LISTEN BACK TO BOB IN SESSION FOR JOHN KENNEDY ON RADIO X HERE

NEW LIVE EP, THE OCEAN,
OUT NOW ON MERGE RECORDS

his eagerly anticipated Solo Electric: Distortion & Blue Hearts! Tour having previously taken the show on the road across the US and Canada earlier this year. Kicking off at Brighton‘s Concorde 2 on June 9th and running through July 1st at Whelan’s in Dublin, these dates are Mould’s first on this side of the pond since the release of both his critically acclaimed 2020 album Blue Hearts on Merge Records, as well as his solo career-encompassing Distortion boxset series, available now on Demon Music Group. Catch a show across Mould’s nearly month-long UK/Ireland residency and you can expect to hear solo takes on classics from across his beloved solo back catalogue, from his iconic time with Hüsker Dü and right through to Blue Hearts. Support on all dates comes from ascendant UK singer-songwriter Katie Malco.

Of the upcoming dates, Mould says: “I’m looking forward to the upcoming Solo Electric shows in the UK and Ireland. I’m excited to be performing songs from 2020’s Blue Hearts, as well as revisiting the prior 40 years of my songbook.” 

Ahead of his UK dates, Mould recently appeared in session on John Kennedy‘s Radio X show to perform a series of tracks from across his career: ‘Makes No Sense At All‘ (from Hüsker Dü’s 1985 LP Flip Your Wig), ‘Hoover Dam‘ (from Sugar‘s 1992 opus Copper Blue), ‘The Descent‘ (from his revelatory 2012 solo set Silver Age) and ‘The Ocean‘ (from Blue Hearts). Listen back to the session and interview in full here.

UK/IE tour dates:

June 9th | Brighton, UK – Concorde 2
June 10th | Ramsgate, UK – Ramsgate Music Hall SOLD OUT
June 12th | Birmingham, UK – The Mill
June 13th | Southampton, UK – Engine Rooms
June 14th | Oxford, UK – Oxford O2 Academy 2
June 16th | London, UK – Islington Assembly Hall
June 17th  Nottingham, UK – Rescue Rooms
June 18th | Stoke-on-Trent, UK – The Sugarmill
June 20th | Bristol, UK – Thekla
June 22nd | Glasgow, UK – Oran Mor SOLD OUT
June 23rd | Newcastle, UK – Riverside
June 24th | Liverpool, UK – Arts Club
June 25th | Leeds, UK – Brudenell Social Club
June 27th | Chester, UK – The Live Rooms
June 28th | Cardiff, UK – The Globe
June 30th | Belfast, UK – Limelight 2
July 1st | Dublin, IE – Whelan’s SOLD OUT

Tickets for all shows available at https://bobmould.com/tour/

Website / Facebook

NEW JUNE/JULY 2022 DATES ON SALE NOW

BLUE HEARTS LP OUT NOW ON MERGE RECORDS

DISTORTION RETROSPECTIVE SERIES OUT NOW ON DEMON

blakelittlephotography

Bob Mould announces rescheduled dates for his upcoming Solo Electric 2022 UK and Ireland tour, which now begin on June 9th at Brighton’s Concorde 2. The tour, originally scheduled for Jan/Feb 2022, has had to be temporarily postponed due to the ongoing Covid-19 pandemic.

In a new statement to fans, Mould writes:

“Greetings from California.“As I mentioned last fall, I’m always concerned about the safety of my audience as well as venue workers. In early December 2021, I realised it would be difficult for me — even with three vaccinations on my dance card —  to stay Covid-free for the entirety of the January/February 2022 IE/UK Solo Electric tour.“Today, I’m happy to announce those shows have been rescheduled. Full dates are listed below. All tickets remain valid. Refunds can be available at your point of purchase.“Apologies in advance for any inconveniences. Lots of moving parts had to be re-positioned before announcing these new dates. With that being said, I’m hopeful for a better 2022, I’m anxious to get back to work, and I’m very excited to see you all this June!”



As Mould notes above, tickets previously purchased for the original shows remain valid across the board but for those unable to attend the rescheduled shows in June and July, refunds are available at their point of purchase. Please see further below for a full updated itinerary.

The shows – which include a new London date at Islington Assembly Hall on June 16th – will find Mould performing solo versions of music from across his iconic, 40+ year career, including songs from the lauded Distortion retrospective collection, from his landmark band Hüsker Dü and from 2020’s explosive and critically acclaimed Blue Hearts album. As Mould previously noted: “I’m looking forward to the upcoming Solo Electric shows in the UK and Ireland. I’m excited to be performing songs from 2020’s Blue Hearts, as well as revisiting the prior 40 years of my songbook.” Blue Hearts is available now on LP, CD and digitally via Merge Records. The 24CD Distortion: 1989-2019, 8LP Distortion: 1989-1995, 9LP Distortion: 1996-2007, 7LP Distortion 2008-2019, 8LP Distortion: Live boxsets and Distortion: The Best of 1989-2019 2LP, 2CD and 4CD compilations are all available now on Demon Music Group
UK/IE tour dates:

June 9th | Brighton, UK – Concorde 2
June 10th | Southampton, UK – Engine Rooms
June 12th | Birmingham, UK – The Mill
June 14th | Oxford, UK – Oxford O2 Academy 2
June 16th | London, UK – Islington Assembly Hall
June 17th  Nottingham, UK – Rescue Rooms
June 18th | Stoke-on-Trent, UK – The Sugarmill
June 20th | Bristol, UK – Thekla
June 22nd | Glasgow, UK – Oran Mor
June 23rd | Newcastle, UK – Riverside
June 24th | Liverpool, UK – Arts Club
June 25th | Leeds, UK – Brudenell Social Club
June 27th | Chester, UK – The Live Rooms
June 28th | Cardiff, UK – The Globe
June 30th | Belfast, UK – Limelight 2
July 1st | Dublin, IE – Whelan’s

Tickets for all shows available at https://bobmould.com/tour/
Bob Mould on Facebook
Bob Mould on Twitter
Bob Mould Website

BOB MOULD

ANNOUNCES 2022 SOLO ELECTRIC UK + IRELAND TOUR DATES

8LP DISTORTION: LIVE BOX RELEASED AUG 6th ON DEMON

Legendary musician Bob Mould today announces a run of Solo Electric 2022 UK and Ireland tour dates beginning January 19th at Whelan’s in Dublin. The tour, perfectly timed with the incoming release of Mould’s Distortion: Live vinyl boxset, will see him perform solo versions of music from across his 40+ year career, including songs from the Distortion collection and from his landmark band Hüsker Dü, as well as from last year’s explosive and critically acclaimed Blue Hearts album. As Mould notes: “I’m looking forward to the upcoming Solo Electric shows in the UK and Ireland. I’m excited to be performing songs from 2020’s Blue Hearts, as well as revisiting the prior 40 years of my songbook.”

On top of that Mould has also shared a video in which he, along with his friend, actor, comedian and avid Mould fan Fred Armisen, open the boxes of the different vinyl volumes of Mould’s career retrospective boxset Distortion. Armisen penned the introduction to Mould’s massive 24-CD Distortion box which was released last autumn by Demon.  The vinyl volumes have been released periodically over the last year, with the fourth and final vinyl box Distortion: Live now scheduled to be released by Demon on August 6th. The 8LP set includes live recordings from Mould’s solo career as well as performances by his band, Sugar.

 

As on the previously released box sets in the Distortion collection, the fourth volume sees each album being mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. This box set includes 4 live albums: Live At The Cabaret Metro, 1989 (first time on vinyl); the Sugar album The Joke Is Always On Us, SometimesLiveDog98 (first time on vinyl), and Live at ATP 2008 (first time on vinyl). In addition, the set includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron; contributions from Bully’s Alicia Bognanno; rare photographs and memorabilia, and a bonus LP Distortion Plus: Live, which features live rarities including B-Sides and stand-out tracks from the Circle of Friends concert film.

 

Pre-order:

Pre-order Distortion: Live here: http://smarturl.it/DistortionLive


UK/IE tour dates:

Jan 19th | Dublin, IE – Whelan’s
Jan 21st | Liverpool, UK – Arts Club
Jan 23rd | Cardiff, UK – The Globe
Jan 24th | Chester, UK – The Live Rooms
Jan 25th | Birmingham, UK – The Mill
Jan 27th | Stoke, UK – The Sugarmill
Jan 28th | Bristol, UK – Thekla
Jan 29th | Nottingham, UK – Rescue Rooms
Jan 31st | Glasgow, UK – Oran Mor
Feb 1st | Newcastle, UK – Riverside
Feb 3rd | Southampton, UK – Engine Rooms
Feb 4th | Brighton, UK – Concorde 2
Feb 5th | Oxford, UK – O2 Academy 2
Feb 7th | Leeds, UK – Brudenell Social Club

Tickets for all shows available Here

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Bob Mould Website Bob Mould Website

10-YEAR ANNIVERSARY OF MOULDS MEMOIR ‘SEE A LITTLE LIGHT: THE TRAIL OF RAGE & MELODY’ WITH A READING AND SOLO PERFORMANCE OF ‘WISHING WELL’

On top of that Mould has shared a trailer for his fourth and final vinyl box Distortion: Live an 8LP set that includes live recordings from both his solo career and his band Sugar. This set will be released on July 16, 2021, through Demon Music Group.

“After three years of writing my 2011 autobiography, See A Little Light, I was ‘full speed ahead’ — no more looking back. But over the past few years, during the production of the Distortion reissue series, many of the people, places, and circumstances that fuelled those albums came back to life. Oddly, I didn’t see that coming!

“As for today: the book is ten years old, I’m thrilled that 30 years of my work has been re-released in so many configurations, and I’m very grateful to be able to take these songs and stories to the stage later this year — and hopefully many years to come. As time marches on, I’m learning to embrace my past, enjoy the moment, and still have hopes and dreams for the future.”

As on the previously released box sets in the Distortion collection, the fourth volume sees each album being mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. This box set includes 4 live albums: Live At The Cabaret Metro, 1989 (first time on vinyl); the Sugar album The Joke Is Always On Us, SometimesLiveDog98 (first time on vinyl), and Live at ATP 2008 (first time on vinyl). In addition, the set includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron; contributions from Bully’s Alicia Bognanno; rare photographs and memorabilia, and a bonus LP Distortion Plus: Live, which features live rarities including B-Sides and stand-out tracks from the Circle of Friends concert film.

Mould has also announced that Jason Narducy will open the solo portion of his Distortion and Blue Hearts! tour starting October 15th, 2021, in Bloomington, IL at Castle Theater. These solo dates are the second part of a tour that begins with his band — Narducy on bass and drummer Jon Wurster on September 16th at Paradise Rock Club in Boston.

Narducy has been the bass player in Bob Mould’s band since 2005. The Evanston, IL-based musician first gained renown in 1982, when at 11 years old, he formed the seminal punk rock band Verböten with his childhood friends in an Evanston basement. Narducy would later go on to front Verbow, releasing three albums with the band (one in its earliest incarnation as Jason & Alison). Since his days in Verbow, Narducy has gone on to tour with such acts as Robert Pollard and Telekinesis. Today, along with playing bass for Mould he performs the same role in Superchunk, and fronts Split Single, with whom he’s recorded three albums with a rotating cast of stellar musicians, including Jon Wurster, Spoon’s Britt DanielR.E.M.’s Mike Mills, and Wilco’s John Stirratt. Split Single’s new album, Amplificado, is out June 25th.

Discover more about the boxsets including full tracklistings and FAQs Here

The 8LP Distortion: Live boxset is released July 16th, 2021, via Demon Music Group. The 24CD Distortion: 1989-2019, 8LP Distortion: 1989-1995, 9LP Distortion: 1996-2007, 7LP Distortion 2008-2019 boxsets and Distortion: The Best of 1989-2019 2LP, 2CD and 4CD compilations are all available now

 

Pre-order Distortion: Live Here

BOB MOULD

ANNOUNCES FOURTH DISTORTION VINYL BOXSET

8LP DISTORTION: LIVE BOX RELEASED JULY 16th ON DEMON

 

 

On July 16th 2021,  Demon Music Group will conclude their year-long celebration of legendary musician Bob Mould with the fourth and final vinyl box in their ongoing Distortion series, Distortion: Live. The 8LP set includes live recordings from Mould’s solo career and his band Sugar.

Meanwhile, today Mould also announces his “Distortion and Blue Hearts!” tour starting September 16th 2021, in Boston at Paradise. The tour is in two parts. For the first three weeks, Bob will be joined by Jason Narducy on bass and drummer Jon Wurster. Beginning October 15th in Bloomington, IL, Mould will perform “Solo Distortion” electric shows.

The Distortion: Live box follows October 2020’s 8LP Distortion: 1989-1995 vinyl set, which took in Mould’s early solo outings as well as his records with the much-beloved Sugar, January 2021’s 9LP Distortion: 1996-2007 box set continuing through the next steps in Mould’s solo career and his outings as LoudBomb and Blowoff, April 2021’s 7LP Distortion 2008-2019 covering District Line to Sunshine Rock, and the 24 CD Distortion: 1989-2019 box, which covers the entirety of his post-Hüsker Dü output (excluding last year’s Blue Hearts LP).

Mould’s live shows will span his entire 40+ year career, including songs from the Distortion collection and from his landmark band Hüsker Dü, as well as songs from the explosive and critically acclaimed Blue Hearts — about which Rolling Stone’s 4 out of 5 star review raved, “feels like a lost Hüsker Dü album with Mould howling invective over his buzzsawing guitar.”

Bob writes: “It’s been a year and a half away from the stage. I’ve missed the noise, the sweat, and seeing your smiling faces. I’m fully vaccinated, and I hope you are too, because this Fall will be a punk rock party with the band — and the solo shows will be loud and proud as well. It’s time to make up lost time, reconnect, and celebrate together with live music!”

As with the previously released box sets in the Distortion collection, each album has been mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. This box set includes 4 live albums: Live At The Cabaret Metro, 1989; the Sugar album The Joke Is Always On Us, SometimesLiveDog98 (first time on vinyl), and Live at ATP 2008 (first time on vinyl). In addition, the set includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron; contributions from Bully’s Alicia Bognanno; rare photographs and memorabilia, and a bonus LP Distortion Plus: Live, which features live rarities including B-Sides and stand-out tracks from the Circle of Friends concert film.

Discover more about the boxsets including full tracklistings and FAQs here:
https://www.demonmusicgroup.co.uk/bob-mould-distortion/

The 8LP Distortion: Live boxset is released July 16th, 2021, via Demon Music Group. The 24CD Distortion: 1989-2019, 8LP Distortion: 1989-1995, 9LP Distortion: 1996-2007, 7LP Distortion 2008-2019 boxsets and Distortion: The Best of 1989-2019 2LP, 2CD and 4CD compilations are all available now

The third vinyl installment of Bob Mould’s career-covering Distortion boxset series – this time covering 2008-2019 – alongside a series of Best Of compilations, all of which land Apr 16th on Demon.

 

The main vinyl box being announced includes: 2008’s District Line, 2009’s Life and Times, 2012’s Silver Age, 2014’s Beauty & Ruin, 2016’s Patch the Sky and 2019’s Sunshine Rock covering a particularly fruitful and resurgent period for Bob in which he penned some of his most beloved records. Alongside them is a bonus LP which features Bob’s collaborations with Foo Fighters and Butch Walker and his 2019 Buzzcocks cover single ‘I Don’t Mind’, as well as a 28-page booklet featuring liner notes by journalist Keith Cameron, contributions from J Mascis and Shirley Manson, lyrics and memorabilia.

 

DISTORTION: THE BEST OF 1989-2019 2LP, 2CD, 4CD + DIGITAL ALSO OUT APR 16th ON DEMON

 

On April 16th, 2021Demon Music Group will continue their year-long Bob Mould reissue campaign with Distortion: 2008-2019, the third of four vinyl boxsets chronicling the solo career of the legendary American musician. It follows hot on the heels of October’s 8LP Distortion: 1989-1995 boxset, which took in Mould’s early solo outings as well as his records with the much-beloved Sugar, January’s 9LP  Distortion: 1996-2007 boxset continuing through the next steps in Mould’s solo career and his outings as LoudBomb and Blowoff, and the 24CD Distortion: 1989-2019 box, which covers the entirety of his post-Hüsker Dü output.

Distortion: 2008-2019 follows Mould through a number of standout records that include some of his most celebrated work – collected here are District Line (2008), Life and Times (2009), Silver Age (2012), Beauty & Ruin (2014), Patch the Sky (2016) and Sunshine Rock (2019), as well as a bonus disc Distortion Plus: 2008-2019, which features Mould’s collaborations with Foo Fighters and Butch Walker plus the 2019 single ‘I Don’t Mind‘. It comes pressed on clear vinyl with an etched B-side.

Meanwhile, also seeing release on April 16th via Demon are 2LP, 2CD and 4CD Distortion: The Best of 1989-2019 compilations – the first career-spanning compilations of Mould’s solo recordings, all of which were compiled by the man himself. Gathering 24 tracks (2LP), 32 tracks (2CD) and 73 tracks (4CD) respectively, the sets collect the cream of the main Distortion boxes and offer a fascinating glimpse of a musician at the vanguard of his field for over four decades. The 2CD edition also includes a 16-page booklet with a new essay by Cameron and artwork by Marchner, while the 4CD version comes with a 32-page companion that includes all of the above alongside a foreword by Fred Armisen and contributions from Richard ThompsonBethany Cosentino and Shirley Manson. Both compilations will also be available digitally via all DSPs and iTunes. The audio on the Best Ofs has been mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston.

“It’s called Distortion because it describes the music and it fits the world we live in,” says Mould of the boxsets. “In this new age, everybody shares their life in real time. But I’m not done yet. If I didn’t have a constantly active career, this anthology might feel like the proverbial dirt landing on top of my coffin — though somehow I seem to be able to crawl my way out of the dirt every time!”

As Cameron offers:

“In 1989, Bob Mould was already a renowned figure, thanks to his trailblazing work with Hüsker Dü: the Minneapolis trio which refracted ’60s pop melody through the discord of hardcore punk, creating a new language that Pixies and Nirvana would subsequently teach the world to sing. With his debut solo album Workbook, however, Bob Mould amazed his audience with its pastoral beauty and contemplative tone.

“It would be the first in an ongoing series of artistic transformations, each profoundly shaped by Mould’s sensitivity to his environment. In 1992, he formed Sugar, a band whose debut album Copper Blue earned both critical plaudits and a long overdue popular dividend. Just three years later, with Sugar at its commercial peak, Mould ended the band and made a self-titled solo record mapping the most nakedly personal path down a road already hallmarked by unsparing self-expression. He shocked then confounded fans by announcing his retirement from rock music in 1998 and re-emerging in the new century as an experimental electronica artist and successful DJ, whose club night Blowoff became a phenomenon across the US. By the end of the ’00s, Mould had found a harmonious accommodation between his musical selves, and in 2012 released the catalytic Silver Age, made with his latest power trio configuration, and heralding a resurgent decade. A succession of albums up to 2019’s Sunshine Rock followed, each one a real time/real life distillation of fearless artistic vision and a master craftsman’s skill.”

Discover more about the boxsets including full tracklistings and FAQs:
Here

The 7LP Distortion: 2008-2019 boxset and Distortion: The Best of 1989-2019 2LP, 2CD and 4CD compilations are all released Apr 16th, 2021, via Demon Music Group. The 24CD Distortion: 1989-2019, 8LP Distortion: 1989-1995 and 9LP Distortion: 1996-2007 boxsets are all available now. 

9LP DISTORTION: 1996-2007 BOX RELEASED JAN 22nd 2021 ON DEMON

 

TWO FURTHER VINYL BOXES TO ARRIVE IN 2021

8LP DISTORTION: 1989-1995 & 24CD DISTORTION: 1989-2019 BOXSETS BOTH OUT NOW

On January 22nd, 2021Demon Music Group will release Distortion: 1996-2007, the second of four vinyl boxsets chronicling the solo career of legendary American musician Bob Mould. It follows hot on the heels of the recently released 8LP Distortion: 1989-1995 boxset, which took in Mould’s early solo outings as well as his records with the much-beloved Sugar, and the 24CD Distortion: 1989-2019 box, which covers the entirety of his post- Hüsker Dü output.

Distortion: 1996-2007 takes in six studio albums across nine LPs: Bob Mould (1996), The Last Dog and Pony Show (1998), modulate. (2002 – first time on vinyl), Long Playing Grooves. (2002 – first time on vinyl), Body of Song (2005) and BLOWOFF (2006 – first time on vinyl), as well as a new compilation Distortion Plus: 1996-2007 which features an array of bonus tracks including the demo version of ‘Dog on Fire‘ (the theme from The Daily Show), B-sides and other rarities, pressed on clear vinyl.

As with the previously released Distortion: 1989-1995, each album in the set has been mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. The boxset includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron, contributions from Death Cab For Cutie‘s Ben Gibbard and Best Coast‘s Bethany Cosentino, lyrics, memorabilia and much more. An exclusive indie edition limited to 750 copies worldwide also includes a 12″x12″ screen-print of the new modulate. album cover hand signed by illustrator Simon Marchner and Mould himself.

 

It’s called Distortion because it describes the music and it fits the world we live in,” says Mould of the boxsets. In this new age, everybody shares their life in real time. But I’m not done yet. If I didn’t have a constantly active career, this anthology might feel like the proverbial dirt landing on top of my coffin — though somehow I seem to be able to crawl my way out of the dirt every time!”

2021 will see two further vinyl Distortion boxsets covering the years 2008 to 2019 rounding out a year-long celebration of one of the most storied, creative and consistent voices in the American underground. As Cameron offers:

In 1989, Bob Mould was already a renowned figure, thanks to his trailblazing work with Hüsker Dü: the Minneapolis trio which refracted ’60s pop melody through the discord of hardcore punk, creating a new language that Pixies and Nirvana would subsequently teach the world to sing. With his debut solo album Workbook, however, Bob Mould amazed his audience with its pastoral beauty and contemplative tone.

It would be the first in an ongoing series of artistic transformations, each profoundly shaped by Mould’s sensitivity to his environment. In 1992, he formed Sugar, a band whose debut album Copper Blue earned both critical plaudits and a long overdue popular dividend. Just three years later, with Sugar at its commercial peak, Mould ended the band and made a self-titled solo record mapping the most nakedly personal path down a road already hallmarked by unsparing self-expression. He shocked then confounded fans by announcing his retirement from rock music in 1998 and re-emerging in the new century as an experimental electronica artist and successful DJ, whose club night Blowoff became a phenomenon across the US. By the end of the ’00s, Mould had found a harmonious accommodation between his musical selves, and in 2012 released the catalytic Silver Age, made with his latest power trio configuration, and heralding a resurgent decade. A succession of albums up to 2019’s Sunshine Rock followed, each one a real time/real life distillation of fearless artistic vision and a master craftsman’s skill.”

Discover more about the boxsets including full tracklistings and FAQs Here

The 9LP Distortion: 1996-2007 boxset is released Jan 22nd, 2021, via Demon Music Group. The 24CD Distortion: 1989-2019 and 8LP Distortion: 1989-1995 boxsets are both available now. Keep your eyes peeled for two further vinyl boxsets later in 2021.

The Best Of The Best

according to the team at RPM Online

 

It’s gotten to the time of year when everyone seems to be putting the past twelve months in order and creating their lists or best of and we read on social media that it’s been a bit of a rubbish year for new releases etc. Now we know that’s not quite true and bands and solo artists have been making good use of lockdown and releasing some pretty impressive albums and singles be it virtually or remotely or when possible in an actual studio.

Here at RPM Online, we pride ourselves on bringing you the best of those releases from far-flung places and the darkest recesses of the Rock and Roll world and this is where the talented bunch of writers get to reveal what is at the top of their lists for 2020.

I’d personally like to thank the writers for the hard work and dedication during such a difficult year for everyone and first and foremost would like to thank them for their efforts in bringing such talented writing to everyone’s attention.  the one thing that stands out is whilst we all champion alternative music it’s generally a very diverse pool we dive in for our musical highs yet there are many common threads.  I’d also like to thank the PR that send through the countless emails and the ones who do an outstanding job above and beyond for the bands to make this past year work and not totally collapse as well as the labels who release a lot of these albums at great personal expense thank you one and all and the biggest thank you goes to those of you who’ve taken the time in real life to check in on us be it a daily read or the occasional glance thank.  so without further delay please check out our end of year list from Best Albums, Best EP, Best Single, Best Reissue, Best music-related Book, and yes live concert (there were plenty in the first few months honest)

Enjoy –

 

 

Craggy

Albums of 2020

Levellers – ‘Peace’ (On The Fiddle Recordings)

Bob Mould – ‘Blue Hearts’ (Merge Records)

Kathleen Edwards – ‘Total Freedom’ (Dualtone)

Soul Asylum – ‘Hurry up and Wait’ (Blue Elan Records)

Craggy Collyde – ‘Wrapped up in Ribbons’ (Break Me Records)

Warner E Hodges – ‘Just Feels Right’ (JCPL)

Pete Berwick – ‘Too Cow to Punk’ (Self Release)

Dark Rags – ‘Suburbia’ (Backstab Records)

Parketový Lev – ‘Parketový Lev’ (Papagájův Hlasatel Records)

Rabbit Slow – ‘Coming Waves’ (Self Release)

 

 

Nev Brooks

Albums of 2020

Bob Vylan – ‘We live Here’ (Self Release)

Jesse Malin – ‘Sunset Kids’ (Wicked Cool Records)

Humanist – ‘Humanist’ (Self Release)

Suzie Stapleton – ‘We Are The Plague’ (Negative Prophet Records)

Mark Lanegan – ‘Straight songs of Sorrow’ (Heavenly)

Duncan Reid and the Bigheads – ‘Don’t Blame yourself’ (Lbh Records)

Psychedelic Furs – ‘Made of Rain’ (Cooking Vinyl)

Asaf Avidan – ‘Agnorisis’ (Telmavar Records)

Me and that Man – ‘New Songs, Same shit vol 1’ (Napalm Records)

Nick Cave – ‘Idiots Prayer’ (Bad Seed LTD)

Dystopian Future Movies – ‘Inviolate’ (Lasairfhiona Records)

The Levellers – ‘Peace’ (On The Fiddle Recordings)

Ryan Hamilton and the Harlequin Ghosts – ‘Nowhere To Go But Everywhere’ (Wicked Cool Records)

The Cravats – ‘Hoorahland’ (Sef Release)

Sault – ‘Untitled (Black is)’ (Forever Living Originals)

Bill Fisher – ‘Mass Hypnosis and the Dark Triad’ (Septaphonic Records)

Stay voiceless – ‘Lies to Tell Your Children’ (GMC)

The Dowling Poole – ‘See You See Me’ (Self Release)

Jehnny Beth – ‘To love is To Live’ (20L07 Records)

The Strokes – ‘The New Abnormal’ (RCA Cult Records)

 

Top 5 e.ps

 

Bar Stool Preachers – ‘Soundtrack to your Apocalypse’ (Pirates Press Records)

Jesse Malin – ‘Ameri’ka’ (Wicked Cool Records)

Buzzard Buzzard Buzzard – ‘Non Stop e.p.’ (Communion Records)

The Damned – ‘Rockfield sessions’ (Spinefarm Records)

Paul Ronney Angel – ‘Seven Spanish Angels’ (Self Release)

 

Top 5 Re-issues / Boxsets

 

Twin Temple – ‘Present Their Signature Sound (Satanic Doo Wop)’ (Rise Above Records)

New Model Army – ‘Carnival’ (Attack Attack Records)

David Bowie – ‘Metrobolist’ (Parlophone)

Rolling Stones – ‘Goats Head Soup’ (Rolling Stones Records)

Prince – ‘Sign Of The Times’ (NPG Records, Warner Records, The Prince Estate)

 

 

 

Dom Daley

Albums of 2020

Stiff Richards – ‘State Of Mind’ (Legless Records/Drunken Sailor Records)

Chubby & The Gang – ‘Speed Kills’ (Partisan Records)

Mud City Manglers – ‘Give Me The Hammer’ (Beluga Records)

Wayne Hussey & The Divine – ‘Live At The Bridge’ (Eyes Wide Shut Records)-

Thee acid tongue – ‘Snake Rattle And Roll (Bear Beach Records)

Bob Mould – ‘Blur Hearts’ (Merge Records)

Bob Vylan – ‘We Live Here’ (Self Release)

Marylin Manson – ‘We Are Chaos’ (Lorna Vista)

Cabbage – ‘Amanita Pantherina’ (Brassica Records)

Deathtrap – ‘Stole Your Rock and Roll’ (Spirit Of Disaster)

Lovesores – ‘Bats From Planet Skull’ (Self Release)

Wyldlife – ‘Year Of The Snake’ (Wicked Cool Records)

Duncan Reid & The Bigheads – ‘Don’t Blame Yourself’ (Lbh Records)

The Good The Bad And The Zugly – ‘Algorithm And Blues’ (Fysisk Format)

Midnight – ‘Rebirth By Blasphemy’ (Metal Blade Records)

Tommy Ray  – ‘First Hits Free’ (Cool Cat Music)

Mick Rossi – ‘All The Saints & All The Souls’ (TJM Records)

The Hip Priests – ‘Solid Gold Easy Option’ (Speedo Wax Records)

Chuck Prophet – ‘The Land That Time Forgot’ (Yup Rock)

Bruce Springsteen – ‘Letter To You’ (Columbia Records)

 

Single of the year

The Black Halos -‘ Ain’t No Time To Say Goodbye’ (Self Release)

Rock ‘n’ Roll Manifesto vol 1(Stamp Out Disco)

Jesse Malin – ‘Todd Youth’ (Wicked Cool Records)

 

Reissue / Boxset

The Boys – ‘The Safari years’ (Cherry Red Records)

Motochrist – ‘Greatest Hits’ (Dr Wu Records)

New Model Army – ‘Carnival’ (Attack Attack)

Buzzcocks – ‘Sell You Everything’ (Cherry Red Records)

Keith Richards – ‘ Live At The Hollywood Palladium’ (Virgin America)

Coloursound – ‘Coloursound’ (The Great North Western Recording Company)

Manic Street Preachers – ‘Gold Against The Soul’ (Sony Music)

 

 

Music-related Books of the Year

Alvin Gibbs – ‘Diminished Responsibility Volume 1’ (Tome & Metre Publishing)

‘Clang!’ (Smiley drops a few) – Steve ‘Smiley’ Barnard (GTP)

‘What Makes The Monkey Dance’ – Chuck Prophet & Green On Red – Stevie Simkin (Jaw Bone)

 

Best E.P. 

Buzzard Buzzard Buzzard – ‘Non Stop’ (Communion Records)

Bar stool preachers. – ‘Soundtrack To The Apocolypse’ (Pirates Press Records)

Chesty Malone and the Slice ‘Em Ups – ‘Covered In Blood! Quarantine Covers’

 

 

Live show of the year

Bar stool preachers – Bristol, Rough Trade

Mike Peters – Gathering – Llandudno North Wales

The Bellrays – le Pub, Newport

The Wildhearts – Cardiff, Tramshed

The Interrupters – Cardiff, Tramshed

 

2021 wishes?  I’d love to see an end to restrictions (stating the obvious I know) but it would be smart to see the Proposed Vive Le Rock show take place with Michael Monroe fronting the Lords Of The New Church and live shows becoming a thing again.  Other than that Stay Safe and look out for each other.

 

Dan Kasm

Albums Of 2020

Bambara – ‘Stray‘ (Wharf Cat Records)
…Trail Of Dead – ‘X The Godless Void and Other Stories’ (Dine Alone Records)
Airborne Toxic Event – ‘Hollywood Park’ (Rounder Records)
Bdrmm – ‘Bdrmm’ (Sonic Cathedral)
Zombeaches – ‘Zombeaches’ (Self Release)
The Blinders – ‘Fantasies of the Stay at Home Psychopath’ (Modern Sky Music)
Neonic Sundrive – ‘Lies Paradise’ (Self Release)
The Wildhearts – ’30 Year Itch’ (Round Records)
Neil Young – ‘Homegrown’ (Reprise Records)
Reissues / Boxsets
The Guilty Hearts – ‘The Guilty Hearts’ (Voodoo Rhythm Records)
Anna Calvi – ‘Hunted’ (Domino Records)
Virgin Suicides – ‘ost’ (Parlophone)
Neil Young – ‘After the Gold Rush’ 50th anniversary (Reprise Records)
Iggy & the Stooges – ‘You Think You’re Bad Man’ (Cherry Red Records)
EPs
Eyesore & the Jinx – ‘The Exile Parlour’ (Eggy Records)
Grow Rich – ‘Frantic Semantic’ (Self Release)
The Lotts – ‘We Are The Lotts’ (Self Release)
The Mysterines – ‘Love’s Not Enough’ (Self Release)
Various Artists – ‘Not Psycho Enough?’ Cosmic Psychos Tribute (Dull City Records)
Singles
The Dry Retch – ‘12000 Miles From New’
Murmur – ‘Shame’ (Self Release)
Salt The Snail – ‘Junkyard Cat’ (Self Release)
Psychedelic Furs – ‘Don’t Believe’ (Cooking Vinyl)
Silverbacks – ‘Drool’ (Nice Swan Records)
Music-related Books of the Year
Dave Haslam – ‘Looking for Love – Courtney Love in Liverpool’
Justin Quirk – ‘Ain’t Nothin’ But A Good Time – The Rise & Fall of Glam Metal’ (Unbound Digital)
Mikel Jollett – ‘Hollywood Park’ (Sceptre)
Gigs
The Wildhearts, Backyard Babies – Manchester Ritz
The Dry Retch, Tio Rico – Liverpool Outpost
Mysterines, Buzzard Buzzard Buzzard –  Liverpool Jimmys
2021
I’m hopeful for the new year that I will get some normality in order to attend the inaugural event of the new Futurama festival as well as 2000 Trees, HRH Sleaze & Psych as well as numerous other gigs and events. Like a lot of people the past 9 months has put things in perspective, grab things with both hands and tick off ‘bucket list’ life events instead putting them off.

 

Fraser Munro

Albums Of 2020

Scumbag Millionaire – ‘Poor and Infamous’ (Suburban Records)

The good, The Bad And The Zugly – ‘Algorithm & Blues’ (Fysisk Format)

Beat City Tubeworks – ‘Top Rock’ (The Sign Records)

Mud City Manglers – ‘Give Me The Hammer’ (Beluga Records, Spaghetty Town Records, Ghost Highway Records)

Supersuckers – ‘Play That Rock ‘N’ Roll’ (Acetate Records)

Christmas – ‘Hot Nights In Saint Vandal’ (TNS Records)

DBOY – ‘New Records In Human Power’ (Dine Alone Records)

Hank Von Hell – ‘Dead’ (Sony Music)

Kvelertak – ‘Splid’ (Rise Records)

ACDC – ‘Power Up’ (Columbia)

The Wildhearts – ’30 Year Itch’ (Round Records)

 

Reissues / Boxset

Black Halos – FFTS Demos & Rarities (Bandcamp)

The Hip Priests – Solid Gold Easy Option (Speedowax Records)

Midnight Evils – Straight ‘Til Morning (Sweet Ohm Ramalama)

 

 

Gigs

Undertones et al – Minehead

Wildhearts / Backyard Babies – Cardiff

Wildhearts / Backyard Babies – London

Guida – Bristol

Showaddywaddy – Swansea

 

 

Johnny Hayward

Albums Of The Year 2020

Aerial Salad – ‘Dirt Mall’ (Plasterer/Roach Industries)

Henrik Palm – ‘Poverty Metal’ (Svart Records)

The Wildhearts – ‘30 Year Itch’ (Round Records)

Mondo Generator – ‘Fuck It’ (Heavy Psych Records)

Then Comes Silence – ‘Machine’ (Oblivion/SPV, Metropolis Records)

Midnight – ‘Rebirth By Blasphemy’ (Metal Blade Records)

Kvelertak – ‘Splid’ (Rise Records/World Records)

The Dowling Poole – ‘See You See Me’ (369 Music)

Lovesores – ‘Bats From Planet Skull’ (Self Released)

Dirt Box Disco – ‘TV Sex Show’ (Avenue Recordz)

Division Of Laura Lee – ‘Apartment’ (Welfare Sounds)

Spunk Volcano & The Eruptions – ‘Barry Milner Is Thick’ (Avenue Recordz)

Stay Voiceless – ‘Lies To Tell Your Children’ (GMC)

Deathtraps – Stole Your Rock ‘N’ Roll (Spirit Of Disaster)

Scumbag Millionaire – ‘Poor and Infamous’ (Suburban Records)

HMLTD – ‘The West Is Dead’ (Lucky Number)

The Hip Priests – Solid Gold Easy Option (Speedo Wax Records)

The Speedways – ‘Radio Sounds’ (Alien Snatch Records, Snap!! Records/Hurrah Musica and Beluga Records)

Marilyn Manson – ‘We Are Chaos’ (Lorna Vista)

Mariachi El Bronx – Musica Muerta Volumes 1&2 (White Drugs)

 

EPs

The Bar Stool Preachers – ‘State Of Emergency’ (Pirate’s Press)

Lickerish Quartet – ‘Threesome Vol 1’ (Lickerish Quartet/Label Logic)

The Wildhearts – ‘30 Year Itch’ (Encores) (Round Records)

Buzzard Buzzard Buzzard – ‘The Non Stop EP’ (Communion Records)

Bob Vylan – ‘We Live Here’ (Venn Records)

 

 

Reissues / Boxset

UFO – ‘Strangers In The Night’ (Super Deluxe) (Chrysalis)

Def Leppard – ‘The Early Years’ (Mercury)

Bob Mould – ‘Distortion’ (Demon)

Keith Richards & The X-pensive Winos – ‘Live At The Hollywood Palladium’ (Mindless Records)

Black Sabbath – ‘Paranoid’ (50th Anniversary) (Sanctuary Records)

 

Music-related Books of the Year

Alvin Gibbs – ‘Diminished Responsibility Volume 1’ (Tome & Metre Publishing)

Rob Halford – ‘Confess’ (Headline)

Reuben Archer – ‘Rock N Rollercoaster Ride’ (Toxic Arrow)

 

Live Gigs

The Bar Stool Preachers – Rough Trade, Bristol – 6th March 2020

Great British Alternative Weekend – Butlins Minehead – 28th February – 1st March 2020

Bad Sam – Le Pub, Newport – 14th February 2020

Giuda – Louisiana, Bristol – 18th January 2020

The Bellrays – Le Pub, Newport – 17th January 2020

Wonk Unit – Clwb Ifor Bach, Cardiff – 11th January 2020

 

Bandcamp Discovery

Guerrilla Teens

 

Best Single

The Hip Priests – ‘Zero Fucks Given’​/’​Social Hand Grenade’ (Shitpark Records)

 

Most Looking Forward to in 2021

Going to a gig.

 

 

 

Ben Hughes

Albums of 2020

Butch Walker – ‘American Love Story’ (Ruby Red Records)

Ryan Hamilton & The Harlequin Ghosts – ‘Nowhere To Go But Everywhere’ (Wicked Cool Records)

Wyldlife – ‘Year Of The Snake’ (Wicked Cool Records)

Baby Chaos – ‘Ape Confronts Cosmos’ (Three Hands Records)

Dangereens – ‘Tough Luck’ (Alien Snatch Records)

Hellbound Glory – ‘Pure Scum’ (BCR Los Angeles)

Hello Operator – ‘S/T’ (Self Release)

Me And That Man – ‘New Man, New Songs, Same Shit’ (Napalm Records)

Low Cut Connie – ‘Private Lives’ (Contender Records)

The Speedways – ‘Radio Sounds’ (Alien Snatch Records, Beluga Records, Snap Records, Hurrah Records)

 

EPs

The Lickerish Quartet – ‘Threesome Vol. 1’ (Label Logic)

Saint Agnes – ‘The Family Strange’ (Death Or Glory Gang Records)

Junkyard – ‘Rome Is Burning’ (Acetate Records)

Hands Off Gretel – ‘The Angry EP’ (Puke Pop Records)

The Future Shape Of Sound – ‘It’s Gone All Wrong’ (Self Release)

 

Reissues / Boxset

Diamond Dogs – ‘Too Much Is Always Better Than Not Enough’ (Wild Kingdom Records)

Diamond Dogs – ‘Weekend Monster’ (Wild Kingdom Records)

Diamond Dogs – The Atlantic Juice’ (Wild Kingdom Records)

 

Gigs 

The Wildhearts/Backyard Babies/CKY – 02 Academy, Newcastle

Jesse Malin – Headrow House, Leeds

 

Livestreams

Jesse Malin – The Fine Art Of Self-Distancing

Baby Chaos

Low Cut Connie – Tough Cookies

 

Gerald Stansbury

Albums

Soraia – ‘Dig Your Roots’ (Wicked Cool Recotrds)

Massive Wagons – ‘House of Noise’ (Earache Records)

Ward Davis – ‘Black Cats and Crows’ (LLC)

Karen Jonas –  ‘The Southwest Sky and Other Dreams’ (Self Release)

Brooke Brown – ‘Troubled Heart’ (Self Release)

The Nude Party – ‘Midnight Manor’ (New West Records)

Vulvarine –  ‘Unleashed’ (Self Release)

Dangereens – ‘Tough Luck’ (Alian Snatch)

The Rumours – ‘Suck It’ (Self Release)

Lucifer Star Machine  – ‘The Devil’s Breath’ (The Sign Records)

Gareth Leach – ‘Trigger’ (Self Release)

Steve Earle & the Dukes –  ‘Ghosts of West Virginia’ (New West Records)

Randy Rogers and Wade Bowen – ‘Hold my Beer Volume 2’  (Lil Buddy Tunes)

Tyla – ‘Isolation Crossing Collection’ (King Outlaw Records)

Low Cut Connie – ‘Private Lives’ (Contender Records)

D.L. Marble – ‘One Line at a Time’ (Self Release)

Reckless Kelly  – ‘American Jackpot/ American Girls’ (No Big Deal Records)

Givvi Flynn –  ‘Tomboy’ (Self Release)

Armored Saint – ‘Punching the Sky’ (Metal Blade Records)

Butch Walker ‘American Love Song’ (Ruby Red Production)

 

Single of the Year 

Charlotte Leigh – ‘Life’

 

EP of the Year

Quinn the Brain – ‘Wide Open’

 

Reissue of the Year

Def Leppard ‘The Early Years’

 

Gareth ‘Hotshot’ Hooper

Albums 

Duncan Reid And The Bigheads – ‘Don’t Blame Yourself’ (Little Big Head Records)

The Network – ‘money money 2020 part 2 we told ya so’ (Warner Records)

Billie Joe Armstrong – ‘No Fun Mondays’ (Warner Records)

Green day- ‘Father Of All Motherfuckers’ (Warner Records)

Deathtraps – ‘Stole Your Rock’n’Roll’ (Spirit Of Disaster)

The Damned – ‘The Rockfield files’ (Spinefarm Records)

Stop worrying and love the bomb – ‘Fake Nature’

 

Gigs

The Bellrays – Le Pub Newport

The Wildhearts  / Backyard Babies – Cardiff Tramshed

Reissues / Boxset

Iggy and the stooge – ‘From KO to chaos’

The Boys – ‘On Safari’

Johnny Thunders – ‘Que sera Sera Resurrected’

Buzzcocks – ‘Sell You Everything’ (Cherry Red Records)

Buzzcocks – ‘Late For The Train’ (Cherry Red Records)

 

Music-related Books of the Year

Alvin Gibbs – ‘Diminished Responsibility Volume 1’ (Tome & Metre Publishing)

Joe Strummer – ‘Redemption Song’

The Replacements – ‘All Over But The Shouting’

Gaz Tidey

Albums of the Year

Butch Walker – ‘American Love Story’ (Red Ruby Production)

Larkin Poe – ‘Self Made Man’ (Tricki Woo Records)

Lamb Of God – ‘Lamb Of God’ (Epic)

Bob Vylan – ‘We Live Here’ (Venn Records)

Ryan Hamilton & the Harlequin Ghosts – ‘Nowhere To Go But Everywhere’ (Wicked Cool Records)

Onslaught – ‘Generation Antichrist’ (AFM Records)

Baby Chaos – ‘Ape Confronts Cosmos’ (Three Hands Records)

C.J. Wildheart – ‘Siege’ (Devilspit)

Foxy Shazam – ‘Burn’ (EEEOOOAH Records)

Kvelertak – ‘Splid’ (Rise Records)

Tairrie B. – ‘Feminenergy’ (Self Release)

Cro-Mags – ‘In The Beginning’ (Mission Two Entertainment)

Mommy Sez No – ‘The Dwellers Below’ (Self Release)

EPs of the Year

The Lickerish Quartet – ‘Threesome Vol. 1’ (Label Logic)

Chesty Malone and the Slice ‘Em Ups – ‘Covered In Blood! Quarantine Covers’ (Self Release)

American Hi-fi – ‘Anywhere Else But Here’ (Rude Records)

Tyla’s Dogs D’Amour – ‘The Powder Dry EP’ (King Outlaw Records)

Chris Catalyst – ‘Acoustic Machines’ (Self Release)

Singles of the Year

Tyla’s Dogs D’Amour – ‘Superhuman’ (King Outlaw)

Jesse Malin – ‘Todd Youth’ (Wicked Cool Records)

Royal Blood – ‘Trouble’s Coming’ (Warner Records)

Reissue/Boxset of the Year

Sigue Sigue Sputnik – ‘Flaunt It’ 4CD Deluxe Capacity Wallet  (Cherry Red Records)

Music-related Books of the Year

Pete Paphides – ‘Broken Greek’ (Quercus)

Rob Halford – ‘Confess’ (Headline Publishing)

Justin Quirk – ‘Nothin’ But A Good Time’ (Unbound Digital)

There you have it a fine selection of music you’re likely to find anywhere as diverse as you like yet common threads woven throughout.  It would be a boring place if we all liked the same records that’s for sure and I’m sure there are records released we’ve forgotten about in the deluge.  Don’t let anyone tell you that there were no good albums released during the pandemic because we know by looking at the list that there were plenty & plenty of reissues and Boxsets that were released during 2020.

Onwards and upwards we move into 2021 and we hope to bring you more new albums to fill yer airwaves and a return of the live show and festivals.  We need em and so does the industry.  So raise a glass to days gone by and to a better future when we can all meet again and watch our favourite bands.  Be good and stay safe RPM Online looks forward to a great 2021!

It’s all gone a bit Bob Mould bonkers this last month what with the post Husker Du reissues and Box set bonanza and this here new album. Solo album number fourteen if I’m not mistaken has seen him go from the darkness of ‘Black Sheets Of Rain’ to his last offering ‘Sunshine Rock’ covering just about everything in between the polar opposites.

‘Blue Hearts’ see that sunshine hidden behind some pretty dark clouds from the crackle of the opening acoustic Mould certainly does wear his heart on his sleeve as he pulls no punches.  Government, Climate change its a sad portrait he paints but one that can’t be denied or refuted. From there on the guitars are turned up to eleven and the ‘Next Generation’ crashes in.

Sure it’s familiar territory but I kinda like it when Bob Mould is raging against the machine.  Like being hit on the temple by a wrecking ball, Mould gives his guitar one hell of a seeing to as he doesn’t go gently into the night.  But wait it gets darker, ‘American Crisis’ is as angry as I can remember him Husker Du and Sugar included. Regan Bush and now Trump there seems to be an ever lasting conveyor belt of shit rolling through the white house doors and Sub two and a half minutes punk rock with a dark melodic chorus is the only thing that can save us. It’s crushing.  Pausing momentarily in the middle for breath (Not).

Fourteen songs mean its not anywhere near prog lengths for each number as one crashes into the other like a stormy sea its wave after wave as your senses get pummeled with each track devouring the last but there is respite with acoustic guitars being abused on ‘Forcast Of Rain’  even with its church organ sarcastically filing ever corner of darkness with more darkness its bleak and depressing but it isn’t if you know what I mean.

I don’t know if I should admit to being pleased that Mould is pissed off or disappointed with the wider world because it brings out the beast in his songwriting and this has been the case here.  He voices his disappointment at the state of the US at religion at the fact that man in the western world doesn’t seem to learn from its mistakes and as he roars “never thought I’d see this bullshit again” yet here he is. It’s fair to say Trump won’t ever see Mould wearing one of his trucker caps nor waving a patriotic flag at a rally any day soon.

‘When You Left’ sounds like a one-take number as Bob tries to break his voice it does mellow (did I just say mellow) I mean ease up a little on the next couple of tracks maybe Bob thought we needed to catch out breath and he’d be right.

I bet Bob’s guitar amps all go to eleven, it sounds like they do and it must be exhilarating to listen to the playback in a good studio as he wrestles to control the feedback on ‘Baby Needs A Cookie’.

The fact that this came out the same day Idles released their new album I think it’s safe to say that alternative guitar music is in safe hands.  Men who give a shit are standing on a mountain raging against the pricks and I like it.

It might be brand new but I already love it.  Don’t ask me in a month I love it here and now and it’s just what I need to hear every time I turn on the news I’m disappointed and I find myself shouting at the interviewers to hold the politician’s feet a little closer to the fire and I wish one day the powers that be will tell the truth or be a little honest or humble but until then I’m getting behind people like Bob Mould because they can turn that rage into something quite beautiful.  ‘Blue Hearts’ is Bob Mould doing what he excels at just at the right time. Anger is an energy and energy is something Bob Mould has in spades – come to think of it anger is something he’s pretty bloody good at as well – Exquisite record.

Buy Bob Mould Here

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Author: Dom Daley

BOB MOULD
ANNOUNCES DISTORTION ANTHOLOGY BOXSET

24CD DISTORTION: 1989-2019 & 8LP DISTORTION: 1989-1995 BOXES RELEASED OCT 2nd 2020 ON DEMON

THREE FURTHER VINYL BOXES TO ARRIVE IN 2021

On October 2nd, 2020Demon Music Group will release Distortion: 1989-2019, a chronicle of the solo career of Bob Mould and his band Sugar. This massive anthology compiles for the first time the entirety of Mould’s recorded work from 1989 onwards: 18 studio albums, plus four live albums and two albums of rarities and collaborations. Assembled with Bob Mould’s full involvement, and featuring new sleeve notes from legendary UK music critic Keith Cameron plus exclusive new artwork, this is the definitive portrayal of an American rock icon.

“It’s called Distortion because it describes the music and it fits the world we live in,” says Mould himself. “In this new age, everybody shares their life in real time. But I’m not done yet. If I didn’t have a constantly active career, this anthology might feel like the proverbial dirt landing on top of my coffin — though somehow I seem to be able to crawl my way out of the dirt every time!”

Today’s news comes accompanied by audio and video of Mould performing ‘Could You Be the One?’ – a latter Hüsker Dü classic, drawn from the trio’s 1987 swansong Warehouse: Songs and Stories – at Washington D.C.‘s 9:30 Club in October 2005, in the process bringing it back to dynamic, electric life. It features on the CD anthology’s Distortion Plus: 1989-2019 rarities and collaborations discs alongside other highlights from the show.

Speaking of the show, Mould offers: “For years, I didn’t play Hüsker Dü material with my subsequent touring bands.” He continues: “This was the first time my longtime friend and colleague Jason Narducy (bass) played in my touring band. Rich Morel (keys) was my work partner for 11 years in BLOWOFF, and the 9:30 Club was home for our monthly dance party. Brendan Canty (drums) nudged me out of my self-imposed ‘rock retirement’ after the 1998 Last Dog and Pony Show tour (which is also chronicled in the box set). Brendan’s company Trixie Productions filmed and edited the show.”

As Mould’s musical trajectory enters its fifth decade, now is the perfect moment to reflect on the journey so far. Distortion’s 24-CD box set edition features 295 tracks, mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston, and includes every solo album from 1989’s Workbook to 2019’s Sunshine Rockthe entire Sugar catalogue, Mould’s long out-of-print electronica projects LoudBomb and Blowoff, and four live albums spanning the period 1989-2008. Also included is Distortion Plus: 1989-2019, a new and exclusive collection of rarities and collaborations, featuring such highlights as ‘Dear Rosemary’, Mould’s 2011 collaboration with Foo Fighters, his fabled Golden Palominos contribution ‘Dying From The Inside Out’, plus a previously unreleased demo version of ‘Dog On Fire’, his theme tune for Comedy Central’s The Daily Show.

 Beautiful new artwork has been created by illustrator Simon Marchner, while the 72-page booklet features sleeve notes by Cameron, new interviews with Bob, a foreword by writer and actor Fred Armisen, testimonials by Richard ThompsonShirley Manson and Best Coast’s Bethany Cosentino, plus lyrics and unseen memorabilia. A 1,000-limited edition includes an exclusive print hand-signed by Bob himself.

[Distortion: 1989-1995 8LP boxset]

Truly then, this is the definitive guide through the career of one of the most storied, creative and consistent voices in the American underground. As Cameron offers:

“In 1989, Bob Mould was already a renowned figure, thanks to his trailblazing work with Hüsker Dü: the Minneapolis trio which refracted ’60s pop melody through the discord of hardcore punk, creating a new language that Pixies and Nirvana would subsequently teach the world to sing. With his debut solo album Workbook, however, Bob Mould amazed his audience with its pastoral beauty and contemplative tone.

“It would be the first in an ongoing series of artistic transformations, each profoundly shaped by Mould’s sensitivity to his environment. In 1992, he formed Sugar, a band whose debut album Copper Blue earned both critical plaudits and a long overdue popular dividend. Just three years later, with Sugar at its commercial peak, Mould ended the band and made a self-titled solo record mapping the most nakedly personal path down a road already hallmarked by unsparing self-expression. He shocked then confounded fans by announcing his retirement from rock music in 1998 and re-emerging in the new century as an experimental electronica artist and successful DJ, whose club night Blowoff became a phenomenon across the US. By the end of the ’00s, Mould had found a harmonious accommodation between his musical selves, and in 2012 released the catalytic Silver Age, made with his latest power trio configuration, and heralding a resurgent decade. A succession of albums up to 2019’s Sunshine Rock followed, each one a real time/real life distillation of fearless artistic vision and a master craftsman’s skill.”