Another day another Wildhearts album to review (it seems like only a few months since the last album and subsequent follow-up EP, even though it wasn’t) Along with a UK tour that actually tours the UK, imagine that folks. Anyway, where was I?  Oh yeah, The Wildhearts.  A great British institution in their own right, never mind if Motorhead moved next door and killed your lawn imagine what your lawn would look like with these likely lads rocking up and sonically blasting this bad boy out – every blade of grass on your garden and any other surrounding properties would be gary gonners.   It’s time for them to mellow out and do an album of ’21st Century Love Songs’ or something like that (Not!) One look at the superb artwork might be a glimpse into whats coming.

’21st Century Love Songs’ is opened by the title track and like a pack of rabid dogs, they’re all over you, barking and straining at the leash – kicking the living crap out of your ears before you have time to get comfortable and settle into the bloody record. Sonically speaking, it’s a full-frontal assault but the melodies herein are lush and totally at odds with the aural barrage you’re getting from the thunderous rhythm section and dart attacks off Ginger and CJ who, let’s be honest, are on fuckin’ fire!  I’m not kidding its like hearing an album in one song – like a rollercoaster of riffs and melodies that feel like your head is going to explode you wonder where the hell this is heading and can it be sustained.  A fantastic opener and a real statement of intent – Ladies and Gentlemen you are now experiencing the new Wildhearts record, and its intense, beautiful, wonderfully loud and fuking exciting. Welcome!

 

Now get ready for some serious Wildhearts Bop with some fine bass runs that make your feet move on ‘Remember These Days’ with some great harmonies and gang vocals which the band does so well. The song twists and turns throughout filling every corner with music like an explosion of colour.

Take a sharp breath folk because the grunt on ‘Splitter’ is off the scale.  The mix is nuts with the lead vocals way down and competing like battling tops for space which adds to the controlled chaos that’s burrowing into your head.  fan-fucking-tastic tune and one that will go down well live as the slide guitar spins round and dive bombs through the mix and this is only a few songs deep.

If you thought the band touched on heavy on ‘Renaissance Men’ then hold on to your knickers because ‘Institutional Submission’ hacks and slashes like a frenzied killer. It’s like early Mayhem but done by big boys who aren’t wet behind the ears as it goes in for the kill with an underlying melody that Ginger does so so well as it drops and takes a breather.  I think it was Wayne who said intensity intensified he must have been onto something because that’s what this is.  Wildhearts disciples will love it and as the song meanders back up to speed.

We’ve all seen the video for ‘Sleepaway’ right?  now I went to boil the kettle at the start and even though the neighbours closed their curtains I thought it sounded like a Who track with a swinging pair of bollocks and plenty of clout but that might just be me but it has a bit of boogie in it as well, great track.

It would be fair to say that ‘You Do You’ is the closest the record gets to what one might consider a Wildherts album track.  Nothing wrong with it at all and I’m sure it will grow and melodies and lyrics will jump out on me but its sandwiched between the two tracks that I’d already heart dozens of times so I might revisit it in due course but ‘Sort Your Fucking Shit Out’ is a belter and a song I loved the first time I heard it.  Big chug on the riff-o-la and some terrific vocals to be fair.  As far away from the grunt and rowdiness elsewhere perfected on the album but here is what one might describe as a toe-tapper.

 

With three tracks left the band crank it up with some filthy guitars cranking out the riffs on ‘Directions’ it’s like showing off the way the band goes from heavy as a breeze block to the head to lush melody and back again with a change in tempo and direction like twisting the top off a pop bottle and then the fizz gushes – well, that ‘Directions’ that is.  Calling the penultimate track ‘A Physical Exorcism’ it’s pretty much what you’ve just experienced my friends an exhausting, mentally draining, emotionally uplifting, life-affirming, joyous listening experience courtesy of these four Wildhearts bastards.  Rock and Roll can be all things to all men and women but it’s fantastic that we still have functioning bands like The Wildhearts who just keep rolling with the punches and churning out albums that challenge and bring happiness and something to look forward to in tough times.  A cheeky smile here, a wink there and some heads down go for it loud Rock and Roll bringing it all together.  Thank the lord for the Wildhearts and another most excellent album.

Buy Here

 

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Author: Dom Daley

SLADE
announce
official deluxe vinyl album re-issue series
starting with
SLAYED?
out 3rd September 2021
BMG is proud to present a new series of vinyl reissues from Slade.  On 3rd September the first release in this beautifully presented new series, ‘Slayed?’, is released on limited edition yellow and black splatter vinyl.
Slade’s third album ‘Slayed?’ was originallyreleased on 1st November 1972 and reached Number One in the UK charts. It remained in the charts for 34 weeks and was certified silver in early 1973.
Slayed?’ features ten songs including Number One single, ”Mama Weer All Crazee Now”  and ‘Gudbuy T’Jane’ which reached Number two in the charts.
‘One of the greatest rock’n’roll releases ever’ hailed NME.
Slade are without doubt one of the most exciting bands to come out of Great Britain and were unstoppable throughout the Seventies becoming one of the biggest bands; releasing six smash hits albums, including three UK Number Ones, a run of 17 consecutive Top 20 singles and their hits provided a soundtrack to the Glam Generation.
To pre-order Slayed? go Here
‘Slayed?’ tracklist
Side A
01 How D’You Ride
02 The Whole World’s Goin’ Crazee
03 Look at Last Nite
04 I Won’t Let It ‘Appen Agen
05 Move Over
Side B
01 Gudbuy T’Jane
02 Gudbuy Gudbuy
03 Mama Weer All Crazee Now
04 I Don’ Mind
05 Let the Good Times / Feel so Fine
Cat No: BMGCAT501LP
Barcode: 4050538659290
The Wildhearts 
announce brand new studio album 
’21st Century Love Songs’
on Graphite Records
The Wildhearts are proud to announce the release of 21st Century Love Songs, their brand new full-length studio album on September 3rd through Graphite Records.
21st Century Love Songs is the follow up to Renaissance Men, their highest charting album since 1994’s P.H.U.Q, which debuted at number 11.
Renaissance Men reminded me of our first album, ‘Earth Vs The Wildhearts’. No one knew how the fans and press would receive it, so it was balls-to-the-wall rock and fuck ’em if they don’t like it. 
Going in again, for ‘21st Century Love Songs’, naturally reminded me of our second album, ‘PHUQ’, where we got to flex our creative muscle, and show everyone what we’re capable of. This time we let the songs simmer until absolutely ready. We let the theme of the album present itself. There’s a subtlety to this album, something that people don’t often associate with The Wildhearts, and a sense of adventure in the unorthodox arrangements of the songs. This is where I become a fan of the band, when we ditch the rule book and just follow our instinct. Sarcastic, fun, angry, proud, experimental and belligerent, all wrapped up in a big ‘fuck you’, this is the sound of the band in their natural habitat. This time we’re in control.” exclaims Ginger Wildheart.
With The Wildhearts classic line up of Ginger, CJ, Ritchie and Danny still holding strong this creatively brilliant band who helped change the landscape of British rock through the 90’s are showing no sign of slowing down.
21st Century Love Songs will be available in usual CD and vinyl formats plus an exclusive limited edition red vinyl.There’s also signed photocards with each format whilst stock lasts, as well as T-Shirt bundles available from the band’s webstore https://www.omerch.com/shop/thewildhearts
To celebrate the release of  21st Century Love Songs’ The Wildhearts play an 18 date UK tour. The tour will start in Cardiff on Friday 3rd September and concludes in Southampton on Saturday 25th September.
Their incendiary live performances over the last few years have seen the band’s popularity hit new heights as The Wildhearts continue to cement their reputation and legacy as one of the best bands the UK has ever produced.
Live 2021 dates in full 
Festivals
July
17 Sat Ramblin Man Fair, Maidstone
25 Sun Steelhouse Festival, Ebbw Vale
29 Thu Wacken Open Air 2021, Wacken, Germany
30 Fri Rock and Blues Custom Show, Derby
31 Sat Cleethorpes Rocks, Cleethorpes
August
13 Fri Bloodstock
21 Sat Razernij Festival, Antwerp, Belgium
Headline Tour 
September 
03 Fri Tramshed, Cardiff
04 Sat SWX, Bristol
05 Sun Phoenix, Exeter
06 Mon Cheese & Grain, Frome
08 Wed Academy 2, Manchester
09 Thu Electric Ballroom, London
10 Fri Waterfront, Norwich
11 Sat Chalk, Brighton
12 Sun Madding Crowd, Bournemouth
15 Wed KKs Steel Mill, Wolverhampton
16 Thu Guildhall, Gloucester
17 Fri Boiler Shop, Newcastle
18 Sat Stylus, Leeds
20 Mon Mac Arts, Galashiels
21 Tue Tolbooth, Stirling
22 Wed The Lemon Tree, Aberdeen
24 Fri Foundry, Sheffield
25 Sat Engine Rooms, Southampton
October
1 Fri Great British Alternative Festival, Skegness
2 Sat MK11, Milton Keynes
15 Fri Roadmender, Northampton
16 Sat Cornwall Rocks, Cornwall
November 
5 Fri MMH Radio 10 Year Birthday Bash, Birmingham
11 Thu Hedworth Hall, South Shields
12 Fri Monsterfest,  Inverness
To purchase tickets please go to: Here

‘The Light Below’ is the third album from Walking Papers, due in early 2021. “What Did You Expect?”, the first track from the album, is penned by principals Jefferson Angell and Benjamin Anderson, and represents a continuation of the impactful and artful rock and blues sound Walking Papers have developed. Lyrically, Angell challenges anyone who has dug themselves a hole, or who stood in their own way. Get it Here

 

Jaz Coleman proudly announces his new project Black & Red, a collaboration with Ondrej Smeykal. Listen to Black & Red’s debut single ‘On The Day The Earth Went Mad’ across all digital platforms here: https://jazcoleman.com/on-the-day-the-earth-went-mad-store/ and the single is also available as a limited edition numbered red vinyl 10” via Cadiz Music.
The Black and Red project was born in Australia in 2010 when I set out to find the greatest virtuoso of the didgeridoo only to find the maestro of the instrument resided in Prague where I lived. Upon my return to Czech Rep, I was introduced to Ondrej Smeykal 
We ended up not just developing an ancient instrument * but recording the Black and Red project (adding only Indian Harmonium) and an explosive duo was formed which could recreate the recording live perfectly. The funny thing is  Black and Red only made sense after lockdown”  explains the prophetic Jaz Coleman.

Jaz Coleman began this project with a single challenge, “to create and develop a new therapeutic musical system whose primary function was healing. The project was called the Dodecahedron as a dual tribute to the Russian scientists Morasov and Makarow who began to examine the globe to see if any pattern should emerge linking significant places in history…..” To read Jaz Coleman’s explanation in full go to: https://jazcoleman.com/
To order the new 10” vinyl single alongside exclusive merchandise go to Jaz Coleman’s new official websitehttps://jazcoleman.com/
Who’s Mad Now ! certainly not the maverick genius Jaz Coleman.

RPM Online Album Of The Year

Well, we’ve reached that time of year again where the writers of RPM were forced into the voting both given a blunt pencil and forced to vote for their album of the year.  Unlike a certain General Election result this time I don’t think people were too disappointed with the final result and by a landslide rock and Roll won.

 

Interestingly this years winner didn’t win any single writers vote but featured very heavily throughout the writers lists more than any other artist or artists so its a fair cop guv and, to be honest, had the live show count been anything to go by it was a landslide and another good year all around. With writers coming from several continents and five different countries there might be a few miles between us but we all have some things in common and one of those is a love for Rock and Roll. I’m sure had it been a Top 20 people would have still had a headache as to what to put in.  Don’t let anyone tell you that it’s been a shit year for new music as there were plenty of records released and many of them reviewed on RPM Online and with over 50 albums getting a mention from the team of writers (that’s just their top 10!).

I’d like to take this opportunity to thank not only all the artists who’ve released new records in 2019 and to all the excellent press departments and Labels especially the independent ones who’ve worked tirelessly to bring us the music and obviously to the songwriters and musicians whose work we’ve had many many hours of enjoyment listening to and raving about you know who you are many of whom it’s been a pleasure to get to know throughout the year.

What we’ll do is give the top ten a rundown in reverse order then each individual writers ten albums in no particular order so here goes.

Number 10

Duff McKagan – ‘Tenderness’ (UMC)

Review 

 

Number 9

Jim Jone & The Righteous Mind – ‘Collectiv’ (MaSonic Records)

Review

 

Number 8

Jesse Malin – ‘Sunset Kids’ (Wicked Cool Records)

Review

 

Number 7

Redd Kross – ‘Beyond The Door’ (Merge Records)

Review 

 

Number 6

Rich Ragany & The Digressions – ‘…Like We’ll Never Make It!…'(Glunk Records)

Review

 

Number 5

Andy McCoy – ’21st Century Rocks’ (Ainoa Productions)

Review

 

 

Number 4

Hunt Sales Memorial – ‘Get Your Shit Together’ ( Big Legal Mess Records)

Review

 

Number 3 

The Hip Priests – ‘Stand For Nothing’ (several independent labels)

Review 

 

Number 2

The Wildhearts – ‘Renaissance Men’ (Graphite Records)

Review 

 

Number 1

Michael Monroe – ‘One Man Gang’ (Silver Lining Music)

Review 

 

 

So congratulations to all the bands who made the RPM Online top ten.  Especially Michael Monroe for taking top spot in the hotly contested category as well as all the ones that didn’t there were dozens and dozens of albums released in 2019 that we reviewed.  We managed to catch up with a few of the bands who made it onto the pages of RPM Online in 2019 to find out what made it onto their turntables this year and to find out any highlights they might have had.  Here is some beginning with Jeff from The Brothers Steve…

 

Jeff Whalen (Guitar /Vocals – The Brothers Steve)

“I don’t think I listened to any records that came out in 2019!  So I picked my top 5 records that were new to me in 2019!”

 Tiny TimGod Bless Tiny Tim
The BeaglesHere Come the Beagles
White ReaperThe World’s Best American Band
The SpeediesYou Need Pop
The MillenniumBegin
Rich Jones Guitarist (Michael Monroe/Black Halos)
Pup – Morbid Stuff
The Wildhearts – Renaissance Men
Jeff Rosenstock – Thanks, Sorry! / Sorry, Thanks!
Berlin Blackouts – Nastygram Sedition
The Menzingers – Hello Exile
BEST RE-ISSUE: The Replacements – Dead Man’s Pop
Duncan Reid – Duncan Reid & The Big Heads
Starcrawler – ‘Devour You’ (especially the track No More Pennies)
2 Albums which spoke to my Country Side:
The long Ryders – ‘Psychedelic Country Soul’ (especially Greenville)
Kim Lenz – S’lowly Speeding’
Not an album but the single ‘Fire Ready Aim’ by Green Day which was superb
And The Baby shakes  ‘Cause a Scene’  (especially the title track)
As for Highlights, there were Many highlights of 2019 especially Rebellion which went superbly for us and I’m really looking forward to the release of our new album early 2020 as well as playing the Kubix Festival.
Steve Coulter – (Drums) The Brothers Steve 
The Gold—T’he Gold’
The Armoires – ‘Zibaldone’
The Cutthroat Brothers – ‘Taste For Evil’
The Coolies – ‘Uh Oh! It’s…The Coolies’
The New Pornographers – ‘In The Morse Code Of Brake Lights’
As for the highlights of 2019 it has to be making the Brothers Steve ‘#1’ & The Go All The Ways as well as writing about music ‘Go All The Way A Literary Appreciation Of Power Pop!

Lee Love (The Hip Priests)

Clowns – ‘Nature/Nurture’

TV Crime – ‘Metal Town’

Bitch Queens – ‘City Of Class’

The Drippers – ‘Action Rock’

Schizophonics – ‘People In The Sky’

 

Melchior Quitt (Bitch Queens)

Clowns – ‘Nature / Nature’

Amyl & The Sniffers – ‘Amyl & The Sniffers’

The Hip Priests – ‘Stand For Nothing’

Saint Agnes – ‘Welcome To Silvertown’

The Schizophonics – ‘People In The Sky’

As for the Highlight of 2019, There are several. Two for Bitch Queens were to put out our brand new album ‘City Of Class’ and to finish our new recording studio to keep on doin’ what we are doin’ far away from the big business.

The Best event this year was Sjock. “What could be better than hanging out with my boys from The Hip Priests and seeing the best Action Rock bands from all around the world! I am looking forward to touring with Bitch Queens in Europe next year and to record a shitload of new singles and split 7“ And of course, there are two of the probably best records 2020 in the pipeline – The Good, the Bad & the Zugly and Kvelertak. 2020 is gonna be good!

Mathius Engelbrekt Carlsson – “Demons”  – 
 All right. My top picks for 2019.
Jeff Dahl – ‘Electric Junk’
Guitar Wolf – ‘Love & Jett’
Amyl & The Sniffers – ‘Amyl & The Sniffers’
The Hip Priests – ‘Stand for Nothing’
Bitch Queens – ‘City of Class’
The Drippers – ‘Action Rock’
Dead Furies – ‘Stay Gold Ponyboy’
“One of few highlights of 2019 was getting ‘Kiss Off’ off the ground. This has been one of those years. For music it has been a great year though and especially for Rock’n’Roll.
Next year it’s the 25th anniversary for “DEMONS” and we hope that we can tour as much as possible starting with Japan in January. A new record will be out as well as some old stuff. Hopefully our first unreleased album and possibly a Demonology II. See you on the other side.”

Bath Komedia was a new venue for the intrepid travellers from South Wales but we love an adventure and tonight we had to get there on time to catch the support of Janus Stark seeing as we’ve heard the new album and loved what we heard and wanted to see if Gizz Butt could knock it out live. After negotiating the Bath one-way system and eventually finding a place to park by the time we reached the venue the band had already taken the stage and were knocking out songs old and new.  they reminded me of a punkier Eureka Machines and Gizz is something of a guitar players guitarist with a great sound in the venue they were entertaining and engaging and the catchy power pop/rock sounded great. these were the perfect opener for The Wildhearts and ending the set with the best track off ‘Great Adventure Cigar’ was a bonus because ‘Every Little Thing Counts’ is just about spot on.  I can look forward to hearing a lot more of the band when the album is released hopefully in December.

When it was announced that The Wildhearts were adding another string of dates and that there would be the Renaissance Men tour part 2 I couldn’t wait to get another slice of loud rock’n’roll live-action after catching the boys in Cardiff on the first leg of the tour earlier in the year.

The nearest venue to me was the Komedia in Bath with a couple of hundred miles round trip (on a school night) I planned my latest Wildhearts action. Around 9:15 pm I heard the opening guitar riff to the lead-off track to the bands latest great ep the title track ‘Diagnosis’ and bam the band were on stage and away we go. 

The band are tight and as the glorious noize of ‘Diagnosis’ comes to an end the band launch into another Renaissance men soon to be live classic ‘let em go’ and this anthem gets the Bath crowd jumping and singing along with Cj taking lead vocals on the bridge doing the Frank Turner vocals.  Next up we have that all-time classic hearts tune ‘I Wanna Go Where The People Go’ and Ginger is on top form with some blistering guitar work and those rough yet melodic vocals of his soaring loud and proud. Some familiar favourites such as ‘Sick Of Drugs’ is welcomed and this night is turning out to be a show and a half as both band and crowd are right up for it in the confines of a really nice tight venue tucked away in the narrow streets of Bath.

‘The Revolution Will Be Televised’ sees the white album being represented and this leads us into ‘My Kinda Movie’.  Ginger announces that each band member is taking his turn in picking a track to play live and tonight’s choice is by Danny and what has mister McCormack picked, well he’s treated us to a P.H.U.Q. b-side the stunning “Mindslide” and that throbbing bass of his leads us into a rare treat and what seeing The Wildhearts on form is all about. ‘Caffeine Bomb’ is up next and this fast as lightning track showcases what a machine of a drummer Ritch Battersby is and why he is one of my favourite drummers and boy does he hit those skins hard.

‘Dislocated’ is greeted by this reviewer with a huge smile on my chops as this is my favourite track off ‘The Renaissance Men’ album and the guys blast it out with some real punk rock fury.  Great also to hear “Jackson Whites” being blasted through again at a furious pace. A real fan favourite is “Red light green light” and already this set is proving to be an excellent reason to venture out on a School night for a shot of Rock and Roll – could this night get any better?

‘Vanilla Radio’ has the Bath crowd singing “where’s my Elvis” in unison and that leads us into the 5th ‘Renaissance Men’ track of the night ‘The Fine Art Of Deception’ which is another Ginger penned classic. Tonight seems like the night for the lesser-known rare track getting a good airing as we are treated to ‘Action Panzer’ Nestled in with all the classics you’d expect to hear at a Wildhearts show.

The lights come up and with that the band walk off to a thunderous roar of appreciation from the crowd  – you’d think there was a couple of thousand in tonight by the sounds of them and shouts of “more, more, more” and as if by magic the boys walk back onstage and launch into the mighty riff of ‘Greetings From Shitsville’ and this crowd goes nuts.  Part two of the encore we are treated to the icing on this particular party cake as the band unleash the stunning earth vs b-side ‘Beautifull Thing You’ and indeed it is a glorious racket of loud harmonic beauty. It’s not quite done yet as there is one last song of the night and the fan fav ’29 X The Pain’ and with both band and fans singing their hearts out it is truly a great end to a special night.

All that is left for this reviewer to say is if you can get to a Wildhearts show please do as the band are on top form and are tight and clearly enjoying themselves and you will not be disappointed. Bring on round three and the doubleheader of the Backyard Babies slugging it out with the in-form and on fire Wildhearts Bring it on! 2020 is shaping up nicely if tonight was anything to go by.

 

Author: Gareth ‘Hotshot’ Hooper

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‘Diagnosis’ Review Here

Tour Dates for 2020 Here 

‘Renaissance Men’ Review Here