DESPERATE MEASURES – TOUR AND ALBUM NEWS!

DESPERATE MEASURES – TOUR AND ALBUM NEWS!

NEW SINGLE LAUNCH SHOW LONDON WATER RATS MAY 20TH

It’s shaping up to be another busy year for New Zealand born, London based rockers Desperate Measures. Following their mini album ‘Rinsed’ on Easy Action Records and a full UK tour with Paul Cook’s post-Pistols rockers The Professionals at the end of last year, Desperate Measures have started recording their debut full length album, due early 2023. Working once again with Andy Brook (who has produced, engineered, and toured with the like of Status Quo, Ginger Wildheart, Wonk Unit, Hayseed Dixie…) at The Brook Studios in Wallington, Surrey, Desperate Measures have completed work on a new single titled ‘Thinking Of England’ that lyrically captures the yearning to escape from a place or a situation you might not want to be.

The single will be released in time for the Queens Jubilee on June 3rd. Desperate Measures will play a single launch show at London’s Water Rats Theatre on May 20th to coincide. Says Eugene Butcher, “we’ll be showcasing a few songs from our forthcoming album, plus the new single which has just happened to coincide with the Queens Jubilee. And we’ve got The Duel and Seven Days and Doesn’t Die along for the ride so expect a right Royal knees up!”

Tickets for Water Rats May 20th available HERE:

See Desperate Measures in 2022!

April 30                 Angel Weekender, Coalville

May 13                 London Powerhaus (*with Nashville Pussy)

May 14                 Westworld Weekender, Wolverhampton

May 20                 London, Water Rats

June 3                   Strummercamp Fest, Oldham

July 1                     229 Club, London (*with UltraBomb)

July 8                     Bedford Esquires (* with The Rose Of Avalanche)

July 9                     Manchester, Night People (* with The Rose Of Avalanche)

July 22                   Hope & Anchor, London (* with Sick On A Bus)

August 4              Blackpool, Rebellion Festival

August 20            Unity Festival, Corby

September 3      Banfest Festival, Banstead

Find Desperate Measures online at:

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The Snivelling Shits – ‘Shits Alive!’ (Damaged Goods Records)

The Snivelling Shits – ‘Shits Alive!’ (Damaged Goods Records)

The Shits resumed live duties pre-pandemic when original member Pete Makowski decided to have another crack at playing with the Shits and they managed a few choice performances like Rebellion and support to Johnny Moped for Damaged Goods birthday bash. They managed one original album ‘I Can’t Come’ which was put out by Damaged Goods way back at the tail end of the eighties. but every band deserves a live album don’t they? Well, maybe not but the shits have a number two in them and here it is! ‘Shits Alive!’

Tom Crossley was persuaded to join the band on vocals who happened to be in Giovanni’s second band Famous Monsters after The Shits burned out the first time around. Pete roped in his mate James on the drums and Snivelling Shits mark two is all systems go. This record you could be lucky enough to hold in your sticky mitts was recorded when Damaged Goods got the tape machine rolling at their 30th Anniversary show at the Lexington and The Snivelling Shits were duly roped in to play. After playing a wonderfully chaotic show at Rebellion in 2019 the bloody pandemic stepped in to derail what was blossoming into something quite beautiful until sadly Pete passed away late on in 2021.

With all that’s gone on and circumstances conspiring against this record hitting the shelves what with Brexshit, vinyl shortage, pandemic and death etc. This record is a fitting tribute to Pete who oversaw the artwork and tape recordings, as well as all original members its a small peek into what a great band they were/are. Also it brings two demos from the original lineup that was briefly available at that Rebellion show (long gone now sorry) (on Brown Vinyl). It was also a fact that Pete wanted this recording also pressed on Brown Vinyl but with all, that’s going on Brown wasn’t available so all the colours of the rainbow would be the fitting alternative I’m sure Pete would approve. The record kicks off with ‘Terminal Stupid’ which is a punchy romp Buzzcocks style and Tom’s vocals are the perfect fit. The mid-song banter from Tom is quality as the band launch into ‘Only 13’ with that Steve Jones snarling riff it’s toe-tap-tastic. ‘Bring Me The Head Of Yokio Mishima’ is a belter of a tune be it live or the demo mix that’s included here on this record a real highlight. I did have a giggle at ‘Crossroads’ and I’m sure Benny would approve with its Lower East Side sleaze and snarl and that Lou Reid chug.

It’s not all fun and games they also ponder serious questions like ‘Isgodaman’ with its loose riff being punched down the line by James Sherry’s solid beat it happens to be a thumping good tune. The live songs are brought to a crushing end with the ode to pens everywhere with ‘I Wanna Be Your Byro’.

This only leaves room for the demos ‘Bring Me The Head’ and ‘Et Mo, Et Moi, Et Moi’ which is a fitting way to put a full stop on the magnificent Snivelling Shits. So if you want to join the cool kids then what are you waiting for? ‘Shits Alive!’ is a blast, a lot of fun and some top tunes, no seriously these tunes are where it’s at in 2022 and God bless Damaged Goods for getting to release it for our listening pleasure. If only they were flushed with success

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Author: Dom Daley

Michael Monroe Can’t Stop Falling Apart

Michael Monroe Can’t Stop Falling Apart

You can pre-order the new album ‘I Live Too Fast To Die Young’ and assorted goodies from Here. The album comes out on June 10th and is the first new music from the band since 2019 ‘One Man Gang’.

“It’s an ode to our wives and loved ones who have stuck by our sides through years of playing music and touring the world,” offers Monroe on the new single. “But this can also apply to any person working hard, away from home a lot of the time, who is lucky enough to have a loved one sticking by their side through thick and thin. So, it’s a celebratory song to our nearest and dearest who are always there for us.”

“It’s a big, 1970’s Slade-inspired glam stomper,” adds Rich Jones, “It celebrates our loved ones who support us through the ups and downs of being a touring musician”.

Throughout his latest (and greatest) venture I Live Too Fast To Die Young, Monroe tells tales of glory and observed stories, some pretty, some shitty, but all through a lens of eventual optimism, hope and a sense of dirty, cheeky late-night fun. Monroe’s lens has always been directed towards the upside, even after the greatest downs a man can suffer, and the sheer power of his positive energy infuses everything he comes into contact with.

The eleven lean, mean, raw power rock ‘n’ roll songs which make up I Live Too Fast To Die Young see Monroe swagger the streets like a rock-punk poet, a storyteller who’s seen it all from the hellholes of Helsinki to the late-nights in London’s St. Moritz with some trashy times in Tokyo to boot. Warm, funny, occasionally sad but ultimately upbeat, I Live Too Fast To Die Young brings the listener into the heart and soul of its creator.

The title track, ‘I Live Too Fast To Die Young’, is quintessential Monroe, playing with words and concepts in a playfully irreverent way and wrapping it all up in some proper ‘fuck you’ rock ‘n’ roll. A close friend of Monroe’s, Slash from Guns N’ Roses, throws down some lead guitar on the track.

Recorded at Inkfish Studios in Helsinki, Finland between November and December 2021 and produced by the band with engineer Erno Laitinen, the album features Monroe on lead vocals and harmonica, Steve Conte (guitars and vocals), Rich Jones (guitar, vocals), Karl Rockfist (drums) and Sami Yaffa (bass/vocals/guitar). With I Live Too Fast To Die Young, it is clear Michael Monroe is striding into the summer with a triumphant -and perhaps most importantly, defiant- roar to offer you a chance to let your hair down (or up!) and to once again enjoy the freedom of joyous celebration and expression.

The band is due to appear at a string of summer festival shows and will be touring in support of the album on the following dates:

04 Jun – ROCK HARD FESTIVAL, Gelsenkirchen (DE)

06 Jun – K.B. Hallen, Copenhagen (DK)*

9-11 Jun – SAARISTO OPEN AIR, Kaarina (FI)

10 Jun – ROCK IN THE CITY, Kuopio (FI)

11 Jun – SWEDEN ROCK, Sölvesborg (SE)

15 Jun – Dolina Charlotty, Charlotta (PL)*

17 Jun – Stadthalle, Zwickau (DE) *

18 Jun – AZKENA FESTIVAL, Vitoria-Gasteiz (ES)

21 Jun – Mitsubishi Electric Halle, Dusseldorf (DE)*

22 Jun – Jahrhunderthalle, Frankfurt (DE)*

25 Jun – HELLFEST, Clisson (FR)

29 Jun – Ippodromo San Siro, Milan (IT)*

07 Jul – SAUNA OPEN AIR, Tampere (FI)

08 Jul – ROCK IN THE CITY, Oulu (FI)

15 Jul – VAUHTIAJOT, Seinäjoki (FI)

16 Jul – ROCK IN THE CITY, Rovaniemi (FI)

30 Jul – SKOGSROJET FESTIVAL, Rejmyre (SE)

03 Aug – WACKEN OPEN AIR, Wacken (DE)

06 Aug – VAASA FESTIVAL, Vaasa (FI)

27 Aug – HRH Sleaze, Sheffield (UK)

*Supporting Alice Cooper For tickets and more information please visit: http://www.michaelmonroe.com/

Mudfight – Baby! Hey!

Mudfight – Baby! Hey!

“Baby! Hey! Won’t you give me another chance?”
With these words and the first single, Mudfight start the journey towards the release of their debut album. ‘Infant! Hey!’ While setting the tone to be expected on ‘Time For Revolution’, it also provides an antidote to remorse and lovesickness – all in the form of a high-energy punk anthem.

The young artists tell a story from the perspective of a person who apologizes for their behavior in a romantic relationship and asks for a second chance. Whether that person deserved it remains to be seen… but what is certain is Mudfighthave come to really shake up the punk scene! During the video for Baby! Hey! Inspired by classics like Sex Pistols’ ‘God Save The Queen’ or Green Day ‘s ‘Father Of All‘ , they are also concerned with getting the younger generation more enthusiastic about punk. This time, the newcomers from Upper Austria have specifically chosen a performance video to introduce themselves as a band and to show what they enjoy the most: namely being on stage and giving everything!

The video was created in cooperation with Klaus Winkler (Loprosh.tv). Fun Fact: It was filmed in a church!

Photo credit: Michael Wittig

The Alarm / Dave Sharp – Bristol O2 – 17/04/22

The Alarm / Dave Sharp – Bristol O2 – 17/04/22

After not being able to go to see The Alarm on their 40th Anniversary UK Tour apart from the recent Gathering weekend in Rhyl it was Bristol that got canceled after the band was caught in a police incident on the M4 on the way to the venue that led to a last-minute rearrangement and then the date was arranged for the final night of the tour on Easter Sunday – Hooray! a date I can go to never mind eating chocolate fire up the batmobile and all roads lead to Bristol.

On arrival at the O2 Mr sharp was already on stage running through his fine selection of warm honest folk songs with the odd Alarm classic thrown in for good measure. When the final knockings of the original lineup (many moons ago) were being played out Mr. Sharp released an exceptional album in the shape of ‘Hard Travellin’ (surely its time this classic got a release on wax Mr. Sharp? Pretty Please. He followed it up with 1996’s ‘Downtown America’ which also could do with a rerelease on vinyl, thanks. In a venue like the O2 a minstrel and his weapon of choice alone on the stage maybe needs a band to shift some gears rather than a balladeer set but that’s just my observation tonight. I do always enjoy hearing his raspy voice on these songs but maybe next time it’ll be electric with a band.

As for the Alarm 2022 it’s an altogether different beast to the older traditional setup with Peters patrolling the stage moving between three mics at the stage front flanked by Mrs. Peters on keys to one side and the very talented Mr. James Stevenson on guitar to the other flank. I do find his skills on the six-string a much better form on the songs of The Alarm both older and new rather than on previous tours when he switched between the bass and a bit of guitar. Also in the engine room, the ever-beaming Smiley hits the drums with vigour and purpose that really drives the songs.

It takes me a wee bit to get my head around the using of bass tracks rather than a bass player but to be fair it doesn’t take anything away from the music other than another body on stage I guess. It is what it is and we move on no doubt something for the faithful to debate because the Alarm family likes nothing more than a good old lineup debate.

As for tonight’s setlist, I must admit I’m a sucker for deep cuts setlists, having seen the band (cough cough) play well into three figures its fair to say I like the music old, new borrowed and blue. Tonight Bristol being the final night of the tour began with a sprightly ‘Protect And Survive’ it was Peter on a mission with little crowd interaction but a hell of a lot of music to throw our way. ‘Absolute Reality’ sounded fresh and then it was ’45 RPM’ to lift the energy levels one last time over the last twenty-plus dates before we got the first new song ‘Fail’ from the summer’s new records that is done and dusted. It was a bruising ‘Superchannel’ before we got ‘Wars’ Cover ‘Safe From Harm’ minus the Benji Webb vocal.

Peters found himself center stage for ‘Coming Home’ and a bluesy ‘Sold Me Down The River’. The band returns for a sort of medley of ‘In The Poppyfield’ that saw the band blitz through songs from all corners of the band’s catalogue from the ‘Stand’ through Everythings Beautiful via the much underrated ‘Shout To The Devil’, ‘For Freedom’ and ‘where Were You Hiding’ it was also peppered with Peters solo music in the shape of the rousing ‘Closer’ and a modern classic of ‘My Town’ it was a breathless and pulsating set with no time for messing about or end of tour dismantling equipment or goofing around it was crowd-pleasing singles ’68 Guns’, ‘Spirit of 76’, ‘Rescue Me’ and ‘Blaze Of Glory’ before dropping back into ‘Poppyfield’ and the main set was brought to a sweaty close.

There was still time for a deserved encore of ‘Breathe’ and for the first time, Peters spoke offering up the song ‘Psalms’ for the people of Ukraine and an end to the Russian invasion which was heartfelt and touching. There was still time for one more track to wrap up the tour and this evening’s epic performance as new song ‘Frontline Warriors’ saw the curtain brought down on this leg of their 40th-anniversary tour but there is more to come for the good people of the UK when they see the return of the Gathering 2023 when there will be another addition to the Alarm catalogue oh and the much rearranged St Davids Hall show still to come.

What a Brucie bonus of an evening out with The Alarm, when can we do it again?

Author: Dom Daley

Beach Rats(Ft. Members of Bouncing Souls, Bad Religion and Lifetime) Announce Debut Album ‘Rat Beat’

Beach Rats(Ft. Members of Bouncing Souls, Bad Religion and Lifetime) Announce Debut Album ‘Rat Beat’

Beach Rats announce their debut album Rat Beat, out on July 29th via Epitaph Records. An impressive lineup of punk rock lifers, the band is comprised of vocalist Ari Katz (Lifetime), guitarist Pete Steinkopf (Bouncing Souls,) bassist Bryan Keinlen (Bouncing Souls,) guitarist Brian Baker (Bad Religion, Minor Threat) & Danny Windas (Let It Burn) on drums. They also share the music video for the album’s title track “Rat Beat” which embodies the nature of punk in its purest form; hard, fast and loud.

Pre Order Here

Beach Rats came to be as each member found themselves settled in the beach community of Asbury Park, New Jersey. After releasing an EP in 2018 and performing a slew of high-energy shows, the global pandemic gave the band a reason to get back to recording. The majority of the songs on Rat Beat were conceptualized and rehearsed in the basement of Brian Baker’s home and then tracked by Eric Bennett at Lakehouse Studios in only one day.

Baker recalls, “We’d go down in the basement, put on masks, open the windows and we could play – within CDC guidelines! We couldn’t go to dinner at each other’s houses but we could practice.” 

The DIY spirit of punk music is very much alive in Beach Rats. With the fervor to create something new, yet nostalgic, the band intentionally wrote the 12 tracks on Rat Beat how they used to back when they were teenagers. Or as Baker puts it, “like we did before we knew how to write songs.“

Not wanting to take themselves too seriously, the band formed merely over a love of the genre. These are veterans of punk rock just having fun and trying replicate that feeling and sound of what it was like to make punk music in the 80’s.

“You’re gonna get authentic punk and hardcore from BEACH RATS because we are all from the 80’s,” Bryan Kienlen comments. “It’s literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat.”

FOR MORE INFORMATION ON BEACH RATS, VISIT: 
INSTAGRAM

The Boys are back in town RSD releases

The Boys are back in town RSD releases

Radiation Records released Special Limited Edition copies of The Boys “To Hell With The Boys” (Red vinyl) & “Boys Only” (Orange vinyl) for Record Store Day on 23 April. 

Both albums also come with gatefold sleeves and were remastered directly from the original Safari Masters (as used by the recent Safari CD Box Set release)

The albums, which have been in Record Stores since Saturday, will also be available to buy online from Radiation Records from April 26th ‘Boys only’: Here ‘To Hell With The Boys’ Here


To help promote the two albums Cherry Red will give a digital release to The Boys 1980 single “Weekend” on Friday 29 April – Spotify


Mike Read has been playing “Weekend” on his Breakfast Show for the past two weeks and it has entered the UK Heritage Chart at Number 44.  You can vote for “Weekend” here

The Slackers – ‘Don’t Let The Sunlight Fool Ya’ (Pirates Press Records)

The Slackers – ‘Don’t Let The Sunlight Fool Ya’ (Pirates Press Records)

Summer is almost here ladies and gentlemen, and this all new twelve track album from New York ska outfit The Slackers is going to provide the perfect soundtrack.

That’s right folks, because after the high intensity punk and post punk stuff I’ve been reviewing elsewhere on RPM this month, ‘Don’t Let The Sunlight Fool Ya’ actually came as something of a welcome respite. Indeed, cranking this one out of the RPM boombox over the recent bank holiday was like a much-needed foot on the brakes of life, providing me with a chance to reflect on matters whilst also enjoying the first rays of 2022 sunshine on my face.

‘Don’t Let The Sunlight Fool Ya’ has been seven years in the making for Vic Ruggiero and his bandmates, and for once that old adage about the best things come to those who wait has really never been more apt, because this record really is a right bobby dazzler.

The New York Times recently dubbed the Slackers part of ‘the sound of New York’, and just one listen of ‘Windowland’ later I’m suddenly whisked off to an upstate Manhattan bar one Friday night supping on a cold one totally absorbed in the band playing on the small stage in the window, with the rest of the assembled weekend crew going suitably bananas all around the place. Yup, The Slackers are bringing their A -game via their special brand of ska party to your living room, and all you have to do is pick up a copy of this record to gain entry.

At this point I do have to admit that Nev Brookes should really be reviewing this album, because after all he is RPM’s resident expert in everything with a skanking rhythm, but after hearing the album’s superb title track (which got a video release a few months back) I just had to hear the rest of ‘Don’t Let The Sunlight Fool Ya’ and here within the context of the full album said title track still makes me think it’s a song custom bult for Elvis Costello to one day cover.

Elsewhere, the likes of ‘Hanging On’ and the riotous ‘Nobody’s Listening’ shine through via some truly inspired vocals from Ruggiero, whilst it’s the band’s impressive horn section (of Dave Hillyard and Glen Pine) that get to steal the show on the glorious ‘Way Of A Woman’ and on the subtle soul stylings of the sultry ‘Second Best’. Things get political for the powerful ‘Statehouse’, and dare I say that during the lament of ‘They Are Losing’ the long shadow of a certain Tom Waits looms large over proceedings.

‘Don’t Let The Sunlight Fool Ya’ is very much a dance album though and when you follow the aforementioned ‘They Are Losing’ with the almost 2Tone-esque ‘Shameboy’ you’d have to be one tough cookie (or perhaps an idiot) not to find yourself immediately caught up in the dance craze The Slackers generate.

Look, we’ve all had a couple of tough years, right? Well, it’s time to heal, and great music is the perfect medicine to help us do just that.  So, treat yourself, go get a copy of ‘Don’t Let The Sunlight Fool Ya’, smile, dance and as The Slackers themselves wisely say whilst ‘Time Won’t Set Us Free’ great music most certainly will.

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Author: Johnny Hayward

Plosivs – ‘Plosivs’ (Swami Records)

Plosivs – ‘Plosivs’ (Swami Records)

Seemingly not content with having already released one of the contenders for albums of the year in 2022 via his superb debut solo effort ‘Ride The Wild Wind’, the astoundingly talented John Reis is back to once again rock the RPM block, this time with the turbocharged ‘Plosivs’, the debut ten tracker from an all new supergroup, featuring singer/guitarist Rob Crow (Pinback), drummer Atom Willard (Against Me!, Rocket From the Crypt) and bassist Jordan Clark (Mrs. Magician) alongside Mr Reis on guitar.

Opener ‘Hit The Breaks’ sets the tone perfectly for what is about to follow over the next 30 odd minutes, and if you are a fan of Reis’s other non-RFTC bands, like Night Marchers, Hot Snakes or The Sultans, then this baby really is going to right up your Strasse. The guitars of Reis and Crow scorch the earth whilst the rhythm section of Clark and Willard send sonic shockwaves through the galaxy, yet it’s the soaring whilst still quite understated and very melodic vocals of Crow that actually first make me sit up and really take notice. There’s a huge slab of early 90s alt rock influence within his vocal tone that honestly had me checking the sleeve notes to make sure Jon Auer hadn’t been working under a pseudonym post the very public (and totally understandable) break-up of The Posies.

The boogie-tastic ‘Rose Waterfall’ is another joyous overload of melody, whilst the almost schizophrenic ‘Thrown Clear’ takes the listener on a rollercoaster ride of time changes and multiple vocal hooks that really shouldn’t work…but boy does it.

‘Never Likely’ is where the aforementioned Posies refence point is perhaps at its closest as it recalls a very special time in my life when ‘Frosting On The Beater’ was indeed perhaps the greatest thing I’d ever heard. 

The record’s lead track (and video) ‘Broken Eyes’ marks the album’s mid-point in a way that made me also recall a time when music that was called “Indie” really was just that, and most all, it was also exhilarating and fresh, whilst the other thing that strikes me about ‘Plosivs’ is that as it progresses it actually gets better and better.

I really don’t want to spoil the delights that wait for you when discovering this record for yourselves, but if you like Cheap Trick played by The Pixies then check out ‘Pines’ or if you just want to hear what a more melodic Hot Snakes might sound like then album closer ‘Bright’ is where you need to direct your attentions.

Everything about ‘Plosivs’ just sounds right, its one of those albums that when you first play it, it all just clicks into place, and thanks to the stellar sonics of Ben Moore (who also worked on Reiss’s ‘‘Ride The Wild Wind’) you also get a record that totally destroys everything in its path.

This really is essential stuff!

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Author: Johnny Hayward

Ginger Wildheart – ‘The Pessimist’s Companion’ (Wicked Cool Records)

Ginger Wildheart – ‘The Pessimist’s Companion’ (Wicked Cool Records)

A break-up album can be the most honest and personal album of a musician’s career. I feel an artist is at their best when they are going through the worst of times, it’s when they have something to truly write about. A relationship breakdown, like a bereavement, can open the emotional and creative floodgates like no other experience, and it can be the best of therapies in the darkest of times.

So, when Ginger Wildheart (and his faithful four-legged companion Maggie) retreated to a caravan in the wilds to write the follow up to the confessional ‘Ghost In The Tanglewood’ album, the pen did flow as did the whiskey, and ‘The Pessimist’s Companion’ was born.

Originally rush released as a 10-track album by Round Records back in 2018 to meet pre-order deadlines, this collection of heartfelt, soul-searching tunes has been lovingly re-mixed, re-sequenced and beefed up with 5 extra songs recorded at the same sessions, but not finished in time for release. The album now gets a proper worldwide release on Little Steven’s Wicked Cool Records label, a place that sees our man now rub shoulders with other RPM favourites such as Ryan Hamilton, Jesse Malin and Wyldlife.

Track wise and feel wise, the reshuffle turns this album on its head quite literally. The album now opens with the upbeat vibes of ‘Why Aye’, a song of hope and confidence in moving forward. That now leaves the beautiful, acoustic sermonette ‘May The Restless Find Peace’ to close things up. In hindsight, a more fitting epilogue to the story than an introduction. It now feels like the song has its rightful place and harmony has been restored in the world.

It’s interesting to note that a friend of mine (who is not a big Wildhearts lover) commented that Ginger sings in his natural accent on his solo material, and that’s something I never noticed before, but I must say the Geordie twang is more prominent on this album. And it maybe gives more of a sense of locality and a big dose of Northern charm that fits well with the country-tinged direction in which Ginger is heading.

‘I Love You So Much I’m Leaving’ is a euphoric high for dark times. A song that offers hope and contemplation in equal measures. A sound that features pedal steel and acoustic guitars, it’s the country-tinged direction we assume he will take further with The Sinners album (to be released later this year). Another album highlight is the acoustic driven ‘You Will Let Me Down Again’. Commercial and worthy of single status, it flows along on a summer breeze with lazy, hazy backing vocals courtesy of Emily Ewing.

Of the new songs, the standout is the newbie single ‘Stalemate’, which along with the title track could have fitted nicely on the ‘555%’ triple album. A signature Ginger melody and a radio friendly chorus that will stick in the subconscious, never to be removed. ‘Detachment’ has a similar melody to ‘The Words Are Gonna Have To Wait’ and ‘No Regrets’ has an almost Greg Lake seasonal feel to it.

Elsewhere ‘I Don’t Wanna Work On This Song No More’ is one of those fun, studio jams that pilfers from The Wurzels as much as it does from The Levellers, and ‘I Wanna Be Yours’ is a tongue-in-cheek romp that raises a smile or two.

Back sometime in the mid 90’s the Wildhearts leader claimed that “some of the best of me plans have been laid, and some of me best moments used”. Well, fast forward to 2022 and we find the man re-releasing his 7th (don’t quote me on that!) solo album and it seems he still has some of his best moments left in the bag.

The heart wrenching ‘A Better Love’ features a beautiful piano-led first chorus that is so gentle and fragile, it feels like any intrusion would destroy the song forever. Heart on sleeve, a love song pure and simple that implores you to hold on tightly to the one you love and never let them go.

‘Sweet Wonderlust’ is pure countrified pop with a killer chorus the likes of Nashville can never deliver. And ‘There Is A House’ is a contemplative, folky ditty along the same lines as ‘If You Find Yourself In London Town’. Full of tinkling ivories, stark percussion and creative space, it might just help heal the broken hearted…just a little bit.

While as standalone tracks the additional songs may not be the strongest on offer, they seem perfect in the context of ‘The Pessimist’s Companion’ as a whole listening experience. And now I feel relistening to the original record, it will always feel like there is something missing.

A release designed to get the talents of one of the UK’s best kept secrets out to a wider audience. ‘The Pessimist’s Companion’ is a country-tinged break-up album that is as much a therapy for the artist as it is joyful, masterful listen for fans both old and new. An album worth revisiting if you’ve been here before and also worth forwarding to those who haven’t. Let’s help spread the word.

Buy Here

Author: Ben Hughes