The first solo album from Crispin Gray, legendary guitarist from 90s indie noise fiends Daisy Chainsaw and Queenadreena, and currently Starsha Lee. Sure the artwork is a headfuck and the title asks questions but doesn’t offer much in the way of answers. Drop the needle and the album opens with the loud ‘Good Luck World’ and whoosh you’re off on a crazy soaring adventure. The fact that this is all the work of Gray shouldn’t be overlooked and a thoroughly interesting and rewarding album he delivers.
Let’s not waste time here it’s a rocking effort with so much more going on, the all out rocker that is ‘Life Is Suicidal’ sounds great before heading down a twitching darker route for ‘Used To The Bruise’ which is a dark brooding Depeche Portishead massive attack kinda offering. Don’t get too comfortable because the jittering distorted ‘Daily Damage’ is up next and the raw overdriven guitar is kicked along by the stuttering drum beat and spoken lyrics. You keep waiting for it to break out but it doesn’t and staggers to a finish. but wait, ‘Jesus Will Save You’ marches through your speakers. Mashing up so many influences who like to use distorted guitars and synths and modern techniques like a placebo or something a little further left of field it’s fairly experimental but not for the sake of it. I think it’s fair to say the songs are at the forefront of this album and its not experimentation at the expense of the music or art for the sake of art.
‘Everybody Thinks You’re Strange’ adds some rap whilst ‘Times Running Out’ has a 90s feel to it with the dueting vocals on the chorus and I do like that rumbling Bassline adding weight. We also touch on Goth with ‘Fangs Sink In Too Deep’ love the solo. ‘You Won’t Get Your Paradise’ is a banger. and the album races to a finale with some really strong tunes in the shape of ‘I Am Not Her’ and the album’s closer ‘Goodbye Miss Jane’.
All in all a really good album courtesy of Alian Airforce and one that will grow over time touching different pleasure zones of the brain on every play with the various layers on offer. It’s a rocker baby but not as we know it. Don’t be fooled by the artwork or name into thinking this is some hippy-dippy slice of prog because it couldn’t be further from it.
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