‘Everywhere We Go’,

New Record & Management Deals in Germany and Announce 2026 UK Tour Dates.  
 TICKETS AVAILABLE HERE
  “EVERYWHERE WE GO”


Lancaster’s finest rock export, Massive Wagons, release their brand-new single and video “Everywhere We Go” today, Friday 14th November. The track, packed with the band’s trademark energy and stadium-sized hooks, comes accompanied by a video filmed at the Iconic Winter Gardens in Morecambe.

 The single is a celebration of everything Massive Wagons stand for, big riffs, bigger choruses, and a sense of community that runs through everything they do.

 Guitarist Adam Thistlethwaite comments on the track “We wanted it to sound huge wherever it’s played… radio, kitchen, or concert hall. Matt O’Grady completely understood that and nailed the energy in the mix.”

 Vocalist Barry Mills adds “Everywhere We Go is one of those songs you just know will go off live… big chorus, big energy, it’s built for the stage.”

 
 The release signals a bold new era for Massive Wagons, building on their growing success across Europe with powerful new partnerships in Germany as they announce signing to Reaper Entertainment for their next album and join forces with Brainstorm Music Marketing in Germany, cementing their presence on the European rock scene.

 Flori from Reaper Entertainment comments: “Massive Wagons” are one of the most exciting rock bands in the UK and among the most promising and exciting rock acts worldwide. We are thrilled to help them achieve, in other countries, the level of recognition and success they have already earned in the UK. Their energy, authenticity, and passion make them a perfect fit for our label, and we look forward to supporting them as they reach new rock & metal fans around the world.”

 Deville adds: The Brainstorm Music Marketing team is excited working even closer now with Massive Wagons because their energy, grit, and honest rock spirit match exactly what we want to champion. They bring a loyal fanbase, a powerful live presence, and a clear creative identity. Partnering with them feels like joining a band already in forward motion, ready for bigger stages and bolder steps.”

 To mark the occasion, the song will also be released as an exclusive 7-inch vinyl singlelimited to 500 copies worldwideThe vinyl will be available on tour at the merch stand and can be pre-ordered now via the official Reaper Entertainment shop HERE

 Manager Terri Chapman shares her excitement about the band’s next steps,
“Massive Wagons have never been a band to rest on their laurels. With fans always at the heart of everything they do, this partnership with Reaper Entertainment feels like the perfect next step. Reaper bring experience, integrity, and a genuine ‘fans-first’ ethos that mirrors the band’s own. We’re already deep into plans for the next album and it’s shaping up to be their strongest yet. The band’s momentum in the UK continues to build, and with our German partners at Brainstorm leading the charge overseas, in a country where the guys have spent years touring and building a loyal fanbase, everything feels perfectly aligned. This is a new era for Massive Wagons, and one that fans will definitely want to be part of.”

 Following their headline set at Planet Rockstock and European Headline tour this December, Massive Wagons will release a live album in March 2026 via Earache Records, captured during their sold-out homecoming show at Lancaster University’s Great Hall, the venue’s first rock concert in over 40 years. This is available to Pre-Order here

 Looking ahead, the band have just announced their UK headline ‘Everywhere We Go’ Tour for April–May 2026, hitting towns and cities across the country.

Tickets are available here.

Barry Mills sums it up best: “We’re hitting the road again back on our home turf in the UK for 2026, loud, hard, and unapologetically Massive Wagons! No agenda, no gimmicks just rock ’n’ roll in your face. Grab a ticket, it’s gonna be chaos.”

2025
 28.11.2025 – Trecco Bay  UK (Planet Rockstock)
BLOOD & BONE EU TOUR – 2025
 29.11.2025 – Kortrijk, Belgium (DVG Club)
 01.12.2025 – München, Germany (Backstage Halle) 
 02.12.2025 – Stuttgart, Germany (Im Wizemann) 
 04.12.2025 – Haarlem, Netherlands (Patronaat) 
 05.12.2025 – Paris, France (Le Backstage by The Mill) 
 06.12.2025 – Essen, Germany (Weststadthalle) 
 08.12.2025 – Hannover, Germany (Musikzentrum) 
 09.12.2025 – Berlin, Germany (Frannz Club) 
 10.12.2025 – Frankfurt am Main, Germany (Das Bett) 
 12.12.2025 – Lübeck, Germany (Rider’s Café) 
 13.12.2025 – Wissen, Germany (kulturWERK Wissen) 

2026: 
 07.02.2026 Warrington,UK, (Parr Hall) Full Nelson Show
EVERY WHERE WE GO UK TOUR – 2025
 17.04.2026 – Norwich, Epic Studios
 18.04.2026 – Leicester, O2 Academy
 19.04.2026 – Holmforth, The Picturedrome
 23.04.2026 – Aberdeen, The Tunnels
 24.04.2026 – Middlesbrough, Empire
 25.04.2026 – Hull, The Welly
 30.04.2026 – Margate, Dreamland
 01.05.2026 – Exeter, Phoenix
 02.05.2026 – Gloucester, Guildhall

 Tickets: https://www.massivewagons.com/live

The track is available now on all digital platforms:
https://lnk.to/EverywhereWeGo

 
Website: https://www.massivewagons.com
  
Facebook: https://www.facebook.com/MassiveWagons/
  
Instagram: https://www.instagram.com/massivewagons/

Twenty-two songs in just under an hour with loads of Wonk Bollocks in between on hipster cassette live in the raw at Balter Festival is exactly the live album you never knew you wanted to hear. If you’re fully Wonked up, you know the drill and you know exactly how fuckin ridiculously good these chaps are live. They most certainly have the receipts when it comes to an hour-long set of absolute bangers. Led by Alex, they are a mish-mash of punk rock, new wave, with down-to-earth lyrics and song subjects as Alex lifts the veil from your eyes as to what some of the songs are about, and if you have a favourite song, it’s probably played on this here live set.

The band’s second live album doesn’t make them Pink Floyd or anything, but it does show how many top tunes they have and how bloody tight they are live. Whilst it’s on hipster tape, you do get a download of the show, which is nice for those of you who no longer own a Walkman and are no longer wired for sound. Wonk are a ferocious live band and songs like ‘Nan’ are on fire, but when they shake it up and play songs like ‘Horses’, they gallop (sorry) along as well as the gonzo frantic ‘Disco Fever’, but it’s the classics ‘Go Easy’ where they really cut loose as well as the poetic and on point ‘Kings Road Sporting HEroes’ that cement their status as one of the finest live bands around and if you do get the chance to take in a performance then I strongly sugegst you do so. Hell, they even end the set with a personal favourite of mine, ‘Silly Voices’.

Head over and pick up a copy whilst they are still available and bask in the glory of a full flight Wonk Unit taking no prisoners with their superb punk rock n roll. Buy It!

Buy Here

Author: Dom Daley

What can you say about one of the most legendary voices of Rock that hasn’t been said before – not much, but I will say that Graham Bonnet and his band, the imaginatively monickered Graham Bonnet Band, are soon to be releasing a new live album that celebrates and commemorates Graham’s voice as one of the most recognisable in rock. Up there with Ronnie James Dio and only a few others. This album is a touching, yet relevant showcase of what the 77-year-old singer can do.

Recorded back in August 2024, at the famous Whisky a Go Go in Los Angeles, the Graham Bonnet Band rocked and rolled, and it has all been captured here on this the Lost In Hollywood Again album.

Opening with ‘Eyes of the World’, then straight into ‘All Night Long’ – you know that this band mean business and for the 16 song setlist – prove that class doesn’t age and only gets better with time.

‘Love’s No Friend’, ‘Making Love’ and ‘Since You’ve Been Gone’ are up next, while many would keep the hits until last – Graham and band acerbate a confidence that is rarely seen these days.

Now would be a great time to introduce the band that is captured live here – Obviously, you know Graham Bonnet on the vocals, but the band, who are made up of Conrado Pesinato on guitars, Beth-Ami Heavenstone on bass, Alessandro Bertoni on the Keyboards and Francis Cassol on drums. This band have clearly reinvigorated Graham, and the audience must have been in their oils as the music washed over them.

However, up next – poses the age-old question of the live album and should guitar/keyboard/drums solos should be included. I’m of the opinion that they should, as it gives the listener the time for a toilet break, just like they do in the live setting. Wasting no time, the band kick straight into ‘Lazy’ and then ‘Imposter’. Which again only highlights how good a voice Graham still possesses.

The closing gambit of this live album is another lesson in Rock N Roll greatness. How can anyone argue that the following cluster of songs is nothing short of brilliance – ‘Night Games’, ‘Into The Night’, Assault Attack’, Too Young To Die, Too Drunk To Live’ and ‘Lost In Hollywood’.

While albums like this will undoubtedly gain the artist some new fans, it is clearly a love letter to the OG fans and a record that deserves to be heard and played loud.

Buy Here

Author: Dave Prince

It’s been a while since I last saw Ash live, which happened to be this very venue on their A to Z tour, even though they played support just down the road in the Arena, but as support to The Darkness. The middle of November, and it’s barely jumper weather outside, but in the packed, large room of Sin City, it’s like a sauna as the band takes to the sticky stage to rock the house for the next ninety minutes. The band walks onstage to the triumphant strains of ‘Zarathustra’ before launching into the new album’s Graham Coxon co-written single ‘Fun People’, which, to be fair, is met with the enthusiasm of their greatest hits, which is nice and gives the band energy right from the off.

In a bold move, the band play eight songs from the new album ‘AD Astra’, which, to be fair, is an excellent album, and the band sounds like they’re loving handing over the opening part of the set with so many new songs Tims guitar sounds crisp and front and centre even when using the tapes for the keys and effects the focus is on the threepiece who are tight as a pack of rizlas tonight. ‘A Life Less Ordinary’ is the first of the “Hits” to be offered up to the very appreciative audience. The previous records ‘Race The Night’ gets its title track aired before ‘Arcadia’ makes an appearance. Then it’s big hitter mixed with New track mixed with deep cuts as the brand new shiny songs mix in very nicely with the old staple tracks like ‘Goldfinger’ , ‘Shining Light’, followed by the awesome ‘Oh Yeah’ makes for a stunning one two of the finest power pop alternative rock thing the UK has offered in many decades.

I’m still scratching my head as to the purpose of covering the Harry Belafonte track, but hey, if they like it, who am I to disagree but it was welcome to get on track with a glut of bangers from the ‘1977’ album as the minutes flew by, it was ‘Jack Names The Planets’ from ‘Trailer’ first to warm the pit up a bit (is it really that long ago when this was released) a real time capule of a song when Ash seemed like mainstays on the music shows of terestrial TV and MTV, it still sounded vibrant and fresh with that Bass rumble sounding massive.

Tim returned to the stage alone for a run-through ‘My Favourite Ghost’ before the other pair returned for a belter of a hat-trick to finish off another superb set from Downpatrick’s favourite sons ‘Kung Fu’, ‘Girl From Mars’ and ‘Bun Baby Burn’ are exactly what an encore should sound like. That was a mightily quick hour and a half, and once again a beaming Ash came, saw and conquered.

If you do get the chance to catch the band on this tour, let me tell you they are on form, and if it’s half as good as tonight, then you won’t be disappointed. Same time next year please guys.

Author: Dom Daley

Ash

POWERFUL UNFORGIVING COVER OF METALLICA’S 

‘METAL MILITIA’ OUT NOW FROM SILVER LINING MUSIC’S NO LIFE ‘TIL LEATHER – A TRIBUTE TO METALLICA’S KILL ‘EM ALL OUT THIS WEEK

Pre-orders available here

DATELINE: November 12th 2025 – Silver Lining Music release No Life ‘Til Leather – A Tribute to Metallica’s Kill ‘Em All this Friday, November 14th. The fourth single from the all-star compilation is from the pioneering heavy metal legends  Raven, the ear-splitting take on Metallica’s ‘Metal Militia’.

You can divide the history of heavy metal into two distinct chapters: ‘before Metallica’ and ‘after Metallica’. When the Four Horsemen galloped to the top of dozens of countries’ charts with their self-titled album in 1991, they became the new measuring stick for their genre, and their standard is one that no hard rockers since have matched, let alone outdone.

No Life ’Til Leather – A Tribute to Metallica’s Kill ’Em All unites Metallica’s favourites, their peers, and the generations that came next. Metallica’s first proper tour was with Raven in 1983, on the famous Kill ‘Em All For One venture. Thus, it is only fitting that   Raven feature on the album with their powerfully unapologetic rendition of Metallica’s “Metal Militia”. With unrelenting energy and raw precision, Raven channels the ferocity of the original while stamping their own unmistakable identity on the track — a bold statement that captures the spirit and intensity of the entire album.

“We are very happy and honoured to have been asked to be part of this awesome tribute to our old sparring partners,” comments co-founding lead vocalist and bassist John Gallagher. “Our cover version is many things, as you will hear… in the best tradition of the guys themselves, but I think we captured that Metallica “snarl”…. Especially by changing a few key elements! Features Mark on vocals, today all is revealed!”

No Life ‘Til Leather – A Tribute to Metallica’s Kill ‘Em All is a colossal celebration of the most propulsive debut album in heavy metal history, re-imagined by the legends who inspired it and the generations that came in its wake!

The veteran likes of SaxonDiamond Head, and Motörhead, (three of Metallica’s favourite bands) are joined by rising stars such as Tailgunner and Swedish prog metallers Soen to create a who’s-who of heavy music, with each performer lending their unique sound to one classic track. Contributions from thrash giants Testament, ex-Megadeth bassist David Ellefson, and New Wave of British Heavy Metal linchpins Tygers of Pan Tang show the label looking beyond their own artists to amass the greatest lineup possible.

The first single, ‘The Four Horsemen’, a particularly confrontational cover by hard rockers The Almighty, which propelled the band to go back into the studio for the first time with the founding line-up since 1991, is out now. Watch/listen to ‘The Four HorsemenHere.

The second single ‘(Anesthesia) – Pulling Teeth’, is a monumental cover of Metallica’s instrumental epic by the legendary David Ellefson. Watch/ listen to ‘(Anesthesia) – Pulling TeethHere – video by Pamela Parks, edit by Freakshot Film.

The third single ‘Seek & Destroy’, is a super-charged cover of the Metallica classic by thrash metal icons Testament. Watch/ listen to ‘Seek & Destroy’ Here – video by Freakshot Film.

No Life ‘Til Leather – A Tribute to Metallica’s Kill ‘Em All is an ambitious achievement worthy of Metallica’s game-changing legacy. By the fans and for the fans, it reaffirms the Four Horsemen’s ironclad influence – and its stacked roster continues the band’s mission to shove metal up your ass!

“A project five years in the making, No Life ‘Till Leather, is more than a tribute, it’s a history lesson, a love letter, and a reaffirmation of heavy metal’s unbreakable spirit.” – FISTFUL OF MEAL

No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All has to be given extra attention simply due to the impressive list of bands and their equally astounding performances.” – METAL-TEMPLE

“I see it as a great tribute and an act of love towards a band that has now become immortal! And “Kill ‘Em All” isn’t just an album! It’s an institution! And we’re still here, with our fists raised, shouting: No life ’til leather!”  – CHAOSZINE

No Life ‘Til Leather – A Tribute to Metallica’s Kill ‘Em All track-listing:

  1. Hit The Lights (Tailgunner)
  2. The Four Horsemen (The Almighty)
  3. Motorbreath (Soen)
  4. Jump In The Fire (Tygers Of Pan Tang)
  5. (Anesthesia) – Pulling Teeth (David Ellefson)
  6. Whiplash (Motörhead)
  7. Phantom Lord (Saxon)
  8. No Remorse (Diamond Head)
  9. Seek & Destroy (Testament)
  10. Metal Militia (Raven)

No Life ‘Til Leather – A Tribute to Metallica’s Kill ‘Em All will be available as a vinyl, CD, and on digital formats. Pre-order here

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The mighty Saxon’s Hell, Fire and Steel tour has been rolling through the UK. The final date is here in Cardiff; there’s a definite chill in the air as I queue to get in with the rest of the sold-out denim and leather-clad audience. By the time I get in, U.D.O. have already started their set. I catch most of the opening track – ‘Balls to the Wall’ (complete with giant inflatable balls), and I’m reminded of how much I love that song. I find myself headbanging (gently these days!) along to the monstrous riff and groove. Udo Dirkschneider is looking good for a 73-year-old, and his voice sounds like it always has. He has assembled a fantastic band, they play the Accept classics with flair, and we get a top selection of tracks, including the so bad it’s good – ‘London Leather Boys’, ‘Turn Me On’, and of course, they finish the set with a solid version of the proto thrash metal classic – ‘Fast as a Shark’. The audience gives U.D.O. a rapturous ovation, and we wait for Saxon to take the stage.

Yes, yes, I know you all know my love for Saxon. They were, after all, my introduction to the world of heavy metal back in 1986 when I was a young, impressionable 13-year-old. My mate in school brought me a tape of the compilation album ‘Strong Arm Metal’ and that was it! I’ve been a metal head ever since. It’s hard to believe that the band are as relevant now as they were then. The band have consistently released quality albums, some of their latest efforts are up there with the classic stuff.  They have weathered many storms in their long career. Drummer Nigel Glockler suffered a brain injury back in 2014, and vocalist Biff Byford recovered from a heart attack in 2019, and more recently has had treatment for prostate cancer. Not that you would know any of this when you see and hear their performance tonight!

The unmistakable tones of Brian Blessed blast through the PA as the intro to Saxon’s latest album – ‘Hell, Fire and Damnation’ is played. The curtain drops and the riff to the album’s title track kicks off the show with style. Biff is on fine form vocally; he genuinely sounds better now than he ever has. For a man of 74 years of age, he puts many younger vocalists to shame. The first half of their set includes the standards – ‘Power and the Glory’, ‘Never Surrender’, ‘Backs to the Wall’, ‘Heavy Metal Thunder’ and ‘Dallas 1 pm’. We also get some newer tracks that have also become classic Saxon – Sacrifice and Madame Guillotine.

The video screen behind the band is used to great effect, with images to highlight the songs. The guitar duo of long-time member Doug Scarratt and new boy, Diamond Head legend Brian Tatler, works perfectly. They play for the song, no unnecessary showboating, just tasteful playing. Their twin lead attack is a joy to behold. Bassist Nibbs Carter shows no sign of slowing down; he’s like a shirtless Tasmanian devil. Headbanging furiously, saluting the crowd with horns aloft, he’s a focal point of the band. Nice to see him using a Rickenbacker for part of the set too – a nod to their old friend Lemmy? A special mention must go to drummer Nigel Glockler, at 72 years of age, he is still a force to be reckoned with. He doesn’t miss a beat; his thunderous attacking of the drums really is something special. Saxon have a real affinity with Wales, Biff tells us stories of the band playing in South Wales when the band first started out, “the Rhondda valleys!” he shouts in a pretty good Welsh accent!

Then we get to the part of the set that everyone has been waiting for – the seminal album ‘Wheels of Steel’ played in its entirety. Biff introduces ‘Motorcycle Man’ by taking us down memory lane, he asks us what the first thing we all heard when we dropped the needle on the LP for the first time… That’s right, the roar of a bike tearing up the tarmac. They kick into the track with gusto! The audience goes nuts and sings every word. This is a real treat for all of us in the room. We get to hear deep cuts like Freeway Mad and Street Fighting Gang as well as standards – 747 (Strangers in the Night), Wheels of Steel and See the Light Shining. The highlight for me, though, is hearing ‘Machine Gun’ live for the first time. The bomb effect at the end of the track clears out everyone’s bowels… amazing! ‘Suzie Hold On’ sounds great too (even though it’s my least favourite on the album). There’s a lovely moment where someone hands Biff their beloved vinyl copy of ‘Wheels of Steel’ and he pulls out a Sharpie from his pocket, signs it and hands it back. Biff tells us that a new album is in the works and we should expect it sometime in 2026. No slowing down for these guys!

We get an encore of ‘Denim and Leather’, some of the audience throw their battle jackets on stage and the band wear them, Biff signs them all while the guys in the band are still wearing them! The final tracks of the night are ‘Strong Arm of the Law’ and the fantastic ‘Princess of the Night’. What a set, what a band. There are smiles of appreciation on every face. Saxon more than delivered tonight. Long live the Barnsley big teasers!   

Author: Kenny Kendrick

RSD 2025 Black Friday release of this live performance from Toronto and Boston, and now Max’s Kansas City is the sound of a freakin juggernaught of a band. After Thunders released ‘So Alone’ he hooked up with the newly released from Jail Kramer who served two years for Coke offenses they toured the USA and Canada with the view to making a record but it never happened but live they were at thei rbest and Previously only available on ropey bootleg, it’s now had a bit of spit and polish lovingly done by team Jungle records, and with a cool innersleeve bio courtesy of Nina Antonio, some of Kramer’s interpretations are so good on tunes like ‘ Endless Party’, leaving Thunders to concentrate on the vocals (ok ok loosely concentrate). ‘I’ll Go Crazy’ is out of Thunder’s wheelhouse, but he pulls it off just in range whilst Kramer sets his fretboard on fire.

Songs like the thunderous ‘Hey Thanks’ are role reversals with Thunder’s lighting up the speakers with his BVs and sloppy solos. Barely held together, this band had the potential to be devastating but for no particular reason, they were never made to gel in a studio and work out their differences, with Johnny claiming it was the age gap (yeah right) Hell, on ‘Just Because I’m White’ the familiar Thunders howling screachign feedback is present and made me smile remembering the feeling when it bellowed through the speakers.

Johnny’s introduction for ‘Ten Commandments Of Love’ and his inter-song banter would see him cancelled in a nanosecond in 2025, the band, however, are on fire and I’m sure if Bob Dylan ever heard their version of ‘Like A Rolling Stone’ he’d approve. The funky version almost calypso ‘Endless Party’ sounds like a lot of fun. Johnny sounds relaxed on ‘Do You Love Me’.

I often wonder what lies on the cutting room floor and attics of various labels and producers out there, never to be unearthed, so I’m always pleased to see stuff come to light, regardless of how many years later it is, and these rough live recordings from NYC are exactly that, cooked up after being in some loft for decades. On his patch, Thunders seems to have sped up the band and sounds right up for it on opener ‘London Boys’. They’ve cleaned the recording up as well as possible, but it’s more about the overall picture than audio clarity. Gang War on paper was an awesome idea that was never brought to reality like it should have. Who knows who could have made this work and its mores the pity it only ever brushed success and is the footnote of two stunning resumes and giants of Rock n Roll in their own rights. I’m glad to have these wax documents to put on from time to time and daydream of what might have been, and be glad we had them for a short while.

Black Friday, for what it’s worth, this is your essential pick up, no doubt about it.

When Jungle said they were releasing a brand new 40th Anniversary edition of the classic ‘Que Sera Sera’ album, I was curious. Having such a small repertoire, or rather official output, Thunder’s always delivered exceptional records. This latest reimagined version of this fine record is well worth investigating, not just because of its shocking pink records, but there are hidden gems within.

Completely remixed and reimagined with the big claim that this is how it should have sounded (to be fair, they’re not wrong on this claim). Gone are the muddy mixes and replaced with crisp, vast widescreen takes. The second album is six previously unheard outtakes and live tracks. Remixed by the now departed Pat Collier, having revisited them because Johnny missed the original mix back in the day, so his guitars have been put in their rightful place – Front and centre and LOUD!

This fine package comes with a splendid overview from Nina Antonia with quotes from the people who were there, like Michael Monroe, who also added some exquisite sax on ‘Blame It On Mom’ and the majestic ‘Cool Operator’. The side I went to first had to be the brand new takes on side three, where you get a raw and vibrant version of ‘Blame It On Mom’ with an absolutely fire solo. Quite how ‘Take You Up Avenue D’ never made the original, I don’t know, with its slap funk Bass and wailing sax, it’s sleazy as hell and the embodiment of the place when this was recorded. ‘Short Lives’ is more of a guide jam with the vocal deep in the mix and Thunder’s unmistakable guitar right front and centre. And Johnny fucking up on ‘I Only Wrote This Song For You’ is classic. Bringing the studio takes to a close is the awesome ‘Cool Operator’ first take. They definitely nailed the final version that made the album way more funky than this pretty straight take. Lacking the swing and arrogance that elevates the original release. But to hear Johnny rip it up on guitar is a joy all by itself.

With your usual ensemble of legends who play on Thunder’s albums, this might have been his most creative with Tregenna, JC Carroll, Monroe, Suicide, Matlock and Wilco Johnson alongside his incredible band from the time this is how ‘Que Sera Sera’ was meant to be heard. From the iconic cover to the shocking pink vinyl, this might just be the definitive version. The real gold here is the unearthed Outtakes on side three of this record, worth it for these alone, as well as the excerpts from a live show in Northern France taking up side four. Johnny Thunders is still the greatest there ever was and will ever be. Cherish his archive and get on board with this lovingly preserved collection from people who give a fuck about his music and the search for perfection of how he should have and deserved to sound.

Having unearthed the live recordings, this is Thunders at his finest. Taken way too soon, he never realised his true potential, but the studio albums he did leave behind are lovingly preserved by the likes of Jungle, and apart from the punk police wagging their fingers, I’m all for hearing these unedited takes and alternative versions. Just buy it the guy was a genius.

Buy Here

Author: Dom Daley

*There is also a 12″ and 7″ test pressing available of ‘Short Lives’ and a mix of ‘Cool Operator’

Famous for his live collaborations with childhood buddy Aphex Twin, Luke Vibert has paved his own way through the electronic music scene, pioneering the “drill+bass” sub genre operating under various guises such as Plug, Wagon Christ and the unforgettable Amen Andrews.  Luke played in various punk bands in his teenage years and formed a close bond with Bad Sam vocalist Dean Beddis, then singer with Newport’s Cowboy Killers.  When Dean sent Luke songs from the new Bad Sam album, Luke didn’t take much time in responding with this killer post-punk jungle anthem.  Bad Sam is the joint partnership of Dean Beddis and Newport compatriot Dub War’s Richard Glover.  Their third album Trauma is out November 28th. 

ZEKE ANNOUNCES NEW SINGLE – ‘PETERBILT’ ON NOVEMBER 28 VIA HOUND GAWD!

Short. Fast. Loud. No compromise.

With their new 7″ single “Peterbilt”ZEKE unleash an adrenaline rush only they can deliver. Since forming in Seattle in 1992, ZEKE have defined speed rock: an unrelenting mix of hardcore punk, rock ’n’ roll swagger, and breakneck fury.

The two tracks, “Peterbilt” and “From The Ashes”, are nothing short of a frontal assault—razor-sharp riffs, relentless drumming, rumbling bass, and the feral snarl of frontman Blind Marky Felchtone. Every second hits like a strike, every note is pure velocity. This is rock ’n’ roll in the red.

Led by founding members Blind Marky Felchtone (vocals, guitar) and Donny Paycheck (drums), alongside Jason Freeman (bass) and Jeff Hiatt (guitar), ZEKE channel their explosive live energy straight into vinyl. In less than three minutes, they deliver the kind of sonic intensity most bands can’t capture across a whole album. “Peterbilt” is uncompromising, high-octane punk rock—raw, direct, and unapologetically loud. Essential listening for anyone who craves speed, aggression, and attitude.

ZEKE are back—faster, louder, and more ferocious than ever.

The tracks are not available on streaming platforms.

Tour Dates

18.03.2026 – NL – Eindhoven – Effenaar

19.03.2026 – DE – Saarbrücken – Studio 30

20.03.2026 – BE – Aalst – St-Annazaal

21.03.2026 – GR – Athens – An Club

23.03.2026 – DE – Köln – Volta Club

24.03.2026 – tba

26.03.2026 – tba

27.03.2026 – ES – Vitoria-Gasteiz – Jimmy Jazz

28.03.2026 – ES – Madird – Gruta 77

29.03.2026 – PT – Lisbon – Republica da Musica

30.03.2026 – ES – Jerez de la Frontera – La Guarida

02.04.2026 – ES – Valencia – 16 Toneladas

03.04.2026 – ES – Barcelona – Upload

04.04.2026 – FR – Montpellier – Secret Place

05.04.2026 – FR – Marseille – Molotov

07.04.2026 – DE – Freiburg – Atlantik

08.04.2026 – DE – Wiesbaden – Schlachthof

09.04.2026 – DE – Düsseldorf – Pitcher

10.04.2026 – NL – Rotterdam – Baroeg

11.04.2026 – NL – Zwolle – Skroetfest