Philly-based hardcore band Soul Glo signed for Epitaph Records were always going to be challenging and thought-provoking and politically charged, it was a no brainer. with lines like: “Ain’t nothin’ as ugly as a balance in the red / I want bands on every politician’s head” and opening your record with the strained scream of ‘Gold Chain Punk (Whogonnabeatmyass?)’ has got my attention.

Moving straight into the raging screamer ‘Coming Correct Is Cheaper’ hasn’t just got my attention but I’m sat bolt upright looking for the volume control to turn this fucker up! Uncompromising – relentless – breathless and with a pulse going through the roof. Soul Glo are in da house! Fusing hip-hop, hardcore, and punk, the Philly outfit are fearless and brutal in their delivery. Taking no prisoners and most definitely no fucks given! Soul Glo aren’t looking for hipsters but people who want to jump on board ‘Thumbsucker’ mixes it up with some horn (I Think) and melody before diving back into the bearpit with their collective backside on fire for ‘Fucked Up If True’.

This is getting addictive as ‘Jump’ is outta control like a low flying drone with a saw blade attached taking no prisoners. To be fair once you lock into the vocals and a few repeated plays it makes perfect sense and the screaming is deffo addictive.

The artwork will give you an insight into what the album sounds like if that makes sense, But it won’t apologise for taking your mind on a headfucked journey into some bleak territory but the rewards are multiple. The bass on ‘The Thangs I Carry’ is filthy and reminds me of a more extreme Cerebral Ballzy clearly influenced by old school Bad Brains which is always a welcome sight for modern bands that they get where this scenes roots are. Soul Glo are blowing up and rightly so, the record is an explosion of sounds and ideas it’s harnessing those vital triggers and using them in a way people get it. It won’t be for everyone that’s how extreme music goes but given half a chance and this one can fly!

Check out Soul Glo if you dare but don’t blame me if you find yourself in a circle pit at the bus stop or moshing at the supermarket. Hardcore is here and it’s not always a bed of roses!

Buy Soul Glo Here

Author: Dom Daley

It’s been a while since The Hellacopters put out a new album and in some quarters the anticipation has reached fever pitch. Sure they’re not the band that got down to business all those years ago with the sonic headfuck of ‘Super Shitty To The Max’ Christ that was ’96 they’re a lot older and as for wiser? Fuck knows I do know a lot of water has gone under the bridge since then and not all of it has been good. ISE had their moments but the sound had evolved for sure like a lot of bands where the lineup has changed and careers moved left and right nobody would want them to stand still so trying to avoid the hype train and the fanboys can be an impossible task in the 21st century but here we are. April 2022 and it has arrived.

I find giving the records of Nicke Andersson time to breathe is best for me and dipping in or having them in a mix tends to grab me and the same has to be said about modern Hellacopters. I like that there are ten tracks and each one is almost perfect single in length and it didn’t become something of a ‘Chinese Democracy’ and whilst I wasn’t expecting ‘Action Now’ to rip out of my speakers I was pleasantly surprised with the howls of feedback ringing out of my speakers as the band kick out the jams with a strong opener. Big dirty riffs thumping low end and the Stooges piano tonking away in the background.

Andersson has a very distinctive vocal style and layers of vocals ring out on ‘Can It Wait’ and so many guitars scream out of the speakers in all directions courtesy of Dregen and Anders Lindstrom as well as Andersson Platow. It conjures up an image in my mind of a pirate galleon with Nicke in the crow’s nest moving through choppy waters with his pirate crew blasting out below him as they own the seas. It’s confident and punchy so far.

I was worried that this record was going to be Sweden’s answer to 38 Special but so far I’m delighted with what I’m hearing. The final dramatic refrain of the bluesy Ballad that is ‘So Sorry I Could Die’ which has an excellent performance from the frontman.

The title track is what I would say is comfortable Hellacopters territory and a track that brings up the bands arena Rock side. It’s a little like ‘Sonic Temple’ era Cult – One I’m hoping is a grower. I do however love the old school sleeve and with 180gm vinyl being the choice of the day the card sleeve must be at least 180gms as well which is nice.

Now ‘Plow And A Doctor’ is something I connected with right away. Reminds me of the modern Alice Cooper garage rock rather than the Stooges Garage that can be so alluring. the Piano is great and the overall production from Chips Kiesbye is spot on and just enough Kiss-like polish but a decent dose of rough assed distorted guitars n grit which really suits these songs none more so than this one.

‘Tin Foil Soldier’ veers into a bit of glam stomping territory and some Sweet (Pun intended) Slade like stomping. The breakdown is showaddy waddy on steroids and no filter cigarettes – I like it. ‘Beguiled’ is another 70s inspired rocker with hints of Lizzy in the lick and that’s always a winner.

As we race into the home straight I’m happy with what I’ve heard thus far and not having had a great deal of time to familiarise myself with these songs I’m impressed, and the acoustic rocker that is ‘The PRessures On’ is certainly not a ballad but more a late balmy night rolling through deserted streets in a big fat Cadillac with the top down and the stereo on loving life, it’s been that sort of journey. Leaving just ‘Try Me Tonight’ to take this bad boy home. With a cool lick the song stutters and jerks to life and hits that chorus in the sweet spot and we all join in on the chorus. Great song to close this off. I’m heading back to the beginning and going in again I think this might just be a grower. Get on it now and fill yer ears with ‘Eyes Of Oblivion’ it’s a bit tasty!

Buy Here

Author: Dom Daley

oh, what a night. This one had been on the to-do list for quite some time some months. Fingers and toes were crossed that this would actually happen as the country opened up.

Tonight Le Pub was bouncing with anticipation for what was promising to be an explosion of energy and rock and roll that had been pent up for oh so long. Deathtraps are south Wales finest exponents of noisy Rock and fucking Roll, Nottinghams finest The Motherfucking Hip Priests and Supersuckers the self professed Greatest Rock and Roll band in the world. This motherfucker is trippin’ on what’s to come.

Deathtraps were first up and we saw Fraser sporting a rather fetching piece of headgear to rival Eddie’s cowboy hat and the band was on a mission to cram in as much music as possible in their tight thirty-minute set. The band went for it from the off delivering a thuggish set with some new tunes that showed they weren’t sitting idle during the past few years’ hibernation and got to write some more decent songs. ‘She Said’ was particularly striking and the set was wound up with a tribute to the departed Hank Von Hell with a frantic cover of ‘Denim Demon’ which went down very well to finish off a most pleasing set.

The Hip Priests have been on the whole tour around plague island with Supersuckers and hit that sweet spot where everything sounded tight and they were in their groove right from the off. Opening with ‘Black Denim Blitz’ ‘Survival OF The Shittest’ a fitting tune that signaled the avalanche of venom from the twin guitar attack of Austin and Ben as they bookend the sonic explosions that is Von Cruz, a man who can’t stand still for a split second whilst Brother Lee Love holds the bottom end that holds these tunes together along with Des the rhythmic pair sound like a carpet bombing of hard rockin punk attitude.

Supporting in a venue they often headline at saw the slimmed-down set bolstered with the sound of no less than four new songs that sounded exciting and if they’re anything to go by the new album is gonna burn. They’re about to finish off what will be a career-high and see this ten-legged groove machine burn a path to glory. By the time they hit ‘Zero Fucks Given’ they were on fire and exploding a stick of dynamite that Eddie and the boys have to try and follow.

Taking the Newport stage to the strains of EVH mr spaghetti is Looking well in his trademark cowboy hat and shades. Eddie Spaghetti was about to get down to business and shake the shit out of one of the best music venues around and show the good people present that Rock and fucking Roll was alive and kicking and in rude health. Taking in songs from all quarters of the band’s catalogue and shaking up the set from previous nights and therefore keeping it fresh my only complaint to the management would be this, With so many great songs of their own why three covers in a tight – compact set? Sure I love me some Michael Monroe and Thin Lizzys ‘Cowboy Song’ is a banger as is their tribute to ZZ Top but I think I’d have loved to hear a bunch of other classic Supersuckers tunes, just saying.

Whinge aside tonight the band was loud and proud and didn’t substitute any subtleties from the melodies with volume and Eddie was in great spirits with his banter. The Supersuckers love a cliche and why not? Rock and Roll is a celebration and not something everyone can do and do this well. They have songs with Rock and Roll in the title (and more besides) they love to let people know they are in the company of the Best band in the world and Metal Marty Chandler has the tone ringing through his les paul that would surely meet the approval of Jonesy whilst Christopher Von Streicher holds a tight ship in the engine room making it sound so effortless sure does make for a great band who sounded in fine form road worn and battle-ready. Tonight the Supersuckers have the Evil Powers of Rock and Roll well and truly harnessed and delivered the good.

It has been probably ten years since the last time I saw them live bar Eddie acoustic and whilst I regret not seeing the Evil Powers album in the full set this was a pretty damn perfect cross-section. Whilst there can and will be debating what is the perfect set there can be no debatin that when Supersuckers are on it they burn a hellbound trail and I’m always on board with that. Until next time hombres it was indeed a pleasure and not a second of a chore – three bands for less than £20 is an absolute bargain especially when they’ve been this damn good.

Author: Dom Daley

FRANK BLACK AND THE CATHOLICS

THE COMPLETE STUDIO ALBUMS

vinyl box set  

released 8th July 2022 

On 8th July Demon release Frank Black and The Catholics – The Complete Studio Albums box set. This superb box set includes 3 albums never before available on vinyl. Between 1998 and 2003, Frank Black and co. released six albums under the ‘Frank Black And The Catholics’ moniker. All recorded live and direct to two-track tape, the albums are some of the most energised, raw, and essential of Frank Black’s career.

 
For almost two decades, the Catholics’ studio albums have been out of print or unavailable on vinyl. Now, Demon Records is proud to present ‘The Complete Studio Albums’ boxset featuring all six original releases expertly remastered from the original studio tapes and pressed on heavyweight 180g clear vinyl. 

Includes all six studio albums –

‘Frank Black And The Catholics’ (1998), ‘Pistolero’ (1999), ‘Dog In The Sand’ (2001) [first time on vinyl], ‘Black Letter Days’ (2002) [2LP, first time on vinyl] ‘Devil’s Workshop’ (2002) [first time on vinyl], and ‘Show Me Your Tears’ (2003). 

Each album is pressed on 180g clear vinyl and housed in printed inner sleeves along with outer sleeves featuring spot gloss detailing. All 80 tracks have been newly remastered from the original studio tapes by Phil Kinrade at Alchemy Mastering at AIR.

 
The albums are housed together in a rigid outer sleeve and accompanied by a 32-page booklet featuring new liner notes by Catholics producer/engineer Ben Mumphrey plus unseen and rare photographs by Steve Gullick. 

Pre Order Here

UK DATES CONFIRMED FOR APRIL, MAY AND JUNE

WITH SUPPORT FROM ROB AUTON, BUG CLUB, AND GWENIFER RAYMOND

TICKETS HERE

‘FRIED EGG’ 10” EP OUT APRIL 8TH FEATURING RARE SONGS AND LIVE RECORDINGS

NUMBER ONE SELLING NEW ALBUM ‘I AM MORON’ OUT NOW!

April 2022

Thurs 7th Castle and Falcon, Birmingham SOLD OUT

Fri 8th, Heaven, London

Sat 9th, Bedford Squires, Bedford NEW DATE

Sun 10th, Forum, Tunbridge Wells NEW DATE

Mon 11th Junction 2, Cambridge SOLD OUT

Tues 12th, The Waterfront, Norwich NEW DATE

Thurs 14th, The Black Prince, Northampton NEW DATE

Fri 15th, Pop Recs, Sunderland NEW DATE

Sat 16th, The Brudenell, Leeds SOLD OUT

Thurs 28th, Ulster Sports Club, Belfast

Fri 29th, The Workman’s Club, Dublin

Sat 30th, Dolan’s Pub, Limerick

May 2022

Thur 26th The Cluny, Newcastle SOLD OUT

Fri 27th Stereo, Glasgow SOLD OUT

Sat 28th The Mash House, Edinburgh SOLD OUT

Sun 29th The Crescent, York

Mon 30th Sub Rooms, Stroud

Tues 31st Clwb Ifor Bach, Cardiff

June 2022

Wed 1st, The Facebar, Reading

Thurs 2nd, The Fleece, Bristol NEW DATE

Fri 3rd, 02 Ritz, Manchester

The Lovely Eggs do not give up. Ever. The proudly independent Northern psychedelic punk rock duo have now, since the beginning of the pandemic, rescheduled the tour originally intended to promote the release in April 2020 of their ‘I Am Moron’ album, a staggering seven times. Now, they can finally return to the stage in full force, with a string of live shows to start this coming Easter.

The Lovely Eggs have a long tradition of touring in the school holiday period because, as parents of a young son, they are not prepared to leave him at home!

“Every time the school holidays hit, we head off on tour,” explains Holly. “Our lad is 9 now and we’ve been touring with him since he was 4 months old. It’s just something we have to do. When we decided to have a kid, we knew we didn’t want it to change our lifestyle. Everyone goes on about settling down and getting proper jobs when you have kids but that’s just nonsense. We knew we could do things differently. 

“Making music and touring and being in a band is fundamental to who we are. There was no way we could stop doing it. So, we bought a mini fridge for the van, and I expressed milk for when I was on stage and stored it in there. I sterilised bottles every night after the gig. We took a mate with us to babysit. Nine years on and we’re still at it. And our little lad loves it. He’s been round the world with us through the band and visited some amazing places. We’ll ask promoters to get stuff for him on our rider and he loves a kick about during soundcheck. The late nights and early mornings used to be a killer but no worse than some of the hangovers we used to have!

“As a woman I’m not having anyone tell me what I can and can’t do, or what stereotype I need to fit in with. This is our dysfunctional family and we bloody love it!”

Fiercely DIY, and yes, fiercely fierce, The Lovely Eggs have outlived most bands and continue to strive forward, with a dedicated audience that moves with them. Almost all of their tours always sell out and these dates will be no exception.

Joining them will be a three support acts that exist in the same world as the band’s eclectic, out-there sound: Rob Auton, Bug Club, and Gwenifer Raymond. Labelled ‘a genuine original, Rob Auton Rob has written eight hit Edinburgh Fringe shows, which have led to nationwide tours and television/radio appearances. Bug Club are a trio currently turning heads, hearts, eyes and ears following the release of their debut EP ‘Launching Moondream One’ in early 2021 through Bingo Records. Finally, Gwenifer Raymond is a master songwriter, taking from the sounds of the Welsh Valleys and Appalachian Folk for an adventurous embrace of compositional tradition.

The Lovely Eggs are also due to release ‘Fried Egg’, a 10” EP that will be available from April 8th and features a selection of rare songs and live recordings that were originally available as a CDR release back in 2007. The release is limited to 1500 copies.

“This Egg EP was the very first collection of songs we released in 2007,” explains Holly. “We couldn’t afford to press vinyl back then so we put together our own CD-Rs at home which we would then sell at gigs. It included new songs at the time and live recordings, and we put it together to look like a fried egg in old joke shop packaging. Over lockdown our mate Phil, who runs a vinyl cutting business in Brighton called 3.45RPM, surprised us with a copy of it on vinyl which emulated the CD-R original. We loved it so much we decided to get it pressed so our fans could have a copy too. And here it is. “

The ‘Fried Egg’ 10” will be available here: thelovelyeggs.co.uk

The long awaited debut album from Merseyside titans in the making, The Mysterines! ‘Reeling’ is an apt title for the group, as anyone who has seen the band will know how effortlessly these guys reel off stellar material.


Kicking us all off with stomper ‘life is a bitch(but I like it so much)’ and followed up with the pummelling blow that is ‘Hung Up’. Already it’s clear that they have managed to recreate their live sound on this record, showcasing the power and intensity and losing nothing with any of the studio sheen.


Things slow down with the title track ‘reeling’ but with no loss of the intensity with the killer bass-led track. By the time we get to the previous single ‘Dangerous’, it’s practically a feeding frenzy for the listener, hitting Southern Gothic levels in terms of murder ballads, the delivery akin to PJ Harvey fronting Qotsa when they still sounded good.


My only criticism is at 13 tracks the record can seem a little bit long, but on the whole, the stronger material gives brooding shade and depth to the whole record making the whole event an experience to guarantee repeat listening.


Playling to packed out crowds on tour, big American festival dates in the diary, a top ten placing on the album charts (at time of writing), things are certainly looking up for the Mysterines and the future is very bright. 

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Author: Dan Kasm

It was only the other day that I was listening to Rocket From The Crypt in the car. Shortly after, who should recommend the new solo album by Speedo/John Reis but our very own Mr Hayward. After listening on Spotify, I duly ordered the vinyl (no CD yet). It’s a no-brainer to any RFTC fans that this is a worthy purchase. From the first song, I was hooked. There’s a Liamesque delivery to the title track, but Mr Gallagher can’t hold a candle to these tunes. And, believe me, this album is packed with tunes.

‘I Ain’t Your Pawn’ struts like Jim Jones with guitar and piano hammering out the riff. It would be a shame if Reis didn’t play some gigs to support this release. ‘Do You Still Wanna Make Out?’, with its “shoo-wop” backing vocals and insistent rhythm would give Giuda a run for their money.

‘When I Kicked Him In The Face’ starts with a picked riff reminiscent of Elliott Smith, before launching into more familiar territory. ‘Days Of Auld Lang Syne’ ends side one with a breezy piano led tune with a reflective lyric.

‘I Hate My Neighbours In The Yellow House’ starts with a synth before the guitars kick in. While there’s a variety of songs here, it always sounds reassuringly like John Reis. ‘Vape In The Dark Alone’ is more akin to ‘Group Sounds’ with its sinister melody.

‘Rip From The Bone’ is killer, it makes you want to pick up the guitar and play along, head nodding. Simple and devastatingly effective. “We don’t see eye to eye, said the spider to the fly”. ‘We Broke The News’ is equally addictive, and ‘Keeper Of The Plains’ is a classy note to end on. As you’d expect. And it’s on transparent, mouthwash green vinyl. What are you waiting for?

Buy Here

Author: Martin Chamarette

It’s been a long time coming but it’s good to be back. Now, where have I heard that line before? Many moons ago the good people at The Alarm HQ had a plan to celebrate 40 years of The Alarm and Mike Peters by having a couple of shows on consecutive nights in Rhyl Town Hall the birthplace of The Gathering (a yearly weekend of all things Mike Peters & the Alarm for the past twenty-Five years) sadly due to Covid and the past few years of uncertainty the celebrations were put on hold with the Rhyl shows and one at St David’s Hall Cardiff getting shelved until further notice.

Initially, these three shows which sold out in a matter of minutes were put off due to the Global Pandemic. They were rearranged but again the Cardiff celebration was put off into the distant future of 2023 but thankfully the Rhyl weekender was upon us. The Gathering has seen several venue changes over the years and after the first two were in Rhyl it grew to something altogether bigger and was decamped further up the A55 to the seaside resort of Llandudno and the spacious Venue Cymru. After a few years of being in the prisoner of war camp that is the hell hole known as Pontins Prestatyn it made a welcome return to Llandudno before returning to its spiritual roots of Rhyl Town Hall and the compact surroundings of this forgotten seaside town and Peters hometown, a stone throw from where he was brought up. We took our seats as the doors opened and the stage set on the floor of the hall rather than the traditional raised stage it was deemed more intimate for the lucky few hundred who were gathered for what promised to be a mammoth run through forty years of music from Peters. No drums, Bass, electric guitar or piano just one man a few mics and a lifetime of music. Friday night and it’s the present running backwards to 2010 and Peters looks like a man who means business and it was headlong into the music with ‘Two Rivers’ from his latest studio album ‘Sigma’. There was to be a further twenty one songs dispatched from Peters before a welcome interval and an end to the first act it was a hectic flurry of songs from the excellent ‘Heroine’ to ‘Direct Action’ via ‘Coming Backwards’ and ‘Peace Now’ there wasn’t time for any introductions or stories just on with the show with a really impressive run through some deep cuts from his most recent decade.

It was Steven Tyler who once said “Let The music do the talking” and Mike Peters was certainly on top of his memo to play as many tunes as humanly possible. I’ve seen Mike Peters play live well over a hundred times and it’s often the deep cuts that excite me the most. Sure I love ’68 Guns’ and ‘Strength’ and ‘Spirit Of 76’ and ‘New South Wales’ but I love hearing my favourite artists create new music as well and keep pushing themselves especially when I’m on board the journey and tonight is proving to be some journey.

For me the 2000’s was a prolific time for Peters when he wrote some of his finest work be it The Poppyfield collective or the 2008 Counter Attack collective. The band he was working with were pushing him to be the best writer he possibly could be and it was paying dividends and us the fans were reaping the rewards. ‘Superchannel’ whilst being such a force electrically is still a powerhouse acoustically as tonight’s audience buys into the set. ‘My Town’, ‘Edward Henry Street’ and ‘Mercenery Skank’ are given some serious attention and the floor is a shaking.

With the twenty two song second half reaching a climax with the excellent single ‘Close’ followed by the controversial ruse of ’45 RPM’ it was the end of the first night and a really excellent night’s entertainment. To hold an audience for three and a half hours on a Friday night is some achievement but tonight Mike Peters did it with consummate ease and it seemed everyone was now well up for the Saturday night and a delve further into the catalogue.

I must admit I tend to opt out of the Saturdays daytime extravaganza but if you want to immerse yourself in all things Mike Peters they opened up the Hall for a film ’50 Days In Lockdown’ and Peters had time to pose for photos and sign records before a Q&A with the man took place. The team at the MPO do give fans access that many other bands wouldn’t dream of and after all is said and done, if you’ve travelled from afar or just down the road then it’s a pretty impressive experience.

Saturday night was upon us and the fresh breeze outside was forgotten come eight PM as Peters took to the stage for 1999 to 1992 and it was the same format as the previous night where there was no interaction between songs just on with the business of the music and ‘Flesh And Blood’s ‘House Of Commons’ brought memories of being in the studio at BBC in Cardiff whilst that particular album was being made and memories certainly did come flooding back. It was now the turn of ‘Rise’ ‘Feel Free’ and the time when Peters emerged from the fall out of the Alarm split and taking the poets on an exciting journey as ‘Back Into The System’, ‘Feel Free”, ‘My Calling’ and ‘Gone Elvis’ were played. As Peters played ‘Train A Comin’ you could have heard a pin drop as the entire audience was silent with respect for the music and the journey we were on it was awe inspiring and a real moment even after all these years of watching this man play many of these songs all over the country and beyond.

As we headed into the home straight and the beautiful nineteen eighties and when many of us began our love for these works and when Mike Peters entered most of our lives and record collections it is probably many of these songs we did a lot of first to and why they are held with such high regard in our lives and soundtrack so much of who and what we’ve become. It was a privilige to be part of such a great weekend. ‘Moments In Time’ from ‘Raw’ began a whirlwind blast through the original line ups repetoir as ‘Rocking In The Free World’ took my mind back to Brixton and the tanned fringed coat there was even an out of time run through ‘Merry Xmas War Is Over’ which brought a broad grin across Peters face ‘Rivers To Cross’ was a welcome old friend as was ‘Day The Raven Left The Tower’ and the first time I heard ‘Majority’ from the Marquee club came racing back to me, so many venues, so many memories. Inside the young man I once was – was smiling that I still have the opportunity to hear these songs live and have had the pleasure of doing so on so many occasions. The fact that tonight’s performance was four hours long sounds epic because it was epic. It flew by, I honestly thought that I’d have to go into training to get through it but as the songs were unfolding I didn’t want it to end and could do it all over again on any given weekend.

The encores went right back, predominantly featuring the ‘Declaration’ period songs with ’68 Guns’, ‘Where Were You Hiding’ sung with as much verve and energy as the day they were written it seemed. Then the second encore hit us with ‘The Stand’ and ‘Marching On’ hit with the realisation that we were reaching the end of an incredible evening of music. It only left ‘Up For Murder’ before finally bowing out with a raucous ‘The Stand’. Peters took the ovation he richly deserved and a couple of hundred people filed out into the cold North Wales night with yet more memories of a Gathering that was a while in the waiting but oh so well worth it when it arrived. Bring on 2023 and back to Llandudno for another Gathering and that much overdue performance in St David Hall Cardiff. Going out in a blaze of glory our hands were held up high! Brilliant life affirming rock and roll, I love it!

Author: Dom Daley

MPO HQ Tickets

Costa Rica based thrashers Chemicide have been around since 2011 and have released three albums and an EP. Their latest release ‘Common Sense’ has the sound and feel of an old-school thrash album. Echoes of early Sepultura, Kreator, Death Angel, Exodus, Forbidden, Nuclear Assault, with a bit of Morbid Angel thrown in. Not bad eh?

If, like me, you’re a fan of the bands I’ve mentioned above, then you could much worse than check out Chemicide. This really is like stepping back to 1989. All I need is my Cosmic drainpipe (black, of course) jeans, Hi-Tec basketball boots, and a baseball cap worn backward to complete the picture! Big riffs, fast parts, mosh parts, breakneck double bass drumming, shouty vocals and song titles like; ‘Self Destruct’, ‘Barred Existence’, and ‘Strike as One’ just add to the nostalgic charm of the album.

The production from Juan Pablo Calvo has that classic Scott Burns feel to it, very raw and punchy. It really is a thrasher’s delight and it’s very comforting to know that thrash metal is alive and well thanks to bands like Chemicide. Great job guys! Mosh it up!!

Buy Here

Author: Kenny Kendrick