Indiana based thrash/death metallers Assimilator unleash their self-titled album on Sep 16th. Mixing up a myriad of influences ranging from Kreator to Deicide, the band delivers a pummelling nine tracks of metal fury. It’s not all death metal grunts and breakneck speed though, I can hear some doom influences too. The light and shade of the songs work well, the band have obviously tried to construct the songs in such a way that you don’t lose interest. The songs aren’t too long either, I really like the way that the album flows. I can even hear some NWOBHM influences, Angel Witch for sure.
The production is slightly too muddy for my taste but it’s more than adequate. The band are extremely talented musicians and delivers some blistering performances. There are lots of melodic moments too, with some fantastic guitar work. The band have shared stages with the likes of Suicidal Tendencies, Phil Anselmo and the Illegals and Obituary to name but a few. I’m sure they deliver the goods live.
All in all, a solid album, if you love your metal on the heavier side, check out Assimilator, you won’t be disappointed.
Eye eye what do we have here then? A new Eye-inspired release from Germany’s finest Berlin Blackouts. If you’ve not already seen it they have put together eleven Eye inspired tunes on this eye-catching new record. It’s twenty-five minutes of punk rock inspired by your peepers. splattered amongst the original tunes they have some right spectacles covered like the classic ‘Gary Gilmore’s Eyes’. but more eye-opening is their take on the ‘Dirty Dancing’ slushy pomp rock-lite that is ‘Hungry Eyes’.
So it’s not just a lame cover album, it’s not patchy either, the Blackouts deliver quality melodic power pop, punk rock and from the off, they dish it up from the punchy ‘Kubrick Eyes’. They then kick in with the sultry saxophone intro of ‘Hungry Eyes’ and you won’t be able to look away they’ve covered a tune perfectly. Sure it’s a huge melody overload and the Ramones-like chorus is simply delicious. Ten out of Ten for having the balls and for the interpretation. Nail, head, hit! Hell, when you’re on a roll why stop? ‘Bette Davis Eyes’ is tackled next and again it’s sublime in its delivery and interpretation.
They sound like it was the best of fun to have recording an album and speeding through ‘In The Eyes Of’ and ‘Eyes Of 84’ before smashing ‘Dead Dogs Dancing In Your Eyes’. The ebb and flow of the record is excellent and out there from the punk rock smashers to the pop-like bop n roll of ‘Doctor My Eyes’ taking us back to the ’70s and a pair of creepers with some teddy boy drapes for added authenticity this could and should be a leg up record to bigger and better things and radio bods should be all over this album filling the airwaves with these tunes.
I loved Radio Dead Ones and Berlin Blackouts are a fine post project I’ve gotten my beady eye on what the band were up to and have the records and this is the finest project the Blackouts have managed thus far and its great to hear they still have the chops to stay in the game and deliver excellent music. Take the plunge and check out these tunes and delve headfirst into the Berlin Blackouts they deserve it – They rock and love to make a spectacle of themselves and eye think this album can and will be enjoyed far and wide – get on it kids this album is a banger!
Born from the Red Bank of New Jersey, the early days of Monster Magnet were a cosmos away from the major-label, alternative rock boom that would suck the band into the shiny MTV world of the early to middle 90s. Originally formed by Dave Wyndorf, John McBain and Tim Cronin, Monster Magnet lysergic oozed into the world in 1989 with two demo tapes – ‘Forget About Life, I’m High On Dope’ and ‘I’m Stoned, What Ya Gonna Do About It?’ – making it perfectly clear from the start where they were coming from. This was a band revelling in bad trips and the death of the hippy dream with a Manson Family stare, playing squelchy lo-fi psychedelic music with a rabid punk rock sneer, like The Stooges terrorising Hawkwind at the most unpleasant free festival imaginable. There were tales of entire audiences at their gigs being spiked with LSD. It didn’t matter if this was true or not, it all added to the mystique. This was indeed a satanic drug thing, you wouldn’t understand.
Those two demos formed the base of what would become their pivotal ‘Spine Of God’ album from 1991 and the ’25…Tab’ EP, which featured the mesmerising 32-minute opus itself, ‘Tab’.
Long considered to be the true essence of Magnet’s early psychedelic voyages, ‘Tab’ is finally returning to earth’s stratosphere with the release of ‘Test Patterns: Vol.1’, available November 11th via God Unknown Records on 12” vinyl.
‘Test Patterns: Vol. 1’ features a 2021 remix of ‘Tab’ by John McBain, alongside the original demo, recorded in 1988 and then released on the aforementioned ‘Forget About Life, I’m High On Dope’ in 1989.
“When Magnet started, John and I worked in record stores in Red Bank and Dave worked in the comic bookstore and we made a lot of tapes for each other,” recalls Tim Cronin. “A lot of ‘check this shit out’ kind of stuff…Hawkwind, early UFO, Amon Duul, Can, Skullflower, Morgen, Loop, Crystalized Movements, early Alice Cooper, Walking Seeds, Butthole Surfers, Spacemen 3. When we recorded the first demo and got to TAB, we just beat the shit out of it until it became heavy, noisy, weird, mean and either too long or not long enough, depending on your mood. Everything we wanted in a song (at least everything I wanted in a song), punishingly psychedelic. Jersey Shore krautrock.”
‘Test Patterns: Vol. 1’ will be available in two 12” vinyl editions – a deluxe gatefold sleeve with acid blotter inner sleeve and a special Rough Trade Super Deluxe edition with gatefold sleeve, limited to 300 copies with 4 postcards, blotter inner sleeve, ‘orange sunshine’ coloured vinyl and alternative cover artwork.
The band Midnight’s alter ego tribute to Motörhead! is a 10-track monster. Midnight makes no apology for paying tribute to one of the greatest loud Rock and Roll bands ever. Think Bomber think Ace Of Spades think the classic trio of Kilmister, Taylor, and Clarke this could be the album they never made but should have.
If you’re on board with all things Midnight, and you know what a talent Athenar is then you’ll not have any doubt about how good this album is. With song titles like ‘Leatherbound Glory’, ‘Below The Law’ and ‘On The Loose’ you know where this is coming from. Its NWOBHM with bite, its denim nut huggers and leather gloves its stripped down and loud – fuckin lovely!
‘Thundercharger’ is the opener Charger wish they had in their arsenal. Riff hard recycle used old school riffs and middle eights the odd drum fill that you think you’ve heard before (you have) and always raise a fist and yell for Lemmy when you thump the four string low end make it distorted and punchy but always remember to Roll with your Rock. that’s Whitespade.
‘Below The Law’ is the tip of the hat that the classic Motorhead deserve its an absolute beast and proves that Athenar has the chops and has the suss to deliver this with a tonne of authenticity and make it sound essential listening like he’s invented Hard Rock.
There isn’t a bad track on here from front to back it’s a banger. ‘Fast Lane To Nowhere’ slows things down to a ‘Metropolis’ speed where the tempo is more of a groove and is a great tune in the middle of the set.
Of all the tracks ‘On The Loose’ is a familiar riff as is the riff of ‘The Strangler’ but that’s the deal it’s a tribute to how Motorhead used to do things back in the late 70s – God, it’s been a while over forty years, maybe the time is right for a resurgence of hard n heavy Rock n Roll and if this is the benchmark then bring it on. Let’s have a new Tank and Warfare push through. They did save the best til last but holy moly ‘Leatherbound Glory’ is the jewel in the crown an absolute stone-cold champion of a track from the lick to the breakdown all the way to those lyrics, Greasy and slick! fuckin right it is and Lemmy, Phil and Fast Eddy would all have got it and been touched with the tribute. Now don’t delay get over to Bandcamp and pick up a copy on whatever format is left.
Manchester punk trio Aerial Salad has their first new music since the release of their ‘Dirt Mall’ album in early 2020 and are back with a new single ‘The Same 24 Hours (As Beyoncé)’
Following the release of their 2020 album ‘Dirt Mall’, a pandemic, a few lockdowns and then a much-needed dash for freedom on a UK tour with Snuff, Manchester trio Aerial Salad are back with new music!
‘The Same 24 Hours (As Beyoncé)’ is a scathing criticism of modern influencer, celebrity, and social media culture.
Inspired by Love Island contestant and social media influencer Molly Mae, quoted as saying, “Beyoncé has the same 24 hours in a day that we do”, the new Aerial Salad single captures the frustration that millions of people have with this sentiment.
“The new single throws jabs at modern working life, and the constant feeling of ‘survival’ over prosperity for millions of British people who are just trying to live nice, relaxing, lowkey lives,” explains guitarist and vocalist Jamie Munro. “But between soaring energy prices and unrealistic life expectations set by the likes of Molly Mae on social media, everyone is just left burnt out and hurting.”
In typical Aerial Salad fashion, they deliver this message in a fun, sarcastic, cheeky, and infectiously catchy way, flexing their ability to step outside of their immediately recognisable sound, whilst remaining true to the essence of the band.
The video was recorded just outside of Vibe recording studio in Cheetam Hill, Manchester and subtly features clothes that the band have bought second hand as a last-ditch effort to stick one to fast fashion.
“If we had a bigger budget, it would have looked like the ‘Ashes To Ashes’ video by David Bowie,” laughs Jamie. “but we don’t have the money for a camera crew or make-up team so this will have to do for ya!”
Aerial Salad are unlikely to become TikTok sensations anytime soon with their dancing but they are set to become one of the hottest punk bands on the planet.
They play a special single launch gig at Blondies in East London on September 15th, which is already SOLD OUT, so there!
After the gig drought of the last couple of years, it’s important to take every opportunity to get out there and support your favourite artists. Here in the southwest of France, it’s no different. There haven’t been many gigs of late, so I was pleasantly surprised to hear that UK Subs legend Alvin Gibbs was playing at a bar just a few miles from chez Moi. Yes, it’s Thursday evening, yes, I’m working tomorrow, but let’s go!
I’ve stopped off at Pub Gabariers before, on an afternoon ride, so I knew it was a nice spot, next to the canal. Hearing that he was due to be joined on guitar by Steve Crittall (Black Bombers, ex-Godfathers, all-round nice chap) was the icing on the cake.
It’s a relaxed atmosphere at the pub/bistro, with just enough room inside for the band and a small audience, but Alvin is on home turf, having moved near Bordeaux some years ago. So, we get a variety of classics from the Subs, Iggy Pop/The Stooges, Alice Cooper, as well as some tunes from Alvin’s fine solo album, ‘Your Disobedient Servant’.
While the vocals could be a little louder, the bass is unsurprisingly upfront, and Steve’s guitar is suitably savage during the likes of ‘Down On The Street’ and ‘I Got A Right’, hitting just the right tone on ‘1969’. It was particularly good to hear ‘Ghost Train’ and ‘Clumsy Fingers’, and the Jonesy riff of ‘Tuff Baby’, with the surprise inclusion of ‘Children Of The Revolution’ and ‘Brand New Cadillac’. Something for everyone, including the handful of ragged Subs t-shirts; ‘Tomorrow’s Girl’ and ‘Warhead’ to end, complete with audience participation.
An unexpected treat on a Thursday evening. I hope to see the Subs again, probably in the UK, their recent album ‘Reverse Engineering’ is excellent, and tonight showed that Alvin’s songs merit a second solo album…
The sun is out and the smell of hairspray is in the air, we can only be in one place? 1985 on the Sunset Strip you say? Nah we’re in present day Sheffield and the Rock gods are smiling on us with the weather this weekend (although we are principally indoors). The venue is packed and backcombed to the rafters and has a bountiful amount of Sleaze, snakebites and hotdogs on offer for the masses. Let’s get stuck in!
First up for me is Gypsy Pistoleros on the main stage. An intriguing mix of sleazy riffs, singalong choruses and some fantastic moments where you feel like you’re listening to a Spaghetti Western score. Overall they’re frenetic and anthemic but dreadful in between song ‘banter’. Props to the excellent drummer though.
Next up over on the 2nd stage, it’s Rock ‘n’ Roll stalwarts Paradise Alley. A much-needed shot in the arm of Glam Punk for the day’s proceedings! Frontman Steve Vincent certainly has the voice of the weekend, serenading the audience and throwing in a few stories for good measure. At times the band’s performance is a bit shambolic, at other times good, but overall shambolically good. Which is a winner for me! Will definitely be checking them out on tour in the future.
Back over to the main stage to check out Kickin Valentina. Clearly a crowd favourite here at Sleaze this weekend, the audience has swelled in size with anticipation. This is a band that has never clicked with me on record but they definitely win you over with their swagger and workmanship. It’s nothing I’ve not heard before but they serve it up confidently and bolster their fans into a frenzy.
Heading further into the evening of day 1 we are treated to headliner-worthy Hardcore Superstar. A force so commanding it’s like they just turned the House PA up to 11! The atmosphere in the venue is electric, the band hitting the crowd with sonic blunt force blows with every note played. Fan favourites are supplied in abundance in the form of ‘wild boys’, ‘we don’t celebrate sundays anymore’, ‘last call for alcohol’ and early career classic ‘liberation’. Those assembled are all but won over, the point is truly hammered home with anthemic closer ‘you can’t kill my rock ‘n roll’.
It would be fair to wonder how Michael Monroe would compare after following Hardcore Superstar on the bill. As soon as the band hit full pelt into the first number, all doubts are cast aside and seem ludicrous in retrospect. With a set consisting of Monroe’s superb solo album offerings, choice numbers from Hanoi Rocks and Demolition 23, plus a few covers thrown in for good measure. Tonight’s set is certainly the showstopper everyone has been hoping for. With a band that must be one of the best in the business (Sami Yaffa, Steve Conte, Rich Jones & Karl Rockfist) they burst into a non-stop Rock ‘n Roll show, expertly led by Monroe, an awe-inspiring performance packed with boundless energy.
Stand-out tracks for me today would have to be ‘last train to Tokyo’ and the recent single ‘everybody’s nobody’. Not only does Michael rock your socks off, he has the lovable charisma to charm your sock off also. I find myself literally unable to stop smiling throughout the entire performance, I genuinely feel sorry for anybody unable to find joy in watching the show tonight.
With Day 1 over, everybody is leaving happy and appetites are satisfied with equal amounts of Sleaze and Hooch.
BAND CELEBRATE THE 21ST ANNIVERSARY BY PLAYING THE ALBUM IN FULL WITH CHARLOTTE HATHERLEY
ASH have announced the reissue on newly remastered splatter vinyl of their hugely successful and beloved FREE ALL ANGELS album on 16 September. The release follows the reissue of their debut album 1977 earlier this year.
FREE ALL ANGELS was the third hit album from ASH and their second with guitarist Charlotte Hatherley. The album reached #1 in the Official UK Albums Chart and has since gone on to achieve platinum status. It birthed the Ivor Novello award-winning single Shining Light; the NME Single Of The Year Burn Baby Burn; and further singles Sometimes, There’s A Star, Candy and Walking Barefoot.
The band’s spectacular debut album 1977 was a defining record for 90s guitar music, having also reached #1 in the UK and achieving platinum status. Its singles Girl From Mars, Kung Fu, Goldfinger, Angel Interceptor and Oh Yeah remain staples of the band’s live performance as they ring out at sold out shows and headline festival slots. The remastered splatter vinyl version earlier this year was the first time the album has been reissued since its release in 1996.
In addition to the release news, ASH have announced a run of very special UK live dates to celebrate the 21st anniversary of FREE ALL ANGELS for which they will be reunited with guitarist Charlotte Hatherley to perform the album in full. Drummer Rick McMurray said: “We’re delighted to announce that we will be commemorating the 21st anniversary of the release of our 2001 album Free All Angels. Not least because we will be joined by the fourth member of Ash – guitarist extraordinaire, all-round Shining Light, the one and only Charlotte Hatherley. Can. Not. Wait.”
TAKEN FROM FREE LSD, THEIR FIRST ALBUM IN EIGHT YEARS
PUNK SUPERGROUP WITH MEMBERS OF CIRCLE JERKS, THUNDERCAT, …AND YOU WILL KNOW US BY THE TRAIL OF DEAD, AND MORE TO UNLEASH FREE LSD VIA FAT POSSUM ON 30TH SEPT, PRE-ORDER NOW
CLASSIC 1982 ALBUM TO BE RELEASED AS A SUPER DELUXE EDITION 5-CD + BLU- RAY AUDIO BOX SET, TRIPLE VINYL, HALF-SPEED MASTERED SINGLE LP, 2-CD DELUXE EDTION, 1-CD REMASTER, AND DIGITAL
Listen To The Previously Unreleased Track “Betrayed (Outtake)” Taken From ‘Creatures Of The Night 40,’ HERE
Los Angeles, CA – August 26, 2022 – Celebrating its 40th anniversary, Creatures Of The Night from 1982 is a seminal album in the KISS catalog. It crushed fans’ expectations with a huge, back-to-rock sound and has become a fan favorite and cult classic. On November 18, 2022, UMe will release Creatures Of The Night40 as a 5-CD + Blu-ray Audio Super Deluxe Edition, 3-LP Deluxe, 2-CD Deluxe, 1-LP Half-Speed Master 180gm, 1-CD Remaster, as well as a 5-CD Super Deluxe Edition Digital Download + Streaming and 2-CD Digital Download-only version plus a color Vinyl exclusive. All configurations can be pre-ordered through the official KISS online store, HERE.
Having rechanneled their efforts into consciously making a return to the hard rock that they were known for, KISS – Paul Stanley, Gene Simmons, and Eric Carr – unleashed Creatures Of The Night in October of 1982. In addition to a harder sound, the album is also noted for its heavier, darker mood. The single “I Love It Loud” has been performed on nearly every subsequent KISS tour, while “War Machine,” the ballad “I Still Love You,” and the title song also featured heavily in their live sets for a number of years. Also of note is “Killer,” which featured the group’s first songwriting collaboration with their soon-to-be-guitarist Vinnie Vincent. Creatures Of The Night received accolades in magazines such as Kerrang!and Guitar Player – which both placed the album in their top five end of year chart for 1982 – and has attained Gold Album status (sales of 500,000+).
The ‘Creatures Of The Night40’ Super Deluxe boasts 103 total tracks with 75 tracks being unreleased. Newly remastered on CD 1, the original album has never sounded better. CDs 2 & 3 feature 34 demos, rarities & outtakes including unreleased gems such as “Deadly Weapon (Penny Lane Demo),” “Not For The Innocent (Demo)” and “Betrayed (Outtake).” CDs 4 & 5 highlight 26 incredible, soundboard live recordings from the Creatures ‘82/’83 Tour and seven super rare tour sound effects, all recorded and archived by the Creatures Tour sound engineer Harry Witz. The Blu-ray Audio disc showcases a first-ever Atmos and 5.1 surround mix from the original album multi-tracks plus the high-resolution newly remastered 1982 stereo mix of the original album. Additionally, the Super Deluxe box features an extensive array of bonus kollectible KISS memorabilia and ephemera, including:
80-page Hardcover Book with Extensive Liner Notes by Ken Sharp and a treasure trove of unreleased photos and imagery
Creatures Of The Night 1982 Press Kit featuring:
Creatures Band Press Bio Sheet
Creatures Tour Band New Poster 11”x17”
2 Stage Drawings
The Loudest Band In The World Poster 16”x24”
Japanese Promo Poster 16”x22.5”
Band Black & White Promo 8”x10”
Gene, Paul, Eric & Vinnie Color Photos 8”x10”
Creatures 40th T-shirt Iron-on Transfer Sheet
“I Love It Loud” Bumper Sticker
Australian Creatures Sticker
Marcanã Stadium, Rio de Janeiro 6/18/83 Replica Ticket
Creatures Tour “Detroit” VIP Cloth Sticky Backstage Pass
4 Killers-era Trading Cards
Creatures 1982 Replica Tour Program
Gene, Paul, Eric & Vinnie – Chris Hoffman Illustrations 9”x12”
Gotham Rock City News Volume 2 Newspaper – Track-By-Track Interviews with Gene, Paul, Eric, Vinnie, Michael James Jackson, Bryan Adams, Jim Vallance, Adam Mitchell and Mikel Japp
4 Glow-In-The-Dark Guitar Picks
Iron-on Patch
4 Buttons
KISS is America’s #1 Gold Record Award winning Rock group of all time and have sold over 100 million records worldwide. Peerless as a live act, the band’s illustrious legacy is marked by record breaking global tours. Now, after an astonishing 49-year career, KISS – Paul Stanley, Gene Simmons, Eric Singer and Tommy Thayer – are currently in the midst of their END OF THE ROAD tour.
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