2020 has been a bit of a musical shit stain. It began well and thanks to Nottingham’s Scene Killers it’ll at least end in style.
Scene Killers are kind of a punk rock supergroup made up of Jesse Luscious from Blatz, Hip Priests guitar hero Austin Rocket along with TV Crime’s rhythm section John G Warrior and Luke J Moss.
Their debut EP, ‘Rev it Up’ is a six song fifteen minute manic joy ride lovingly brought to you by those very nice people at No Front Teeth Records.
Join me on a magical journey of discovery as we step into this lovely slab of toxic snot splatter vinyl
On first play, I’m hearing bits of Circle jerks, Germs, OFF!, Poison Idea, and moreover a Wednesday 13 fronted Misfits. On the second, third, and fourth play I’m liking it more and more…..
Opener ‘Rev it Up’ is full-on face shredding stuff with some off-kilter guitar harmonics and even some Scott Ian like backing vocals at the end.
The second tune ‘Not So Working Class’ is no let up, full bore fist in the air stuff.
‘Divided”s crushing bass intro gives way to a more mid-pace menacing tune. A moment to catch your breath but no less as skull pounding as the other tunes on offer.
‘Eyes and Ears’ is a horror fuelled classic- “war peace ignorance strength” it screams in equal measures punk rawk and hardcore.
Next up is Scene Killer’s take on The Replacements ‘Colour Me Impressed’. Can the original really be 37 years old??? A mighty fine take on a mighty fine tune with Jesse’s Wednesday 13 like delivery adding a perfect degree of menace.
‘Death’ somewhat aptly brings the EP to a close and it’s full on Misfits-inspired Horror Punk anthem. It’s probably the most immediate tune on the record and the one that’ll grind it’s way into the memory first.
The cool thing about this record is the way it grows on you more and more with every play. It’s certainly a record that’ll stay with you for a while rather than scratching that itch before it joins it’s 12” friends in the great record pile.
Find your way to their Bandcamp page and give them 15 quid for the prettiest angry slice of vinyl this side of Satan’s tea shop – Here and then send dick pics to their Facebook page – Here
I’ll let JJ introduce what you’re reading, ” In short, the reason we did this was, we were going to record a video for Rats from the album with the guys from the notes, but, well, covid! So I also had a hard drive fail and lost some of the original files, so, we decided to rerecord it, and, also round and a round, as Billy sang on the original demo (on Best Of You) before Kory Clarke sang the album version, so, we redid that
We have a few songs already for the next album, and some weren’t going to fit, so we added a couple here. And, struck on the idea to get The Suicide notes on all the songs. Always loved Smoke It Like A Cigarette by them, so, we did our version, but, Billy sang it, Alex took the lead, and, his better half Kate had a vocal that was meant to be on the original but they didn’t get it down, so, she is on here.
Covers wise, Billy, Alex and Dame are helping with my Anti-Fashion project, so, we pinched Bad Luck from that. Drunk Like Me, I love, we love, and, knew Billy would kill the vocals. Bathroom Wall was a last minute addition/suggestion from Alex, so, we threw that down as well. On these 3, we have the wonderful Bret Barnes adding some sax
The last track we started a while back, the Alice cooper cover, and, it turned out amazing!
We also have the very talented Frank Meyer (Streetwalkin Cheetahs) adding additional vocals, keys, etc all over too.”
Ok, that makes perfect sense. But what the fuck does it sound like I hear you shout and where can I give them my money?
Here goes, ‘Rats!’ opens up with the title track and on a thunderously sleazy hotrod of Glam Slammin’ rock and roll it is. It’s got a heart as big as a beachball and it’s pumping ten to the dozen and a real whiplash rocket ride it is too. but don’t think for one minute that’s where it ends. No sirs it goes on with the party anthems of ‘Round And (A) Round’ followed by the brawling ‘The Right Way’ which is barking and snapping at the heels of the previous song.
There’s a bit of respite as ‘Inside Of You’ might be slower and more melodic but it’s not losing any of the attitude that’s pouring outta this record. You might be familiar with ‘Smoke It Like A Cigarette’ if you were paying attention to the acoustic Suicide Notes release. Sped up and rocked out it’s a top tune no question. I guess it makes sense to follow that with their take of the Dogs classic ‘Drunk Like Me’.
If you ever had a passing admiration for Mike Ness you might want to check out their take on ‘Bad Luck’ and of course, they slaughter the Faster Pussycat classic that is ‘Bathroom Wall’ in a suitably sleazy demolition job and the Sax is a welcome addition on the song. But the take on ‘Department Of Youth’ is impressive and the bar is raised with a great job completed on a great tune.
Closing off proceedings is a super sleazy take on Love Hates Classic Rocker ‘Blackout In The Red Room’ who said sleazy Hard Rock was done? you might want to check this out. It sounds like an arctic truckload of pinched harmonics and distorted scales.
Get the beers in boys and girls and wrap up all breakables, move the furniture back and turn the stereo up City Kids and The Suicide Notes are taking over the decks, and it’s a nonstop Rock and Fuckin Roll Partee, motherfuckers! and none of em give a single Rats! Get on it right now!
British Heavy Metal legends Saxon will deliver a full-roar-fun-down set of covers with their latest album Inspirations, which drops a brand new 11 track release featuring some of the superb classic rock songs that influenced Biff Byford & the band.
Set for release on March 19th2021, via Silver Lining Music, Inspirations gets things rolling with the release of Saxon’s crunching take on The Rolling Stones’ ‘Paint It Black’. Biff Byford comments: “Loved this band since I first saw them and heard them. I liked the Beatles, but the Stones appealed to my rebel side; their iconic look… so many great songs, such a great attitude in the music!”
Inspirations was recorded at Brockfield Hall near York in the UK, which was built in 1804 and holds the largest collection of paintings by Yorkshire’s impressionist artists – the Staithes Group.
For Byford, recording Inspirations all together within such a rich historical environment was a major ingredient of the project. “The warmth and feel of Inspirations had so much to do with being together in this magnificent place and doing it ‘old-school’ style,” Byford explains. “This is how many bands back in the day -including some of the ones covered here- made such great albums, so it just felt really good to be able to do this somewhere like Brockfield Hall.” The results speak for themselves.
From the super-charged melodic romp of The Beatles’ ‘Paperback Writer’ to their freeway mad take on Jimi Hendrix’s ‘Stone Free’, Saxonshow their love and appreciation with a series of faithful, raw and ready tributes. Maintaining a firm eye on the old school way using Marshall cabs, Marshall amps, real drums and produced by Biff Byford with Jacky Lehmann recording and mixing, Saxon approach the likes of Motörhead’s ‘Bomber’ (with added whistle!),AC/DC’s ‘Problem Child’, Black Sabbath’s ‘Evil Woman’ and a raucous Deep Purple’s ‘Speed King’ with refreshingly warm, unfiltered, “vintage” sounding renditions.
“We wanted to do an album based on our influences, the songs and bands that inspired us to write what we did and still do,” continues Byford, “and it was also interesting to see what my voice could do as I haven’t sung many of these songs before.”
Byford does, indeed, take on some new vocal challenges, which he duly smashes on the likes of Thin Lizzy’s ‘The Rocker’. The net result is that whether cranking up a heavyweight take on Led Zeppelin‘s ‘Immigrant Song’ or throwing down AC/DC’s ‘Problem Child’, Saxondoes a supreme job of entertaining both themselves and their audience throughout Inspirations.
“We didn’t want to change any of the songs too much, just play them more like Saxon,” concludes Byford, “and we also think it’s very important to have -and share with the fans- some fun in these dark times.”
You want even more proof of the validity behind that statement? Wrap your ears around their sparkling take on Toto’s ‘Hold The Line’ and consider Saxon’s Inspirations a mission accomplished. Saxon’s Inspirations is available on Vinyl, CD, digital formats and limited edition D2C products; to pre-order go Here
The Deathtraps are putting out a couple of tunes next Friday too. They’re two of the tunes that were given away with pre-orders of the last record but they’re sitting there doing nothing so we thought we’d sling them out for anybody who’s picked up on the band since that album came out pre-pandemic. There’ll be a video too but that’ll come soon enough.
Be naughty or nice maybe Santa will drop it pre-Christmas. Hit em up on Bandcamp and buy your family some gifts from the Rock and Roll Gods this Christmas – Here
If that’s not enough how about this bad boy? Aldora Britain Records have put together a compilation on Bandcamp for the princely sum of £1.80 but don’t be fooled there are some great bands and songs on offer Deathtraps being one who offers up their homage to Joan Jett.
AB Records is an e-zine and record label that promotes the music and work of authentic independent or underground artists from all around the world. Originally established in 2013, they revamped themselves in 2018 with a brand new approach. Their first weekly compilation, aptly titled ‘The Second Coming’, was released in late 2019. They now also release original singles, EPs, and charity projects. ‘Night Shadows’ offers twenty-two tracks from a whole variety of underground bands. Get it Here
In an increasingly odd year, this should come as no surprise, but I was still taken aback. After the pleasant shock of The Damned announcing dates by the original line up, I am now listening to the new album by the original line up of The Vibrators. There are those who will say “never look back”, and, usually, that’s sound advice. But, ably assisted by Chris Spedding, the band have produced a great album.
I admit that I haven’t followed their progress since Knox originally left, and gave them his blessing to continue. I have no feelings either way, and was a fan of his albums as Fallen Angels as much as anything. So, I’m not approaching this as a purist. But, his voice has certainly been missed.
The title track could indeed sit nicely on a Fallen Angels LP, with the familiar drawl in place over three chords and what I assume is Spedding’s lead work, which would compliment that of ex-Angel Andy McCoy. Like a six-string version of Suicide. ‘Jesus Stole My Little Dog’, apparently. Lyrically weird, but it works, another up tempo number.
‘Garbage Can’ is a close cousin of ‘Amphetamine Blue’, then lead vocals change on ‘Turn The Pages’. The countrified riff could be Neil Young, not a bad thing at all. John Ellis wrote ‘Big Black Sea’, which is in a similar vein. He also wrote ‘Platinum Dress’, with some nice slide work, and ‘Passing Of Days’ which is more brooding, in the style of ‘Working Class Hero’.
Good songs, but for me it’s Knox’s voice that holds it together as a band. Whether on the heady four chords of ‘Woman 3.2’ or the tender ‘Love Me Forever’, it sounds like The Vibrators. Even the cow bell on ‘Follow Your Destiny’ works. ‘Made In Heaven’ is slushy but lovely, with a great solo.
‘Paper Tiger’ and the riffmungous ‘This Is The Way’ are a fine way to bring it to an end. Who’d have thought it? Now, once this pandemic nonsense is under control, will they spoil us with some gigs?
Well, finally 2020 is running out of time but here in the singles club we’ve seen a late flurry of quality singles getting released, and whilst I’d imagine it being the last one for the year we’ll see you again in January all being well. Thanks for checking in and we hope you found more than a couple of singles that tickled your fancy.
Tyla’s Dogs D’Amour – ‘The Powder Dry’ (King Outlaw) An absolute triumph. Tyla’s songwriting skills are in rude health here. With a real laid back ballad of sorts with some fantastic backing vocals that sound like a late-night backroom choir before sailing off into the moonlight. Big acoustic chords and wonderful piano fills before a scorching electric guitar break that is an excellent payoff to a really strong song that opens this EP. Then to follow it up with the western canter of ‘Stole My Love Away’. Another cracker to be fair as it gently saunters by. There are four tracks in this here EP and the classic ‘Mad Bad Jack is also involved lifted from Tyla’s visit to Tokyo from earlier this year.
Then wrapped up with a solo acoustic take of the opening song that sounds epic stripped bare and takes me back to when The bard of Wolverhampton first cut loose with his ‘Nocturnal Nomad’ demos. Buy It Here
The Hip Priests / Supersuckers – Split (Ghost Highway Records) Order Here
Now then kids, the kings of the 7″ single returns to take their reward for best single releasers in all of Rock and Roll and this time they’ve got their pals from Supersuckers to take control of one side of this single.
Of course, it’s worth picking up its the fucking Hip Priests, they ain’t ever gonna die again. Its crash bang wallop! as the guitars get wrung to within an inch of their lives you’ll be joining in on the chorus before you know it. ‘Ain’t Ever Gonna Die Again’ should be a promise from Nottingham’s finest purveyors of filthy noise as they continue their trajectory of unrivaled quality singles.
As for Eddie and the boys well ‘Deceptive Expectation’ is the best AC/DC song they’ve done since back in black. Great distorted lick that rolls and grooves along very nicely with a wonderful guitar solo to boot and Eddie’s vocals are spot on. Of course you should buy it
The Heck – ‘Hate It Here’ b/w ‘I Like It Here’ (Sour Bomb Records) This is an autobiographical song about feeling socially completely out of place. So you’re hating everything and everyone around you and life itself in general. Not because you have a good reason for it. Just because you have to because you can! So a song full of HATE is the result; what’s not to LIKE about that? If punk rock is your poison, you should check this out! For fans of Dead Kennedys, Gun Club, NOFX, Reatards, Oblivians. And for grandparents who hate their grandkids.
“Hate It Here” is the third gunfire of The Heck’s upcoming 2nd album. The Heck are another of Henri Soulmann’s brilliant bands alongside De Keefmen, The Miracle Men, and The Sensational Second Cousins.
The Speedways – ‘This Is About A Girl Who Loves The Sun/The Day I Call You Mine’ ( Snap! Records/Hurrah Musica) A bit of a departure with a more dreamy Johnny Marr style on the intro into the chorus. It’s one of the stronger songs from the album ‘Radio Sounds’ very understated and the more you play it the better it gets.
Then a more power-pop song you won’t hear this year from the overdriven guitar to the gang vocals ‘The Day I Call You Mine’ is like a little ray of sunshine on a cold winter’s morning. For good measure, there’s a lo fi live recording of ‘Just Another Regular Summer’ If you needed further encouragement to pick up this bad boy it comes with a download code for their live Radio broadcast for WFMU. Bargain!
Full Tone Generator feat Nick Oliveri – ‘Without A Sound’ (Golden Robot) What a fuckin banger! Loud, in your face and chuffin’ rockin. Without a Sound is bad ass and dangerous to know. Australian desert rock at its finest with added Oliveri for insurance. If you needed to ask the flip side is a roaring beast. ‘If You Want Me’ is punk as fuck. Buy It! Stream/buy Without A SoundHERE
WARPED – ‘Raised By Goats’ (Golden Robot Records) Ok so we’re ending the year with another awesome bunch of singles so its fitting that Warped join the gang with this heavy as a fuckin anvil dropped from an airplane. Hailing from Geelong, Australia WARPED are a 3-piece band that have been around the traps for 30 years and are highly respect scene veterans even if we’ve never heard of them now is as good a time as any to become introduced. Facebook
Bigspin – ‘Bottomless’ Punk as fuck Facebook / Bandcamp Taken from the bands new album it’s skate punk or whatever you want to call it but it’s a slice of Californian punk style but from Mexico City that’s been missing for a while. With that huge heavy bottom end as the song sprints towards the end via a sing along chorus. It’s a tidy tune to introduce you to the band who’ve been absent for many a year and even though the album sneaked out in the opening of 2020 it makes sense they see the year out with a neat video.
Ghosts Of Sunset – ‘Another Rock N Roll Show’ (Golden Robot Records) Hold onto those leather trousers lads Ghosts Of Sunset are turning back the clock with a hefty sleazy slab of Glam Rock with it’s catchy chorus. You know what the lyrics are about obviously a lot of tears when this one gets aired.
Featuring Tim Mosher from Junkyard on Lead Guitar. It’s unashamed glam rock from multi-instrumentalist Todd Long. Hit that play button. Why not Pre-order/pre-save the EP ‘Headed West’ HERE
Come Closer ‘Get It Wrong’ (Pirates Press) Southern California’s COME CLOSER has released their debut single “Get It Wrong” which comes from the band’s upcoming album ‘Pretty Garbage’ which will be released in early 2021 on Pirates Press Records.
Indie rock sensibility, with influences from legends like Husker Du and early Lemonheads, Come Closer’s knack for creating lo-fi, hook-laden tunes will make you want to instantly hit the “replay” button and if this is a taste of what’s to come they can definitely abandon the social distancing rules and come closer.
You can listen to “Get It Wrong” on all major streaming services, Bandcamp, and YouTube: Here.
Delilah Bon – ‘School’ (Self Release) Not content with writing a few acoustic covers or doing a livestream or two during this ole pandemic, Hands Off Gretel’s Lauren Tate went one better and invented a whole new alter-ego she christened Delilah Bon. Motivated by the backlash she endured online when she spoke out about women and young girls getting harassed at gigs (remember them), the Barnsley based songwriter channeled her fury into a new project. This day-glo collision of hip-hop beats and bratty punk attitude has already spawned 5 singles since its inception back in July.
New single ‘School’ is the dread-headed singer raising a middle finger to the school bullies and teachers who said she would amount to nothing. While it’s not as instant as the likes of ‘Bad Attitude’ or the excellent ‘Devil’, it’s still a quality diatribe from the potty mouthed, punk princess. It’s like if Eminem and Pink had a baby and bought her up on a diet of Public Enemy, L7 and Gorillaz, and that’s a good place to be.
This project is all self-written, self-played and self-produced. As Delilah Bon, Lauren Tate continues to excite with music and attitude that pushes boundaries in her quest to be the poster riot grrrl for the jilted generation. Bring on the album!
(Reviewed By Ben Hughes)
Paul-Ronney Angel – ‘Seven Spanish Angels’ EP (Gypsy Hotel Records) Following his debut solo single ‘One Horse Town’, The Urban Voodoo Machine main mouthpiece Paul-Ronney Angel has ditched the horse, grown wings and flown the coop with James Brown’s wife Tomirae Brown! While not strictly true, this single is a cover of the old Willie Nelson/Ray Charles duet ‘Seven Spanish Angels’ and is a collaboration with the Godfather Of Soul’s widow. Recorded at Space Eko Studio in London by Alex McGowan, the acoustic-driven single is full of raw emotion and countrified blues. PR’s raw vocals mix well with Tomirae’s sweet tones, like the devil and the angel taking us to church with handclaps, acoustic guitars and a bottle of whisky. He’s even dressed as a dandy highwayman in the video!
A cover of Linda Gail Lewis’ recent (and topical) single ‘Oh Pandemic’ fits the Urban Voodoo groove perfectly with brass and banjo adding rustic charm to PR and Tomirae’s vocals’. Also, the acoustic reworkings of ‘Goodnight My Dear’ and ‘Pipe & Slippers Man’ are suitably ramshackle and the spaghetti western style instrumental ‘The Flattened Earth’ make this a value for money purchase and the perfect stocking filler for all those ne’er do wells craving some rock ‘n’ roll salvation. Buy ‘Seven Spanish Eyes’Here
Tune in tonight Friday 11th December 17:00 GMT to see the brand new Magnificent Seven video by film-maker Don Letts, featuring the band performing the song live on The Tomorrow Show with Tom Snyder (a late-night New York chat show) cut with previously unseen film of the group in and around New York and during their legendary 17-night residency at Bond’s International Casino, near Times Square.
There’ll be a Q + A with Don Letts at the same time! Click Here for Youtube Link
Just one day to go to be part of their new album release!! Tell your friends, tell your mum, tell your dogs and cats.. this is gonna ROCK!! Here are some pics from Day one of the recordings… Something’s Got To Give with the legend that is Pat Collier at the controls … Here
I came across the band purely by accident on one of your typical ‘social media’ conglomerates. Merely described as a “straightforward punk number”, normally I would move on with such an uninspiring description but decided to give it a click all the same. Being so impressed with the track ‘headlong’ I quickly discovered that this is the first track off their debut album and I am yet to be dissatisfied taking a chance on the ominous description. A very mature sounding punk record, Bob Mould Husker Du era guitars with stark post-punk vocals.
It would appear that the Melbourne 5 piece are the latest Antipodean arrival of enviable punk/alt-rock to hit our shores. And a most welcome addition. Sonically the guitars lean towards the heavier end of eighties college rock, not looking out of place on the classic rosters of Sub Pop or SST. Title track ‘cheers for the future’ even hits brain bleeding Sonic Youth levels of noise but still managing to sound really accessible for the listener.
The album is a well thought out release, just when you think you have it all figured out and can place it in a box, it steps sideways adding synths, electronic beats and even throwing in feminine backing vocals as you make your way through the record. All adding different layers and textures without taking anything away from the overall product. Blending dirgey guitar lines with more divine sounding Dinosaur Jr harmonic fuzz.
Available to buy on Bandcamp and to stream on Spotify, make Zombeaches your band of 2021!
Futurama, the legendary post-punk festival is back after 40 years and takes place at the Invisible Wind factory / Make Arts Centre and Ten Streets Social in Liverpool over two days, 3rd and 4th of April 2021.
With promising news on the horizon regarding the vaccine roll out this week, the Futurama Festival’ has announced a second wave of bands to play the influential festival in Liverpool next Easter.
Undoubtedly one of the most famous electronic & synth bands of all time, Heaven 17 had hit after hit back in the 80’s with their incredible albums ‘Penthouse and Pavement’ and ‘The Luxury Gap’. This extraordinary success means their gigs are as popular as ever and they consistently sell out shows in the UK and abroad. The original Human League split in 1980, when Martyn Ware and IanCraig Marsh left to set up their BEF production company and recruited Glenn Gregory to help create “music of quality and distinction”. Taking their name from the disco in Clockwork Orange, Heaven 17 had immediate success with hits such as ‘At the height of the fighting’, ‘Fascist Groove Thang’ and ‘I’m your money’. ‘Penthouse and Pavement’ would become a landmark album that defined the 1980’s.
For their unique performance at the Futurama, Martyn and Glenn will perform a Heaven 17 set and will also revisit some of those classic early Human League songs. By re-imagining them and keeping the original spirit, they hope to recreate the futuristic ambience and immersive atmosphere of the early days. As Martyn says he ” loved the wider theme of dystopian science fiction that the Futurama touched upon and he always envisaged the Human League growing up in a science fiction noisescape”. Human League were scheduled to play the original Futurama in 1979 but for one reason or another, it sadly never happened.
As well as Heaven 17’s back catalogue, Martyn Ware can call on the astonishing early records of the Human League. The first Human League albums ‘Reproduction’ and ‘Travelogue’ were two of the most influential synth albums of all time. It cannot be underestimated how important the sound of young Sheffield 78 -83 became in post punk Britain with the Human League, Cabaret Voltaire, ClockDVA and Vice Versa (Later ABC) leading the way. They were the first wave of British bands to mix machines and electronic noise. Their music reflected their environments, the urban decay and industrial decline of this period. A bleak but beautiful soundtrack.
“Heaven 17 are really looking forward to the Futurama show, it holds so many fantastic musical memories for us both as performers and audience, states Glenn Gregory. “It’s fantastic that we have the chance to be a part of the future of Futurama”
“Brothers, sisters don’t just sit there on your ass!” Join us as we fix this historic error and go back to the Futurama with Heaven 17
Peter Hook and The Light are the Sunday night headliners and will be performing the ‘life changing’ Joy Division set from the 1979 Futurama in Leeds for the first time in 40 years. Another world first for the return of the Futurama in 2021. Peter Hook and the Light as well as the historical set will back it up with all the classics that they have delivered across the world in recent years to such acclaim. Two very special headliners for the return of the Futurama. They are joined by legendary Factory band Section 25 and the Expelaires who played the first Futurama in Leeds in 1979.
The AF Gang have confirmed their first acts for their All Is Love / Goth Kitchen stages with up-and-coming London punks Chubby And The Gang who have just signed to Partisan Records (Idles, Fontaines DC, Laura Marling) and TV Priest who have just signed to legendary American label Sub Pop. Other bands they’ve picked are Genn, The Pleasure Dome, Ditz & Frauds who the AF Gang have been championing for some time.
Planet X, Liverpool’s infamous goth and punk club have Balaam & The Angel headlining its stage with Dr Diablo & the Rodent Show, Peter Bentham & The Dinner Ladies, Feather Trade,
the Gentle Scars, Three from Above & The Webb supporting. Also, confirmed are Girls in Synthesis, Ist Ist, Dream Nails, Liines, Gravves, Klamp, Coughin Vicars & Deh-Yey. All in all, it’s shaping up to be one of the best line-ups of every year.
As promoter Marc Jones, says ‘fingers crossed, the timing could be perfect, we all desperately need something to look forward to after one of the hardest and most difficult years ever! 2020 has seen the festival and live gig circuit decimated by the pandemic. It could one of the first festivals post Covid restrictions and it would be a real boost to the Liverpool music scene and the independent venues involved and perhaps a real starting point for and hopefully a much better year in 2021″
New Early Bird December from SEE tickets HERE: 1st payment 7th December with subsequent payments in Jan, Feb and March 2021
There will be a last wave of bands to be announced in January when day splits and full stage line ups will be announced.
Other acts confirmed to appear include Theatre Of Hate, Warmduscher, The Chameleons, The Blinders, The LovelyEggs, Spizz Energi, Imperial Wax, Just Mustard, Membranes, Evil Blizzard, Sink Ya Teeth, John, Heavy Lungs, We Are Not Devo, DSM IV, Bob Vylan, Billy NoMates, Witch Fever, Tokky Horror, Pozi, Crows, St Agnes, LibraLibra, Courting, Crawlers and Joe & Shitboys, with the world’s biggest rock ‘n’ roll and punk magazine Vive Le Rock and respected website Louder Than War hosting the main stages.
2020 has been a bit of a musical shit stain. It began well and thanks to Nottingham’s Scene Killers it’ll at least end in style.
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