Gun Announce Best of and tour Dates

Gun Announce Best of and tour Dates

Scottish rock veterans GUN are thrilled to announce the release of their best of album “R3L0ADED”, due out on 29thNovember via Silver Lining Music. In addition the band will launch the first single “Superstition”.

“R3L0ADED” is a real declaration of intent. GUN are looking to the road ahead, to new challenges, unfulfilled ambitions. While the album is a celebration of the band’s illustrious past, it also forcibly underlines that their focus is fixed firmly on the future. There’s a real feeling of optimism and creativity… of so much more to be achieved.

Whilst celebrating the 30thAnniversary of “Taking On The World”, the band’s 1989 debut album, the double record gathers in one collection GUN’s best singles, taken from their award-winning career spanning three decades. “R3L0ADED” is presented as a double album, Disc 1 features singles from the band’s seven albums, such as first chart hit ’Better Days’ (1989), ‘Steal Your Fire’ (1992), ‘Don’t Say It’s Over’ (1994) and ‘Favourite Pleasures’ (2017).

Guitarist Giuliano “Jools” Gizzi comments: “R3L0ADED is a collection of our best singles.  We wrote a bunch of songs – the best we could do and had no idea if they’d be successful or if people would connect with them.” He then continues: “They are the soundtrack to a lot of good times and bad.  Now, people come up to us to say how these songs have touched them or made an impact, however small, in their lives. In 1989, we WERE taking on the world. We still are.”

Frontman Dante Gizzi adds: “Taking On The World really put us on the map.  Thirty years ago, our dream was simply to sign a record deal, release an album and maybe go on tour, no more than that. So it’s great to recognise something which means so much to us, and also to the people who have stayed with us over the years.“

Disc 2 is a collection of cover songs, which includes ‘Word Up’ by Cameo (1986), for which the band won the prestigious MTV Europe Music Award for Best Cover.  The band have recorded new versions of ‘Every 1’s A Winner’ by Hot Chocolate (1978), ‘(You Gotta) Fight For Your Right (To Party)’ by The Beastie Boys (1986), ‘Union City Blue’ by Blondie (1979), ‘Rock The Casbah’ by The Clash (1982), ‘Everybody Knows’ by Dixie Chicks (2006), ‘Diamonds’ by Rihanna (2012) and ‘Take Me To Church’ by Hozier (2013).  Firm proof GUN can also pull some real musical aces from the pack are the inclusion of the classic ‘Superstition’ by Stevie Wonder (1972) and ‘Success’ by Iggy Pop (1977).

Jools reveals: “These tracks are our favourite songs by acts we’ve grown up with.  But we tried not to pick the obvious ones. Our aim was to make heavy rock versions of these great songs.  It’s what we do.  It’s become one of our strengths both live and in the studio.”

Dante continues: “There are many people out there who still want to hear GUN… We have an incredibly loyal fan base, so we owe it to them – as well as ourselves – to keep shooting for goal. Everything is a challenge or a pressure… but it’s a good challenge or a good pressure.  We’ve never had it any other way.  You always want to march on.  But the feeling is that there is still so much more to be done.  We’re far from finished.  R3L0ADED is just the beginning… the start of a new chapter.”

To coincide with the album release and the 30thanniversary of seminal debut album “Taking On The World”, the band will embark on a full UK tour alongside other two rock legendary names: FM and Dan Reed Network.

The Big 3-0 Tour Dates
9thDecember – Bristol – o2 Academy
10thDecember – Southampton – Engine Rooms
11thDecember – London – o2 Shepherds Bush Empire
13thDecember – Wolverhampton – KK’s Steel Mill
14thDecember – Norwich – LCR UEA
15thDecember – Nottingham – Rock City
17thDecember Newcastle – o2 Academy
18thDecember – Leeds – o2 Academy
20thDecember – Manchester – Academy 2
21stDecember – Glasgow – Barrowland

The Bar Stool Preachers, Rich Ragany & The Digressions, Social Experiment Sat 21st Sept Clwb Ifor Bach

The Bar Stool Preachers, Rich Ragany & The Digressions, Social Experiment Sat 21st Sept Clwb Ifor Bach

Social Experiment hit the stage at the early time of seven-fifteen due to Cardiff seemingly giving up its city to the busiest night in a long time as the Stadium Across the road having seventy thousand petrol heads in for a show but the clued in people of South Wales braved the gridlock for the main event happening on one side of Womanby Street. Puddle is quite the striking frontman with his wonderfully pert mowhawk as he belted out the words to their songs stalking the front of the stage like a caged beast the four-piece sound tight and deliver their hardcore punk with gusto.  Tackling social issues and hammering out tracks drawn from their most excellent album ‘Rumours Of Our Demise Are Not Greatly Exaggerated’. The only local boys on tonight’s bill kick things off with a really impressive set they’re hard to ignore and certainly prove to be a tasty chaser for tonights session.

 

Rich Ragany and The Digressions have battled horrendous motorway traffic and vuvuzela brandishing speedway maniacs to make their Welsh debut tonight. So, after all that just as they launch into the sublime late summer sounds of ‘Little Let Down’ and guitarist Gaff’s amp decides to go up in flames, I must admit my heart kind of sinks a little bit for them.

Fear not though (power)pop pickers as after a quick on-stage tactical reshuffle this little hiccup is quickly put to one side and the remaining Digressers set about delivering a finely woven set of songs largely drawn from the ‘Like We’ll Never Make It’ album, Rich’s debut solo release.

Highlights? Well, there’s the rambunctious ‘Scotty Thompson’ which crops up mid-set, which is a song that could very easily out Cockney tonight’s headliners in its composition. Then there’s the bristling energy of ‘Your Distance’ where Rich along with rhythm guitarist Kit Swing combine their voices to lift even the hardest of hearts in attendance tonight.

Having already supported the likes of alt-rock legends The Lemonheads and The Rolling Stones buddies The Dirty Strangers it’s easy to see why Rich Ragany and The Digressions have such a broad church appeal and I must admit I was enjoying myself so much along with most of the rest of the audience that I didn’t really scribble down anything else. Then again isn’t this what Saturday nights are supposed to be all about?

With the good decision to take this to the main room it was time for headliners The Bar Stool Preachers to stand tall and show the good people of this city exactly what all the fuss is about.  Without fanfare they didn’t so much hit the stage but gave it a right seeing to with a size ten. The energy and enjoyment oozing from the band is a joy to see and they waste no time at all winning the crowd over who have come to dance and have a seriously good time.

Without the blink of an eye this (now) five piece really work the stage and audience alike and their love of the music wins over even the hardest cynic and with ‘One Fool Down’ coming fairly early on in the set is a real blast.  There are plenty of people singing every word as the songs from their first two studio albums get peeled off the bands hard work ethic is really paying off as they might be a guitar lite they are still tighter than a pair of soaking wet rizlas the three out front lock-in and move like its been choreographed or rather a well-oiled machine who’ve toured their backsides off in Europe and America over the last few years.

There was time for a few new songs as well which even on first or second time of hearing already sound like the band has taken another step up the ladder thats not to say songs of the first two are weak because they are absolutely not but this is shaping up to be next level stuff. older sounds are welcomed like old mates songs like ‘Ballad Of The M1’ and ‘Start New’ are fresh and ‘DLTDHYOTWO’ sounded magnificent and Tom was (Bar Stool) preaching to converted as he expressed his feelings towards the current unwanted encombant of Number 10.  It’s great to hear a band so driven and right up for it and bloody well enjoying every second of their journey and its a journey I’m more than happy to jump on board with.  One of the best bands the UK has to offer right now and if you get the chance to see them play a club show anytime soon then take it because when the next album comes out you’ll be having to see them headline venues the size of the University across town and who knows from there.

One of the most enjoyable night’s entertainment for a long long time with three quite different bands but all with a common bond – they love music and play with their hearts on their sleeves and leave nothing behind (well apart from a Bass guitar), They have something to say and say it well – with passion, conviction and enthusiasm that’s infectious and great to see.

This was The Bar Stool Preachers third time in South Wales and their first headline show and they totally owned it and looked so comfortable like they’d been headlining for years and years.  Come the revolution if there’s to be a soundtrack then these boys will provide it.

Author: Dom Daley & Johnny Hayward (who reviewed Rich Ragany)

JUNKYARD “Old Habits Die Hard” CD/LP/T-Shirt Bundle Pre-sale!

JUNKYARD “Old Habits Die Hard” CD/LP/T-Shirt Bundle Pre-sale!
Acetate Records unleashes Junkyard’s previously unreleased 1992 album “Old Habits Die Hard” on November 22!
“Junkyard is not a band from the 80s. Junkyard is not a band from the 90s. Junkyard is pure kick-ass bar-hopping motorcycle-ridin’ rock n roll that seems as relevant today as when they first started.” – Riki Rachtman

Junkyard opens the vault and blows the dust off a killer collection of recordings slated as the follow up to 1991’s “Sixes, Sevens and Nines.” Guitarist Brian Baker’s (Bad Religion, Minor Threat) opening riff serves up the concoction of raucous, bittersweet, bloozy rock that follows. Loose and tight in good measure, with stomping beats and dual guitars zigzagging around David Roach’s raspy howl… make no bones about it – this band could play.
The strut and swagger of “Pushed You Too Far” and the soulful “Tried & True” are balanced by the slow, dirge of “Blue Sin” and the melancholic duet “Hangin’ Around With My Dreams.” “Old Habits” recalls everything from Sticky Fingers-era Stones and ZZ Top to the Ramones and Lynyrd Skynyrd (who they toured with in ’91). More than anything else, though, it sounds like Junkyard.
Back in 1992, Junkyard was a well-oiled machine, their previous two releases performed well, they had multiple videos in rotation on MTV, and successful club and arena tours under their belt. Looking to infuse more of their musical sensibilities into their third effort, they began writing and recording and in a short few months, they had compiled over 20 songs. The new material reflected more of their alt/punk roots, which wasn’t much of a directional change considering their strong punk pedigree.
But the major label’s rush to jump on the next “popular music trend” quickly led to Junkyards demise. “At this point, Nirvana’s “Nevermind” album had been out a few months and we all kinda knew which way the wind was blowing,” singer David Roach recalls, “we didn’t really ‘officially’ break up as a band, it was as simple as the party’s over.” So, with zero fanfare, the band members signed their release paperwork from Geffen (a whopping 2 page fax), gathered their gear and parted ways… the tapes were left to gather dust in the vaults.
Twenty years later, Geffen re-released the first two Junkyard albums and once again, the band was in demand. Tours of Japan and Europe followed, including a headlining slot at Serie Z Festival in Spain, and the band started writing again. In early 2017, Junkyard released “High Water”, their first full-length album in 26 years on LA indie, Acetate Records. The album peaked at 24 on Billboard’s Hard Rock Charts and Junkyard once again played to packed houses across America and Europe. With the band back in form, it seemed like the right time to dust of the tapes.
“Old Habits Die Hard” pretty well summarizes where the band was at the time,” Roach continues, “The addition of Tim Mosher (yes, way back then) brought another element to what Chris Gates and I had been doing. So it was the hard rock, blues, southern thing plus some more melodic and punk which was also a natural course considering where we came from.”
“During the months we recorded these songs we were in various stages of dealing with Geffen. Trying to write a single, but also trying to not care and write for ourselves. The songs indicate the direction we were ultimately not able to take until all these years later.”
“Old Habit’s Die Hard” will be released via streaming, CD and ‘Beer’ colored vinyl on November 22, 2019. A limited number of signed LPs will also be available via acetate.com.

A limited number of signed LPs will also be available!

Track Listing:
1. Introduction
2. Pushed You Too Far
3. Out Cold
4. Tried & True
5. Fall To Pieces
6. Blue Sin
7. Holdin’ On
8. Staredown
9. I Come Crawling
10. Hangin’ Around
11. Take Me Home
12. One Foot In The Grave

Tyla is kept busy making records in time for Christmas

Tyla is kept busy making records in time for Christmas

New Releases for Pre-order!

A new single, mini-album and live release all coming soon from Tyla’s Dogs D’Amour… Keeping himself and his band out of trouble by writing and recording new music Tyla is set to put out a single – ‘(Everybody needs) A Friend’ From the Brillo new forthcoming ‘Jack O’Byte Bluesy’ album plus 3 live Tracks from the recent 2 London Shows (2019) ‘111’ (Electric), ‘Bullet Proof Poet’ and ;Angel, (full band Acoustic) that won’t be on the ‘In Vino Verilivicus’ 2 disc DVD/CD. release.

 

 

 

‘Jack O’Byte Bluesy’ PRE ORDER (Release November 2019) .. This album has a Heavy Bluesy feel..
Relase date for Shops Nov.15th….but you’ll have them before…he says!!..if you pre order

 

 

Then to round it all off just in time for Christmas maybe for Santa to empty his sack when he’s dived down yer chimney and drunk yer red ‘In Vino Verilivicus MMXIX’

A 2 Discs – 1DVD 1CDs Filmed over 2 nights (August 2019) from Acoustic and the Electric sets. Features songs from Graveyard and In Vino…plus all the old favourites..
PRE ORDER…Release December 2019

Tyla’s Art Tavern

Gone But Not Forgotten – Cliff Burton & Ken ‘Dimwit’ Montgomery

Gone But Not Forgotten – Cliff Burton & Ken ‘Dimwit’ Montgomery

Best known for his work in D.O.A. and The Four Horsemen Ken was the older brother of Chuck Biscuits who he followed into D.O.A.  The brothers both played drums and whilst Chuck went on to play in Black Flag, circle jerks and Social Distortion Ken had the honour of being the stickman in the mighty Four Horsemen. Releasing their classic rock album ‘Nobody Said It Was Easy’ in ’91 Dimwit passed away on this day in ’94 of a Heroin overdose during the making of the bands follow up album ‘Gettin’ Pretty Good… at Barely Gettin’ By’ but the band seemed cursed as Dimwit was replaced by his younger brother to complete the recording.  Later in ’95 frontman Starr was hit by a drunk driver and ended up in a coma with the album eventually coming out in ’96 with just Limzi as the sole remaining member.  The album was dedicated to Dimwit.

Enjoy him at the peak of his powers on the magnificent ‘Tired Wings’

Clifford Lee Burton Born February 10, 1962 in California he was the youngest of three children first played the piano courtesy of his father Ray.  Clifford started playing the bass at 13 and said he would become the best Bass player he could be for his brother who had passed away.  Even after joining Metallica he was still understood to practice for up to six hours a day the usual suspects influenced his style and playing Lynott, Lee and Lemmy all styles that would have a bearing on the young Californian.

 

Playing on the metal giants first three albums ‘Kill ‘Em All’, ‘Ride the Lightning’ and ‘Master of Puppets’. He also received a writing credit for the song “To Live Is to Die” from the band’s fourth studio album, ‘…And Justice for All’.

On September 27, 1986, Burton was asleep as the tour bus he was travelling in was the centre of an accident in Kronoberg County, a rural area of Sweden. Metallica was supporting the ‘Master of Puppets’ album.

His passing was big news at the time for the tragedy that befell someone so young with so much going for him having the time of his young life. former bandmate Dave Mustain wrote ‘In My Darkest Hour’ about the news of his friend and fellow metal heavyweights Anthrax and Metal Church also dedicated records to their comrade Burton. Of the accident, Hetfield refuted the drivers claims that he hit black ice by suggesting he was under the influence.

Hetfield also stated that he walked long distances down the road looking for black ice and found none. When local freelance photographer Lennart Wennberg (who attended the crash scene the following morning), was asked in a later interview about the likelihood that black ice caused the accident, he said it was ‘out of the question’ because the road was dry and the temperature around 2 °C (36 °F), above the freezing point of 0 °C (32 °F). This was confirmed by police who – like Hetfield – also found no ice on the road. Ljungby detective Arne Pettersson was reported in a local newspaper to have said the tracks at the accident site were exactly like ones seen when drivers fall asleep at the wheel. However, the driver stated under oath that he had slept during the day and was fully rested; his testimony was confirmed by the driver of a second tour bus that was carrying the band’s crew and equipment. The driver was determined not at fault for the accident and no charges were brought against him. Regardless Burton wasn’t coming back and his memory lives on through his huge contribution to the birth and growth of a whole Genre and subsequent immense career of his bandmates. Rest in peace Ken and Cliff.

EVIL SCARECROW hit the road for ‘Lost In Antartarctica’ shows beginning tomorrow

EVIL SCARECROW hit the road for ‘Lost In Antartarctica’ shows beginning tomorrow

EVIL SCARECROW hit the road for their final run of their fabulous ‘Lost In Antartarctica’ shows and kick off their run in Oxford this weekend!

Final run of ‘Lost In Antartarctica’ tour dates:
28th September, O2 Academy, Oxford
31st October, Asylum Birmingham
1st November, The Face Bar, Reading
2nd November, Corporation Sheffield
9th November, MACMILLAN FEST Bristol
7th December, The Live Rooms Chester
2020
4th January, Yadbirds, Grimsby

EVIL SCARECROW’s album ‘Chapter IV: Antartarctica‘ was released at the end of 2018.
Evil Scarecrow’s fourth album saw them take another giant leap forward with the release of the sumptuous monster of a record, blending metal and melodies with riffs, roars and razor wit, it was everything you would expect from these multi-talented and exceptionally creative musicians. Chapter IV: Antartarctica sees this unique band keeping their own surreal space-time continuum moving ever onwards & upwards, running as smoothly as only Evil Scarecrow can.

Follow the band on social media

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Bitch Queens – ‘City of Class’ (Lux Noise Records/Spaghetty Town Records)

Bitch Queens – ‘City of Class’ (Lux Noise Records/Spaghetty Town Records)

 

Following up their excellent ‘L.O.V.E.’ album, the Bitch Queens continue their upward ascent with new album ‘City of Class.’ They continue their natural development as one of the best hard rock bands around today by incorporating various influences and packing each song with hooks and excellent music. This album needs to go on your list to purchase ASAP.

Kicking off with the title track, the band take about 40 seconds with everything bubbling under the surface on the first verse before fully unleashing itself on the listener. If you are familiar with the Bitch Queens, there are not a ton of surprises here which is okay in my book. The band continue to evolve within their sound which at times is like ‘Total 13’ era Backyard Babies. ‘Vote for Pedro’ continues the full on assault with a direct hook hitting the brain hard, and the song flying by in less than 2 minutes. Samples lead us into ‘Superboy’ with the vocal and electric guitar carried first verse leading into a commercial chorus that leads into some awesome guitar work before the next verse. The band have laced this one with several subtle changes and passages that really reward repeat listening. It’s the kind of song that makes an excellent single down the road.

‘Especially Danny’ clocks in at just over 2 minutes, with the band trimming all the fat off these songs. The chorus is contagious with an added bonus of some cool guitar cutting right into the chorus. Again, the band are not offering up huge surprises. These are rock n roll songs revved up for speed and packed with hooks. ‘Sucker for the Blues’ carries forward at twice the speed most of the bands likely would have made it with some musical similarities to acts like Rocket from the Crypt, but the vocals are pure Bitch Queens. Backing vocals throughout ‘Negative Heaven’ give the album more variety, and the bridge is one of my favorite moments on the album. I would love to see them on tour with the likes of the Wildhearts as I think their audience would also welcome these songs. ‘When Did I Die’ starts with a dirty riff before exploding to life. The chorus is straight forward and simple with the song feeling like a surge of adrenaline.

‘On and On’ follows feeling slightly subdued at the beginning leading into another catchy chorus. I mentioned ‘Total 13’ by the Backyard Babies earlier, but this song feels a bit more like a ‘Stockholm Syndrome’ song. It is not as abrasive musically and sets up a nice vocal break near the end of the song. The band lay down a great beat for ‘All My Money’ with its fast tempo ensuring it will be a fist in the air bang your head favorite live. As we get near the end, feedback gives way to ‘Never Say Never’ where the band lay on another great addictive chorus. One of my favorite elements of the Bitch Queens is they give you hard rocking songs that are designed for audience participation. It is easy to imagine the crowd’s energy as they move and sing to these songs. ‘Paso’ ends the album with a minute blast that is over way too soon. That really applies for this album as a whole. You can listen to the album on your half hour lunch break or on your way somewhere and start it all over again on your next break.

If you have never dipped your toes into the musical brilliance of the Bitch Queens, this serves as a good starting point as you will find yourself quickly singing along and fighting the urge to hit the repeat button 11 times. Let it play all the way through and then treat yourself all over again. If you are a long time fan, the band continue to slowly refine their sound with a crystal clear production that sounds awesome. I would enjoy hearing a dirtier live album in the future, but the studio versions are produced and mixed extremely well. They may sing about a ‘City of Class,’ but this is clearly a first class album.

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Buy City Of Class Here

Author: Gerald Stansbury

 

Jim Jones And The Righteous Mind/Ming City Rockers – York, The Fulford Arms – 19th September 2019

Jim Jones And The Righteous Mind/Ming City Rockers – York, The Fulford Arms – 19th September 2019

It only seems two minutes ago that Jim Jones And The Righteous Mind released their fantastic sophomore long player ‘CollectiV’ on the world. But after a three month break they are back with a new stand alone single entitled ‘Get Down Get With It’ on hot pink 7” and they are doing a run of live dates to support its release. The first date happens to be at my favourite local gig venue The Fulford Arms. Having only witnessed this band in full flow supporting in larger venues and festivals, it would be rude not to attend a full headline show, right?

 

Immingham’s finest exports Ming City Rockers open the evening’s entertainment in fine form to an already packed out room. The core of singer/guitarist Clancy and guitarist Morley seem to be keeping the good ship Ming flying, yet it seems every time I catch them they have a different rhythm section. That seems to be beside the point though, as whoever they have on bass and drums this week are pretty much up to scratch. The band’s sound is raw and ramshackle, but tight and punchy as fuck. In fact this is the best I have seen them and playing to a full room where the temperature is rapidly rising, can only be helping.

It’s not long before Clancy is stripped to the waist and shouting in-between songs at the crowd like Zed from Police Academy. The garage punk cool of ‘Sell Me A Lemon’ and ‘She’s A Wrong Un’ go down well and are perfectly delivered with the style and attitude that many of their peers can only dream of.

Clancy demands a volunteer from the audience to come and play his guitar for the final number or he will jump in and pick someone himself. Luckily some hapless punter steps up to the challenge, removes his shirt and straps on Clancy’s guitar as the smiling singer disappears into the crowd to sing the final song and bring their set to a chaotic climax.

They came, they saw, they conquered. Someone give these dudes a support tour sharpish.

The atmosphere is electric and the anticipation high as the headliners finally takes to the stage and Jim Jones peels off the opening riff to ‘Boil Yer Blood’. The familiar tribal beats fill the room as the song builds and the singer has the attention of every man, woman and child in the room. To his left Matt Millership bangs the keys, to his right Gavin Jay brings the low end, and just out of sight guitarist Mal plays some sweet pedal steel.

‘No Fool’ follows, drummer Andy Marvel beats out the most powerful of regimental beats as the frontman matches with dirty guitar and a deep bluesy hollerin’. If you thought Jim Jones And The Righteous Mind needed a gig or two to brush off the cobwebs after a 3 month live hiatus, you would be sadly mistaken. Dressed all in black, with matching turtlenecks and necklaces, the band fire on all cylinders for the next hour and a half and the energy levels do not diminish whatsoever. Even the claustrophobic confines of The Fulford Arms cannot hold back the raw power of the JJATRM machine.

‘Till It’s All Gone’ is all mad tribal percussion, maracas and cool as you like full band backing chants.

Jim and Mal ring seven shades of shit from their guitars, licks and riffs are peeled off with ease as the pair and the bassist aim their instruments to the crowd and to the ceiling for the majority of the set.

This is how live rock ‘n’ roll should be; raw, loud and sweaty… sublime. None of this Liam Gallagher ‘staring at the floor’ shit! This band gives everything they’ve got and they deliver songs, without pausing for breath, like they are unloading the magazine of an AK47 on an unsuspecting crowd.

 

The likes of ‘Satan’s Got His Heart Set On You’ and ‘Sex Robot’ from the recently released ‘CollectiV’ fit the set perfectly,  as the singer struts the stage and hollers from the depths of his soul, channelling rock ‘n’ roll from another era. The aforementioned new single ‘Get Down Get With It’ is suitably raw and powerful and a highlight of tonight’s frantic set.

I thought I had already witnessed the hottest gig of the year, but tonight Jim Jones And The Righteous Mind turned it up another notch. You could say tonight was a near religious experience, but whether Jim and his band took us to church, or towards the gates of Hell is up for debate. One thing’s for sure though, tonight was a lesson in how to fucking deliver and raise the stakes for all who follow.

Author: Ben Hughes

PIST SHARE NEW VIDEO FOR ‘MIND ROTTER’

PIST SHARE NEW VIDEO FOR ‘MIND ROTTER’
NEW ALBUM ‘HAILZ’ RELEASED 8TH NOVEMBER (APF RECORDS)

Riff juggernaut Pist who release new album ‘Hailz’ on 8th November through APF Records (Mastiff, Battalions, BongCauldron, Desert Storm) have shared the new video for ‘Mind Rotter’. Featuring footage from their recent spring tour with Orange Goblin, guitarist John Nicholson states that the band decided to choose ‘Mind Rotter’ as their first single, ‘as it covers all bases of our new sound: psychedelic intro, stompy punk riffs, groove and black metal elements. A mix of vocal styles in there too”.

 

 The Bury, Lancashire based quartet’s new album features 7 tracks that see them taking a step away from the stoner-doom label they were tagged with. Vocalist David Rowlands explains, 

“Myself and John (guitarist) had loads of ideas for riffs and basic structures however when we entered the jam room with these ideas and the four of us put our heads together it started growing and growing. I feel this record reflects more of our personal influences from shit like Darkthrone to Elder, Orange Goblin to Uada. Musically I feel it’s a step away from the ‘stoner doom’ label we found ourselves with, something we’ve never considered ourselves to be, in our eyes we’re a heavy metal, rock n roll band who listen to a fair bit of Black Metal and Punk. This is really reflecting in the songs on this record from ferocious black metal kicking your head in to chilled psyched out bits that make you feel like you’re fucking floating or something.”

Formed in late 2013 Pist have since released an EP and album chock-full of NOLA-influenced, Southern-tinged heavy rock whilst traveling the UK playing gigs, festivals and drinking beer. Both long out of print on CD, APF re-released 2014’s “Riffology” EP and 2015’s “Rhythm & Booze” album on one disc under the title “68 OFO” in March 2018 with new artwork by Dominic Sohor. 

As with their debut EP and previous album, ‘Hailz’ was recorded with Chris Fielding (Conan, Witchsorrow, Mammoth Weed Wizard Bastard), this time over at Foel studio. 

Only 2 years after starting out Pist had already supported Orange Goblin and Raging Speedhorn, toured with Ten Foot Wizard and Widows and come to the attention of Simon Hall at Bloodstock Open Air Festival who booked them to perform on Bloodstock’s the Sophie Lancaster Stage in August of 2015. 

During the six years since their formation Pist has also supported Napalm Death, Church Of Misery, Monolord, OHHMS and Dopethrone and played at Mammothfest, ‘Kinhellfest, Red Sun Festival, Hard Rock Hell and Hammerfest (twice). The band undertook UK tours in 2014 with Diesel King, 2015 with Foetal Juice and BongCauldron & Gurt, and with their label-mates BongCauldron again in 2016. Last year saw a co-headline tour with APF Records label-mates Battalions in the Spring, playing at Desertfest London in May. 

‘Hailz’ is a record that will grab the attention of fans of Orange Goblin, Kvelertak, Motörhead, Entombed, Uada and Black Breath making Pist one of the standout bands in the current UK underground heavy scene. ‘Hailz’ is Pist finally finding their sound as David concludes, 

“I finally feel like we’ve made a record we can all be proud of.”

Pist tour dates already in for 2020

9th November 2019 – Album release show – The Bread Shed, Manchester w/ Bast, Video Nasties

19th March 2020 – Hammerfest – Great Yarmouth
20th March 2020 – The Dev – London
21st March 2020 – The Old Salutation Inn – Nottingham
6th June 2020 – Stonebaked Festival – Temple of Boom – Leeds