Curtis Loew’ by Lynyrd Skynyrd.

One thing about this album is that the band, made up of Jeff Keith (vocals), Brian Wheat (bass), Frank Hannon (guitars), Dave Rude (guitars) and Steve Brown (drums), has clearly recorded songs that have inspired them throughout the years. Tesla is clearly going nowhere but up!

Buy Here

Author: Dave Prince

ORG MUSIC RELEASES THE THIRD INSTALLMENT IN LANDMARK REISSUE CAMPAIGN; 

OUT NOW Here

Available in multiple formats, exclusive color variants, and a special “Punk Note” edition with artwork by John Yates inspired by Blue Note jazz classics.

“This classic album has it all. Punk riffs, catchy hooks, and even scatological humor. One could say it is the perfect album.”- The Hard Times

“When it’s at its best, it’s absolutely f*cking brilliant.”– Punknews

Org Music continues its comprehensive Descendents reissue series with Enjoy!the third installment in the campaign celebrating the band’s foundational catalog and the latest release since the group reclaimed ownership of their master recordings. Originally released in 1986, Enjoy! captures Descendents pushing fully into their instincts, doubling down on short, fast, melody-driven songs that balance juvenile humor with sharpened songwriting and unmistakable urgency.

While the band had already helped define what would become pop punk, Enjoy! finds them expanding the formula without losing intensity. Tracks like “Hürtin’ Crüe” and “Get the Time” channel irreverence through speed, melody, and tension, while subtle new wave and pop touches—including a punked-up take on The Beach Boys’ “Wendy”—broaden the band’s sound without dulling its edge. Forty years on, Enjoy! remains a defining entry in the Descendents catalog and a crucial document of the band’s restless evolution.

This new edition is out now on LP, CD, and cassette, with multiple color-vinyl variants. Produced in close collaboration with the band, the reissue brings Enjoy! back into print across formats with careful attention to presentation and detail.

Among the vinyl offerings is a limited “Punk Note” edition featuring alternate packaging by John Yates (Stealworks), inspired by the iconic jazz designs of Reid Miles and Francis Wolff, whose work helped define the Blue Note label. This visual reimagining of punk classics continues the aesthetic series that began with Org Music’s Bad Brains reissues. Each “Punk Note” title includes new liner notes by BrooklynVegan senior editor Andrew Sacher and is housed in a deluxe case-wrapped jacket.

The Enjoy! reissue follows Org Music’s widely praised reissues of Milo Goes to College and I Don’t Want to Grow Up, forming the third chapter in an ongoing archival series dedicated to keeping Descendents’ core albums in print across formats for longtime fans and new listeners alike.

FORMATS

Widely Available

  • Black LP
  • “Wild Cherry” LP
  • Punk Note Edition (black vinyl)
  • CD
  • Cassette (Pink)

Limited / Exclusive Variants

  • Punk Note Edition (magenta vinyl) — Org Music exclusive
  • “Green Green” LP — Descendents exclusive
  • “Sour Grapes” LP — Zia Records & Org Music exclusive
  • “Bubblegum” LP — Amoeba Records & BrooklynVegan exclusive
  • Black LP with Exclusive Obi Strip — Celebrated Summer Records
  • Cassette (Red) — Tapehead City exclusive

ORDER HERE:

Follow Descendents:
[Webstore] | [Instagram] | [Facebook]

Follow Org Music:

[Website] | [Instagram] | [Facebook]

Steelhouse – the festival on the top of a Welsh mountain – have confirmed that the headliners for Saturday night – as the festival celebrates its 15th year –  will be the mighty Rival Sons

Max and Mikey said, “Thank you for your patience, but truly great things come to those who wait…And what a great thing this is. Rival Sons are SHXV Saturday headliners. For us they are best rock band to establish themselves this century. True musicianship, the ability to reach right into the soul and out front, one of the truly great voices – really they are beyond superlatives. The return of Rival Sons to the Mountain as headliners in our 15th year is the ultimate gift. Its set to be the band’s only UK festival show this summer”.

Tuk Smith & the Restless Hearts have also been confirmed for the Saturday, as part of a Festival line-up that squarely puts proper rock n roll first: Steel Panther, Ugly Kid Joe,The Temperance MovementReefAlien Ant FarmTyketto, Von Hertzen Brothers, Darren Wharton’s Renegade, Mason Hill, Dan Byrne, Luke Morley, Anthony Gomes, Beaux Gris Gris & The Apocalypse, AMH, Parker Barrow, LN, King Kraken and Blue Nation

2026 marks the 15th iteration of Steelhouse, a now essential fixture on the summer festival map. Tickets are on sale now. For those wanting to spread the cost, a monthly payment plan is available on weekend arena tickets.  VIP upgrades are also available for those wanting VIP bar access, luxury facilities, acoustic sets and more!

The Festival at the top of the mountain boasts not only the best views of any UK rock event but one of the most passionate, friendly and loyal followings. With a reputation for not only bringing in the biggest and best names from the international world of Rock, Steelhouse also understands the role it can play in throwing open its prestigious stage to the best of the new breed of bands. It all adds up to a compelling mix of classic and cutting-edge rock, old and new.

STEELHOUSE – Keep on Swingin’

Helsinki-based dandy punk band Dharma Guns return with their scorching second album, declaring themselves the kings of action rock and delivering a dark, feverish take on the state of the world. Nightmares and Broken Dreams will be released on April 24, 2026. 

The album was released not only on digital platforms, but also on vinyl and CD.

Dharma Guns planted their flag firmly on the flaming map of action rock with their debut album Ex-Generation Superstars, which tackled generational divides. The new album turns its focus to the legacy we leave for future generations.

The sheer joy of rock ’n’ roll runs deep in the band’s DNA. It sparks throughout the album, and tracks like “King of Action Rock” kick the engine into overdrive.

“Writing ‘Shock O’clock’ marked the beginning of Nightmares and Broken Dreams. The lyrical world of the song set the tone for the entire album, and the guitar riff carries a hint of Nirvana. There’s something delicious about opening the record with the most hopeless track, featuring the line ‘we’ve had our chance / humankind won’t last’,” says vocalist-guitarist Pete, and continues: “But so it’s not all despair, the closing track ‘The Voice of the Underdogs’ carries a glimmer of hope and a message for humanity: be fucking kind.”

Dharma Guns have refined their rock ’n’ roll into a distinctive sound, carrying forward the legacy of bands like MC5The Hellacopters and The Lords of the New Church. The second album is a tight, focused statement from the very heart of action rock. Song titles like “Devil’s Beat”, “Fear of Getting Bored” and “Clowns in the Castles” set the tone, but the band also explores new shades: “Bruised Body and a Broken Knee” leans heavily into blues, while “Black Cloud” even features acoustic guitars.

“‘Black Cloud’ is our grunge ballad. It’s a slowly building ode to a planet struggling with the climate crisis and denialism. It could have been born on the rainy streets of Seattle in the early ’90s. Our drummer Olli even calls it our ‘Stairway to Heaven’. And the recording process got emotional too — during mixing we were on the verge of falling apart over a single shaker. Some wanted it gone, others insisted it had to stay. In the end, everyone won: we re-recorded it and kept it in,” Pete laughs.

“‘Bruised Body and a Broken Knee’ was written while I was recovering from knee surgery last year. At its core, it deals with our relationship to the physical body — a temple of love for some, a temple of doom for others. The chorus swings like a drunken schlager band playing Tom Waits,” Pete describes.

The album has been preceded by the singles “King of Action Rock”, “Devil’s Beat”, “Scale of the Universe” and “The Voice of the Underdogs”. Dharma Guns’ debut album Ex-Generation Superstars was released in 2024.

Following the release, Dharma Guns will head out on a UK tour with glam punk legend Steve Vincent. The two will also share the stage in Helsinki and Turku at Dharma Guns’ album release shows.

Dharma Guns: Nightmares and Broken Dreams

Spotify

Apple Music
Deezer
Qobuz
Tidal

Music videos for the album’s singles:
King of Action Rock

The Voice of the Underdogs

Devil’s Beat
Scale of the Universe

Dharma Guns: Facebook | Instagram | TikTok | YouTube

THE JACQUES, THE SUKIS AND PISTOL DAISYS GET IN THE VAN FOR ‘THE WHEELS IN MOTION TOUR’ THIS COMING SEPTEMBER

TICKETS ONSALE HERE FROM 10am WEDNESDAY APRIL 22ND

In an ever changing and evolving music industry, whilst the digital age has transformed so many aspects of how artists operate, one thing that will never change is the desire to get in the van and take the music out on the road: live, personal and in your face.

This coming September sees the start of ‘The Wheels In Motion Tour’, a three-band bill that will support indie venues up and down the country, showcasing some of the UKs most thrilling indie rock talent with The Jacques, The Sukis and Pistol Daisys.

Curated by indie live agency Motion Talent, all three bands are part of the emerging artists on their roster, and the tour aims to boost grassroots touring through indie venues with a fan friendly low-ticket price. Motion’s Neil O’Brien says:

“I am incredibly excited to see our first Wheels In Motion tour hit the road in September with three of our homegrown emerging artists playing some of the UK’s best independent venues. As an independent live agency booking tours and festivals worldwide Motion Talent is committed to investing in artists by creating high quality touring and being involved at the beginning with marketing, PR, transport, accommodation and technical support unlike anyone else. I see it as our responsibility not only to represent established artists but also to actively create tomorrow’s talent – Wheels In Motion is just that and hopefully will be the first of many great tours in the future.”

First up, London via Bristol trio The Jacques have been carving their way up and down the country and the EU with post punk legends Public Image Limited in recent times, and since first forming as young teenagers, they’ve supported The Libertines at Hyde Park and played Glastonbury, Reading and Leeds. Their story has been fraught with as many ups as downs, but The Jacques have proved themselves to be true road warriors and survivors. Their genre-smashing fusion of mutant punk, psychedelic grunge and joyous indie rock never fails to hit the spot.

“Being on the road is the best,” state the band. “We spent most of last year on tour in endless scrapes and adventures and it was while bouncing around the back of the van on a cold night up north that we thought of getting our label mates to come and join us on a tour like the old school ones. It’s going to be a blast!”

Also joining the tour are Liverpool’s The Sukis, who are fast making a name for themselves as one of the most exciting alternative rock bands on the scene today. Punky, intelligent and an explosive live act, their songs dive deep into the psyche of what it is to be young.

Lastly, Pistol Daisys are storming the alt-pop scene with a fierce energy that’s quickly earned them a devoted following, blending Glasgow’s vibrant grit with heartfelt authenticity to create music that captivates fans across Scotland all the way to Europe. Their live shows convey a whirlwind of raw emotion and authentic connection, thrilling audiences and filling venues with a sound that blends confessional songwriting with dance-oriented hooks, drawing comparisons to bands like Blondie and mixing pop, rock and electronic elements.

‘The Wheels In Motion Tour’ showcases three unique bands that although different musically, share a common goal to fire up their engines and hit the road, taking their music to hot and sweaty venues, as it was intended to be heard and felt. All three bands will have new music coming this year as they continue to grow and develop, pushing their sounds in new and thrilling directions.

Stories from the road…

The Jacques:

“We were on the home stretch of a long tour through Europe, having been left stranded by our now ex-tour manager in Milan because of our bad behaviour. Our new TM was driving us back to Calais when we noticed a burning smell, one of the tyres had completely melted. We pulled up and called for help. We went looking for food, but the walk was rural and long. As we crossed the French fields, no less than 7 spaniels came running towards us looking unusually vicious. Then we heard gun shots. 7 farmers emerged from the bushes, each shooting a rifle into the air. We had been WARNED… then for some reason our TM turned up in a Lamborghini.”

The Sukis:

“The last night of our tour, back in Liverpool, we had people from everywhere – Ireland, Scotland, France, Romania. They all turned up in ties! Ties! And lots of gifts…the efforts fans make is incredible!”

Pistol Daisys:

“Always the three of us in a car…. claustrophobic, the smell of body odour, banter and camaraderie always prevails, we’ve never had more fun!”

Follow ‘The Wheels In Motion Tour’ at the following dates in September.

2nd Sept Birmingham Hare & Hounds 2

3rd Sept Sheffield Sidney & Matilda

4th Sept Manchester Factory251

5th Sept Huddersfield Amped

6th Sept Leeds Lending Room

9th Sept Glasgow Stereo

10th Sept Newcastle Think Tank

11th Sept Liverpool Arts Club Loft

12th Sept Nottingham Bodega

13th Sept Brighton Komedia 2

18th Sept Southampton Joiners

19th Sept London Dingwalls

20th Sept Norwich Waterfront Studio

24th Sept Tunbridge Wells The Forum

25th Sept Guildford Boileroom

26th Sept Bedford Esquires

27th Sept Hitchin Club 85

Tickets available HERE from 10am Wednesday April 22nd.

Find The Jacques online HERE

Find The Sukis online HERE

Find Pistol Daisys online HERE

Rock’n’roll connoisseurs The Hillbilly Moon Explosion don’t rest on their laurels!  The latest is that Oliver Baroni, stand-up bassist and co-vocalist has a new side-project with a flexible group of musicians, under the moniker The Baroni Blow-Up.  In keeping with the Englishman’s worldwide viewpoint from his base in Switzerland, it’s an international affair.

The band-members are American, though two of them were found in London – guitarist Andy Kandil, a session favourite and veteran of psychobilly legends Mad Sin amongst others, and drummer Tuck Nelson, who also co-engineered recordings in his London studio.  On vocals is Shy But Flyy, the celebrated blues and jazz singer from Long Beach, CA.  The A-side song I Wanna is an obscure punk song original by Berlin band Hot Boogie Chilean; the flip Free is a Shy But Flyy original.  And the single’s artwork originated in Spain.

Hear The Baroni Blow-Up Here 

HME’s Emanuela Hutter has also issued a new side-project together with more American musicians – Goose Bumps, an album produced in Chicago by Hi-Style Records’ Jimmy Sutton (JD McPherson, Pokey LaFarge, The Bellfuries). Sutton assembled an all-star cast of musicians, including Alex Hall (engineer, drums) and Joel Paterson (guitar).  In February she premiered the songs with the band at The Water Rats, Kings Cross, London.

Meanwhile, The Hillbilly Moon Explosion continue together with their unique take on rock’n’roll and worldwide touring.  Upcoming live dates across the UK are as follows: –

14 May 2026 – Derby – The Hairy Dog
15 May 2026 – Newcastle – The Cluny
16 May 2026 – Glasgow – Oran Mor
17 May 2026 – Manchester – Night & Day
18 May 2026 – Bristol – The Exchange
19 May 2026 – Nuneaton – The Queens Hall
20 May 2026 – Norwich – Adrian Flux Waterfront Studio
21 May 2026 – Oxford – The Bullingdon
22 May 2026 – London – 229
23 May 2026 – Southampton – Papillon
24 May 2026 – Brighton – Komedia

Rock’n’roll like you didn’t know existed!!!

The Baroni Blow-Up I Wanna ft. Shy But Flyy – 7” single, JUNG094   

Digital release on May 15.   Initial 7″ singles available on tour and direct mail.


www.jungle-records.com ~ ~ ~ www.facebook.com/JungleRecords

It’s 50 years since Nancy Spungen introduced the new Heartbreakers ‘L.A.M.F.’ line-up – writing a full-page feature in New York Rocker. 

Nancy Spungen will forever be remembered for her fatal connection with Sid Vicious.  But prior to landing in the UK, she was a mover in the similarly burgeoning NYC punk scene.  In 1976 Richard Hell left the Heartbreakers after disputes about the number of songs each of the three leads should sing.  The solution was two-fold – a new pro bassist, Billy Rath, who’d honed his skills in various New Jersey bands, and new songs from Johnny ThundersWalter Lure and Jerry Nolan to replace Hell’s contributions.

The new line-up had a deadline, a gig at Max’s Kansas City on July 23rd.  Nancy’s feature (attached) is based around that event, and the songs she described were the ones later to become the ‘L.A.M.F.’ album.  Shortly after, manager Leee Black Childers received the phone call from Malcolm McLaren inviting them to the UK’s ‘Anarchy Tour’ with a band they knew nothing of – the Sex Pistols.  On the same day they arrive in London, the Pistols did their interview with Bill Grundy … and suddenly the tour was front page news.

Nancy followed the Heartbreakers to London, arriving on March 15th as they were preparing to play the Speakeasy (recorded and released as ‘D.T.K’).  However the band think she’s bad news; when she gets let into the flat they’re staying in they hide from her.  Soon she is ejected, then rejected by Johnny Rotten and ends up with Sid, who quickly contracts hepatitis. (more info: www.sidviciouslives.com)

‘L.A.M.F.’ has had a chequered life.  It was not until 44 years later that a clean master was found in co-producer Daniel Secunda’s attic.  The original release was criticised for sounding muddy; a mastering fault.  After the chaotic Track Records collapsed, manager Leee burgled the offices for the tapes, but he only found multitudes of mixing sessions.  Secunda had left Track, sore at being unpaid and sidelined.  Outtake mixes and remixes made up subsequent reissue versions of the album. 

‘L.A.M.F. – the found masters’ was first issued in 2021 as a pandemic Record Store Day release and the following year elevated to a ‘RSD Essentials’ neon pink pressing.  Now to coincide with the 50th anniversary of the L.A.M.F. lineup coming together in New York City, it’s being reissued in a transparent vinyl version. Notes in the inner bag are by Simon Wright.  It’ll be alongside the two-CD, hard-cover 32-page book version with an extra disc of L.A.M.F. demos, and a yellow vinyl version of ‘D.T.K. – live at the Speakeasy 1977’.

Listen to the ‘found mixes’: https://promo.theorchard.com/zOF7g721cf5hsFONgHih

Here’s a Johnny Thunders timeline:  www.johnnythunders.info

Sid & Nancy timeline: www.sidviciouslives.com

W.A.S.P. Announce Ten European “1984 To Headless” 2026 Shows

W.A.S.P. announces ten European shows  as part of the “1984 To Headless” 2026 Tour paying tribute to their 1st Four Albums… Live! Selected Hits from W.A.S.P.’s 1st Four Albums promise to create a True Rock ‘N Roll Spectacle complete with a Live Stage Show bringing those Albums Alive for the 1st… and Only Time. The Band will take the “1984 To Headless” Tour to Europe and the World in 2027.

Tickets and VIP: www.WASPnation.com

W.A.S.P. cemented their place in the Rock History in those 1st Five Years with their iconic first album in 1984, followed the next year with “The Last Command”, “Inside the Electric Circus” in 1987 and capped with the their Greatest yet, “The Headless Children” in 1989.

“It’s hard to express the genuine excitement I’m feeling in describing the “1984 To Headless” U.S. Tour. Playing those songs from those 1st Four Albums in a combined package like this is something we’ve never attempted before. In addition to the songs, the entire Stage Show will look like the Album Covers from those Records will Come Alive… right right before your eyes!

Complete with all the History and Bombastic Live Presentations that’s made this Band one of the great Live Bands in the Theatrical Rock World. When elements of those Album Covers start to come alive, right on the stage before the people it’s gonna be something they’ll not soon forget!” — Blackie Lawless
 
W.A.S.P. will be again offering fans VIP tickets to all European shows that give fans a chance to meet Blackie Lawless, get a personal photo with Blackie, autographs, and take part in a very personal Q&A with Blackie. VIP tickets can be purchased at https://waspnation.myshopify.com

“W.A.S.P. – 1984 TO HEADLESS” 2026 TOUR

European Dates

06-24 – Basinfire Festival – Czechia

06-27 – Tons of Rock 2026 – Norway

07-24 – Kuopiorock 2026 – Finland

12-04 – Storm Out Festival – Germany

12-05 – Pott Out Festival – Germany

12-07 – Belgrade, Serbia – Hangar

12-08 – Bucharest, Romania – Arenele Romane

12-09 – Sofia, Bulgaria – Inter Expo Hall

12-11 – Rock Out Festival – Germany

12-12 – Knock Out Festival – Germany

U.S. and Canada Dates

09-10 – El Cajon, CA    The Magnolia

09-11 – Los Angeles, CA    The Wiltern

09-12 – Riverside, CA    Fox Performing Arts Center

09-13 – Phoenix, AZ    Celebrity Theater

09-14 – Santa Fe, NM    Buffalo Thunder Resort & Casino 

09-16 – Austin, TX    Emos

09-17 – Tulsa, OK    Tulsa Theater

09-18 – Dallas, TX    House Of Blues

09-19 – San Antonio, TX    Aztec Theater

09-20 – Houston, TX    House Of Blues

09-22 – Clearwater, FL    Ruth Eckard Hall

09-23 – Daytona, FL    Peabody Auditorium

09-24 – Jacksonville, FL    Florida Theater

09-25 – Raleigh, NC    The Ritz

09-26 – Jim Thorpe, PA    Penn’s Peak    

09-27 – Portland, ME    Aura 

09-29 – Boston, MA    House Of Blues

09-30 – Hampton, NH    Hampton Beach Casino

10-01 – Wallington, CT    Toyota Oakdale Theatre

10-02 – New York, NY    The Palladium

10-03 – Carteret, NJ    Carteret Performing Arts Center

10-05 – Montreal, QC    Mtelus

10-06 – Ottawa, ON    Hard Rock Casino

10-07 – Pickering, ON    Pickering Casino Resort

10-09 – Des Plaines, IL    Des Plaines Theater

10-10 – St Charles, IL    Arcada Theater    

10-11 – St Charles, IL    Arcada Theater

10-13 – Glenside, PA    Keswick Theatre

10-14 – Harrisburg, PA    Capitol City Music Hall

10-15 – Cleveland, OH    Agoura Theater    

10-16 – Milwaukee, WI    Pabst Theater

10-17 – Green Bay, WI    EPIC Event Center

10-19 – Winnipeg, MB    Burton Cummings Theatre

10-21 – Edmonton, AB    Midway Music Hall    

10-22 – Calgary, AB    The Palace Theater

10-23 – Coquitlam, BC    Great Canadian Casino Vancouver – SOLD OUT

10-24 – Coquitlam, BC    Great Canadian Casino Vancouver

10-25 – Seattle, WA    Moore Theater

10-27 – San Jose, CA    San Jose Civic

10-29  – Rancho Mirage, CA    The Show @ Agua Caliente

10-30 – Las Vegas, NV    House Of Blues

10-31 – Anaheim, CA    The Grove

Tickets and VIP: www.WASPnation.com

Firstly I’d like to start by saying how good it was to see The Loveless and The Courettes on this bill as well as Hooky because they could have played it safe and gone for The Subs or Ruts DC etc which would have been cool don’t get me wrong but The Damned thinking outside the box for supports, its excellent not just because they are bands I love but two of em I’ve never seen before which is nice.

Right, let’s get down to business. First up is the Danish duo The Courettes, who embrace the Spector wall of sound and knock out psychedelic-tinged rock n roll with a tip of the hat to the originals back in the 50s and ’60s, but also embrace the rough and ready approach of punk rock which makes for a familiar yet modern twist and it helps that they have a raft full of top tunes as well and playing in the enormadome that is Wembley arena didn’t phase them nor did it take aways from their minimalist approach you might forgive them for the delivery on such a vast stage but no, they took to it really well and fulfilled their remit of opening act and getting a very respectful ovation from the Damned audience which was throughly deserved.

Peter Hook & The Light. Having seen them several times over the years and being a fan of Joy Division, New Order and the Light, I was looking forward to the twin Bass assault of this band and what they put into the set. The place had filled up nicely as the band entered the stage to some nifty Kraftwerk tape, it was looking like a Joy Division heavy set as ‘Dead Souls’ led the way. I like the dynamic of Hooks’ playing style, and his vocals suit the songs, and he commands the stage well, clearly more than comfortable on a big stage. By the time they hit ‘She Lost Control’, they were mesmerising with the Wembley sound being rather good to be fair. I’d not been in this place for about 30 years and always remember the sound being awful, regardless of who was playing, just the size of the concrete box possibly being the problem, but tonight so far it was excellent.

The highlight of the set was a stunning ‘Shadowplay’ followed by ‘Transmission’. It was commented that it would have gone to the next level had John Barnes entered the stage and a version of ‘World In Motion’ filled the concrete box, but alas, not tonight, opportunity missed and being in Wembley as well. Of course, the biggest cheer was for the final tune of the night from Peter Hook & The Light, which was ‘Love Will Tear Us Apart’, a song I’ll never tire of hearing. Job done, Peter Hook & The Light were just as good as the last time I saw them play support, absolutely fantastic performance.

Another first for me was the chance to catch The Loveless and hear Marc Almond deliver his alter ego, garage rock frontman ably supported by the talented Neil X. I loved the EPs and the album but not had the chance to catch them live until now so ‘Wild In The Street’ opened the set and whilst you might be forgiven in thinking they’re a glorified tribute covers band (which they are) they also have their own songs which are equally as good. Maybe it’s a chance to perform songs by legends like Alice Cooper Band and Sweet ‘Under MY Wheels’, complete with Ziggy tip of the hat from Almond and ‘Hell Raiser’ respectively. It was also great to hear them do a rocked up version of ‘Love Missile F1-11’ with X handling the vocals and Almond moving to backing singer. I thoroughly enjoyed the set, thought they sounded fantastic, and the added Saxophone was the cherry on top, but the curveball of the night goes to a rock n roll ‘Tainted Love’, not something I’d ever have imagined doing at a Damned show, but hey, why the hell not. A dozen songs done, and we had reached the headliners, ably supported by three most entertaining acts offering value for money and variety, who said play it safe?

Now cards on the table here, I’ve been lucky enough to see The Damned around a hundred times and been at some pretty memorable markers in their career as they ticked off Brockwell Park, a 10th Anniversery tea party in a massive tent, The Royal Albert Hall headline, captain reaching bus pass status show, multiple festival headline sets, supporting the biggest from the states in Hyde Park, headlining Hammersmith Odeon with the original line up as well as several previous OG line up shows, The London Palladium and the third phase of the band returning when Rat rightfully took back the drum stool and in a few months playing a fuckin castle! Right, I’ve also seen them play when Dave didn’t show up in a shambolic set in Cardiff and plenty of fly-by-the-seat-of-your-pants performances, which were always endearing and a part of The Damned that I love, the fact that you never knew what you were going to get or which side of the band would turn up. Hell, I even saw the night there were three Damned bass players on stage at the same time. Simply put there is no other band quite like The Damned (thank God some would say) I love ’em and would happily chew your ear off recounting memories fondly of sleeping on train platforms and trying to find venues in the middle of nowhere feeling like a stranger on the town, but tonigh I knew where Wembley Arena was and was chuffed for the band that they pulled off another caper that many would thing was way beyond their grade. Often overlooked for their place in the history of UK music, and absolutely nobody here or anywhere for that matter would have given these herberts a cat in hell’s chance of reaching 50 fucking years and capping it off with their boldest move yet – punk rock in an Arena.

It’s fair to say the Damned audience has evolved over the years, but they’re a demanding bunch and often hard to please, and Damned of you do Damned if you don’t in many ways, but I was just happy to join them to celebrate a remarkable feat this evening. As the band take to the stage bathed in fog, it’s ‘Phantasmagorias’ ‘Street Of Dreams’ that kicks off proceedings as we weave through a darker opening set, ‘Blackout’ follows before a wonderful intimate performance of ‘Dr Jekyll And Mr Hyde’ is played. ‘Stranger On The Town’ precedes ‘Under The Floor Again’ before we get ‘Eloise’, my least favourite Damned cover yet, a song I think they’ve played at every show since they first covered it. So the set was split in two, with set staples ‘I Just Can’t Be Happy Today’ making way for ‘Life Goes On’ and ending with a rowdy ‘Smash It Up’, then the intermission and a host of commercials from fifty years ago. Shake n vac, is it even a thing anymore? And who else fancied a flake? Anyway, I digress.

Set Two kicks off with the huge screen beaming their performance on The Young Ones as ‘Nasty’ was unleashed, then they got into gear with ‘Love Song’ and ‘ Etiquette’ before the first album got an airing with the awesome ‘Fan Club’. The Damned always put out killer singles and B-sides that never made albums, like the epic ‘Limit Club a song they’ve sadly not dropped into the set I’ve heard for many a moon, but we did get ‘Disco Man’ just before a crowd sing-a-long of ‘Ignite’.

A lot gets said about this band and the fans might be a demanding lot but at their advanced age I think its amazing I still get to see my favourite band regularly and they might not be as edgy and chaotic as they used to be why would they they are still a formidable band and on their day better than anyone and they still play the greates single ever recorded and released ‘Neat Neat Neat’ is thrashed out before we go all proggy as a rather restrained Captain leads the way through a shortened ‘Curtain Call’ before Rat has his five minute behind the kit which paves the way for a loose ‘New Rose’ and were done. Two fuckin hours of The Damned, who once again took us on a journey through some of the best music ever made. Was it their finest hour? I doubt it. Was it faultless? No, lyrics forgotten? Sure – so what, guitar parts fluffed? Of course, intros missed? – for sure. Without that edge, they wouldn’t be The Damned.

Tonight wasn’t about turning in the performance of a lifetime, it was a celebration of 50 years of anarchy, chaos and destruction and the fact that they are still here doing what we love. God bless the Damned and all who sailed with them from Brian, Algy and Bryn, who are no longer here. We salute you, and too many to name, who’ve borrowed a guitar or pair of sticks, we thank you, and to Dave, Captain, Rat, Paul and Monty, many happy returns, gents, that was a blast, and I wouldn’t have missed it for the world.

Author: Dom Daley