UK Subs – ”Work In Progress’/ ‘XXIV’ / ‘Yellow Leader’ (Cherry Red Records -Captain Oi!)

UK Subs – ”Work In Progress’/ ‘XXIV’ / ‘Yellow Leader’ (Cherry Red Records -Captain Oi!)

‘Work In Progress’

Whilst they might not be clocking up the 25th Anniversary editions these three more recent Subs platters are still almost a decade old and went out of print on vinyl as soon as they were released such was the collectability of Subs albums amidst the return of vinyl buying people, In fact, it’s been eleven years since ‘Work In Progress’ was issued amidst richly deserved critical acclaim (I know I was very complimentary at the time of its quality).

This new double vinyl edition comes with one gold-coloured disc and one silver coloured disc in a very nice repro of the original artwork but in a gatefold sleeve again pressed on 10″. It’s still got the fourteen Tracks. Kicking off a new era of Subs where Jet was on six strings and the rhythm section of Alvin and Jamie really hit their stride with some of the band’s finest songs coming into existence like opener ‘Creation’ which really set the tone.

I remember interviewing Charlie around the time and his enthusiasm for the album was infectious and on hearing the songs it’s easy to see why he’d be proud of this record. ‘Tokyo Rose’ was something a bit different from the band and the Alvin Gibbs sung tracks are some of his finest writings even to this point today ‘Hell Is Other People’ is such a banger of a tune. Their cover of The Sonics ‘Strychnine’ was also a glimpse of what was to come with their covers album (post-a-z). It was a real call to arms and this reissue of sorts is a most welcome addition to any Subs collection.

Buy ‘Work In Progress Here

‘XXIV‘

As the band headed towards the end of their epic 40-plus year project who ever thought they’d even make it to X let alone surpass the lot and head into new territory. ‘xxiv’ was a stunning follow-up to ‘Work In Progress’ and showed that the band were really locking into gear as a unit with all the incredible shows they were putting in around the time covering every inch they possibly could of this planet ‘XXiv’ is a limited edition double 10” that comes in a gatefold sleeve on green vinyl (disc one) and clear vinyl (disc two). It finds itself expanded to 15-tracks over two LPs with the addition of the previously unreleased album out-take ‘Workers Beer Company’.

Originally coming out in 2013 again, it sold out on its initial release on vinyl so this will please many fans and with the bonus of the extra track it isn’t just a cash cow or pension plan. (maybe they missed a trick, not including the bonus acoustic songs or reworkings on the original double CD that came out at the time now that would have been something special) this one took what the band did on the previous release and took it up a notch or two with the barnstorming opener ‘Implosion 77’ and then led us into the harmonica honking stomper that is ‘Coalition Government Blues’. I must admit I’d not played this album in a while and have played it over several times for review purposes I have a newly found affection for it. Maybe, with the passing of time I’d rate this one right up there with the best UK Subs album through any line ups and any album. ‘Speed is punk as fuck only to be outdone by ‘Rabid’ absolute blitzing it! The thrust of ‘Monkeys’ and its backing vocals giving it a softer edge is excellent. Again the Gibbs sung songs are top quality and there is no weak spot on any side of these new 10″ records and worth every penny.

Buy XXIV Here

‘Yellow Leader’

Tying up the trio of 10″ records is the penultimate A-Z ‘Yellow Leader’. This one originally came out in 2015 and the album track listing has been restored to its full running order of 18 tracks as previous vinyl editions had to cut four tracks due to running times. So again, it’s not just a reissue cashing in as anyone who picks up a copy will realise that the heavyweight records in their gatefold sleeves and pressed on colored vinyl are well worth having a lot of care and attention to detail has been put into these and it shows. ‘Sick Velveteen’ follows a long line of super-strong opening tracks on albums and it showed that there was no sign of fatigue in the Subs camp nor writer’s block. The songs were coming thick and fast and if anything better and better.

The variety on the eighteen-track album is fantastic from the punk bangers to the reflective acoustic ‘Rebellion Song’ to the riffy ‘Slave’ and the Stooges-inspired ‘Suicidal Girl’ ‘Yellow Leader’ is the third in this trilogy release and one that to my shame I’ve not played in a while but that has been rectified and one I will play more often.

The artwork reproduction is most welcome as is everything about the feel of these reissues. Lyrics, Bonus tracks, coloured vinyl – Man, I love the UK Subs, and with a new album imminent this is a great time for us fans. Sadly, I’m informed there are no plans to reissue ‘Ziezo’ but maybe that will change when these sell out. Trust me when I say these 10″ double albums are the dog’s bollocks and well worth getting your hands on.

Buy Yellow Leader Here

Author: Dom Daley

Dion Lunadon – ‘Beyond Everything’ (In The Red Records)

Dion Lunadon – ‘Beyond Everything’ (In The Red Records)

With a CV that name-checks both the legendary Auckland garage rockers the D4 and professional noise hitmen A Place to Bury Strangers, it is no surprise that Dion Lunadon’s solo offerings are so impressive and sonically abrasive.


Much like the debut, Dion’s follow-up Beyond Everything contains a vast genre appraisal of his career to date. Treating the listener to reams of heavy psych, post-punk, the dirtiest garage guitars, and even some Hammond organ, all delivered in a fresh captivating production that is a frenzy for the senses.


The record, although high quality and engaging are very sporadic in its delivery. In recent interviews, Dion has stated that the record has been written on and off since 2017. The overall package is a formidable one. Going from ‘one punch punk killers’ like By My Side and It’s The Truth to ‘Suicide style’ synth and distorted fury such as Elastic Diagnostic and Glass Doll, this album feels more like a series of EPs and 45s. Not to diminish any of the actual content. As with the first record, the compositions are provoking and make the hair stand on the back of your neck, it’s just not as uniform as album one. But in my book, this is a good thing, the experiments being thrown on the wall are rewarding for the listener, always exciting and balls to the wall, it’s also giving Dion a great reputation as a solo artist that can throw his hand at anything. 


With too many to mention, stand-out tracks would have to be garage standard Living and Dying With You, smooth Stooges Esque mover and groover Screw Driver. But if you want something a bit special that will energise you and weird you out all at the same time, Nothing But My Skull is one to have on repeat this summer. With the tempo of Flipper and dirgey guitar and howls of Thurston Moore all wrapped up sounding like some bastardised alternative rock Wings number. 


The album is certainly a journey, but one of tremendous highs and pleasing curveballs. Currently, on tour in the US, Mr. Lunadon is hitting the UK in November. Sadly only doing the all too familiar London-only gig. In the meantime let’s make some noise with this record and give him a reason to expand that date and turn it into a tour.

Buy Here

Author: Dan Kasm

The Courettes are in a ‘Daydream’

The Courettes are in a ‘Daydream’

Taken from their fantastic new record out now on Damaged Goods Records ‘Back In Mono – B-Sides & Outtakes’ available on 10” and CD which is out now on Damaged Goods

The Courettes continue their tour tonight at The Moth Club, Hackney with support from The Shadracks.

The remaining dates are….

8 June London The Moth
9 June Brighton The Albert
10 June Middlesbrough Westgarth Social Club
11 June Glasgow McChuills
12 June Edinburgh Voodoo Rooms Ballroom
14 June Newcastle The Cluny
15 June Liverpool Zanzibar
16 June Manchester Night & Day
17 June Folkestone Chambers
18 June Southend The Moonraker

Tickets available here.

Michael Monroe – ‘I Live Too Fast To Die Young’ (Silver Lining Music)

Michael Monroe – ‘I Live Too Fast To Die Young’ (Silver Lining Music)

The gang are back, just in time for summer. Perhaps ironically, it all kicks off with lead single ‘Murder The Summer Of Love’, a typically punchy but slick opener. ‘Young Drunks, Old Alcoholics’ if anything, would have been a better choice, hook-laden with a sleazy solo.

‘Derelict Palace’ is reminiscent of a mid-paced Lords song, especially the bass line and hanging chords. Here, Monroe has never sounded better, I have to wonder if he was thinking of Stiv at the time of recording. ‘All Fighter’ starts off like The Damned’s ‘Ignite’, no bad thing, obviously. “Sing it all for the hopeless and rejected”,  there’s no resting on laurels just yet.

‘Everybody’s Nobody’ is the story of a “Coulda been a contender” musician. Hmm, I think a lot of us know the feeling. ‘Antisocialite’ is the inevitable, piano-led ballad, but, to his credit, cheesy cliches are avoided and it sounds like he means it.

You might already have heard ‘Can’t Stop Falling Apart’ via the video, another fine singalong number. ‘Pagan Prayer’ is a timely, full-speed-ahead rocker, bound to be great live.

The title track comes with a guest solo from Slash. I guess that will appeal to some, and I understand it helps shift units, but the band is great regardless of guest appearances, as is the song. ‘Dearly Departed’ A somber note to end on, but remains moving, nonetheless. It’s unlike anything else on the album, and a brave choice.

Since ‘Sensory Overdrive’, all Monroe’s albums have been solid, some more exciting than others and all have some real belters. This album shows the band’s strengths to good effect. I have a preference for the rockers, but you’ve got to respect his canon of work. And I look forward to seeing them take the roof off a venue somewhere soon.

With I Live Too Fast To Die Young, it is clear Michael Monroe is striding into the summer with a triumphant roar to offer you the real rock ‘n’ roll escape of 2022. It’s been way too long. Besides Nobody does sleazy Rock and Roll better than Michael Monroe that’s a fact!

I Live Too Fast To Die Young’ will be available on CD Digipak, 12” Red Vinyl, Signed Limited Edition 12” Vinyl with Alternative Artwork, Digital Download, Streaming and special D2C bundles. Available to pre-order Here

Author: Martin Chamarette

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Pat Todd & the Rankoutsiders – ‘Blues, Soul & Rock ‘N’ Roll’ (Beluga Records/Ghost Highway Recordings and KOTJ)

Pat Todd & the Rankoutsiders – ‘Blues, Soul & Rock ‘N’ Roll’ (Beluga Records/Ghost Highway Recordings and KOTJ)

Woohoo! Rooting tootin Rockin and a Rolling. Pat Todd & His band of merry men get their jig on as they cough up a ‘Rooster Blues’ rock and roll extravaganza as they honk the harmonica along with some sleazy garage rock n roll. Proceedings get underway with a howling ‘Rooster Blues’. Todd then goes down to the crossroads and cuts the deal with the Devil for some of those cool tunes and gets the smoldering ‘I’m A Cool Teenager’ whilst the mirrorball casts light the band gets the slow dance underway.

‘No Good Lover’ will have you chicken dancing like a prime time Lux Interior as the band cut up the floor with a smashing tune. ‘Promised Land’ is the jewel in the Rockin crown as the band kicks out the jams and Todd is on whip-cracking form. It’s a howling good time being had in the bestust Chuck Berry way it’s like hearing prime time Georgia Satellites.

If there is anything to complain about it would have to be this is way too brief with only six tracks blowing up your stereo. ‘Blues Soul & Rock and Roll’ is a banger short, sharp & oh so sweet. You know the drill by now Pat Todd & The Rank Outsiders deliver top-notch Rock n Roll and this is the proof. Blues Soul Rock and Roll does exactly what it says on the Tin! Buy It!

Buy Here / Ghost Highway Website Here

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Author: Dom Daley

SLYDER SMITH & THE OBLIVION KIDS On The Charm Offensive

SLYDER SMITH & THE OBLIVION KIDS On The Charm Offensive

SLYDER SMITH & THE OBLIVION KIDS, have announced the release of their debut album ‘Charm Offensive‘, to be out on 19th August 2022 through Ray Records on 12” black vinyl, digipak CD and digital, distributed worldwide via Cargo Records. Pre-order the album here

“This album has been a real labour of love for me, I’ve really put my heart & soul into it. Over the last year or so I’ve been working very hard developing my guitar playing, music & lyric writing pulling myself in all sorts of directions, really stretching myself. I feel I have accomplished what I set out to do, create songs from the heart in no specific genre & perform them to the best of my ability on the record. I guess for years I have been a frustrated lead singer so I have relished the opportunity to showcase what I can do vocally too.” – Slyder Smith –

Slyder Smith first swaggered onto the stage as lead guitarist with glam-tinged power popsters, Last Great Dreamers. After releasing four studio albums and one live album on Ray Records, & having toured extensively throughout the UK & Europe with LGD, Slyder now takes centre stage leading new power trio, Slyder Smith & The Oblivion Kids (Tim Emery, Bass and Rik Pratt, Drums) in an honest outpouring of grit, glamour and emotion.

Stepping out of the shadows and into the spotlight, the self-confessed ‘frustrated lead singer’ has been forced to delve deep into his own psyche, to carefully craft lyrics and melodies that speak from the heart. Slyder’s emotive vocals are powerful, yet melancholic, the perfect balance of light and shade sitting effortlessly within the sonic landscape of his varied rhythm guitar sounds and highly melodic & anthemic lead lines.

Stage left, Slyder is joined by Tim Emery, a towering enigma, whose stylish bass lines are the only thing to outshine his impeccable apparel and at the back sits the Oblivion Kids’ powerhouse and beat master, Welshman, Rik Pratt. A man of few words but whose presence is palpable in this rock steady rhythm section.

But this is no ordinary guitar-based rock album; together with producer Pete Brown (George Harrison, Siouxsie & the Banshees, Marc Almond, The Smiths and Sam Brown), Slyder has allowed the songs to dictate the direction they have gone in; discovering melodies and hook lines along the way. Making use of Hammond organ and piano with the help of Neil Scully (Richard Davies & the Dissidents), a 1950s Phillicord organ, lap steel guitar & even a bit of banjo.

A chocolate box of sonic sensations offering up a little something for everyone – from heavy riffage with walloping drums akin to the brothers Young to the anticipated sleaze rock shades of Hanoi Rocks. However, this band is not afraid to step away from their rock roots, instead, with nods to the likes of The Doors, Velvet Underground, The Stranglers and The Kinks from the past and the alternative rock sound of Manic Street Preachers, The Oblivion Kids have reimagined an 80s synth-pop classic and mastered singalong pop, gothic, dark Americana, and dare I say it, funk-rock?! There are a few firsts for Slyder on here too in the form of an instrumental track with a western feel to a duet featuring the ethereal vocals of Nina Courson (Healthy Junkies). The result is an idiosyncratic 14-track album of outstanding versatility.  A Charming debut, I’m sure you’ll agree.
 

On the strength of the new recordings, Slyder has also just signed a publishing deal with Cherry Red Songs… “I’m really hopeful that with Cherry Red’s help we will find plenty of opportunity for my new music to be used commercially.”

On May 2nd Slyder Smith & The Oblivion Kids played their live debut on the main stage at HRH Ibiza Road Trip and went down a storm in front of a packed house to opening the 5-day rock festival!

The band plan a string of single & video releases throughout the summer & will perform their UK debut show In London at Pump It Up Festival on Sat July 2nd.  followed by a demanding schedule of live dates including a 9 date UK tour as special guests to Swedish groove-rockers, The Electric Boys in Aug/Sept to coincide with the release of the debut album. Further headline & festival live dates are planned for the rest of the year in UK & Europe.

https://www.facebook.com/slydersmithandtheoblivionkids
https://www.instagram.com/slyder_smith
https://www.slydersmith.com

Gyasi – ‘Pronounced Jah-See’ (Alive Records)

Gyasi – ‘Pronounced Jah-See’ (Alive Records)

Look at that cover art, now there’s a dude who understands the fine art of being a rock star! Raised in the woods of West Virginia on a diet of 60’s & 70’s rock and a whole host of world music, you could say Gyasi (pronounced Jah-See) had an isolated upbringing. But his time with just his parents record collection and Charlie Chaplin/Buster Keaton movies was all the inspiration he would need to create a theatrical, rock n’ roll persona.

After joining his first band at 15, Gyasi eventually relocated to Nashville to search for the rock n’ roll dream. Now it seems, the newest dandy from the underground is vying to claim the crown of the long-gone rock stars and the bands that are well past their prime.

‘Pronounced Jah-See’ is the first long player on vinyl for this artist. This album collects a bunch of previous singles and new material together on glorious purple wax (other inferior formats are available) and it just begs to be placed on a turntable, the needle to be dropped and the volume to be cranked!

From the opening falsetto vocals and fuzzy guitars of ‘Burn It Down’ to the epic closer ‘Godhead’, Gyasi takes the listener on a pre-digital age tour-de-force of retro rock n’ roll. While the aforementioned opener comes on like Foxy Shazam meets The Darkness, and surely gets my attention, the sublime power pop makes way for the swampy, blues stomp of ‘Tongue Tied’. With a killer guitar harmonizer and some harmonica, it walks the same muddy, southern blues paths that the likes of The Back Keys and The White Stripes have frequented.

You can’t review this album without mentioning the Bowie/Bolan influences, and it doesn’t stop at Gyasi’s fashion sense either. (Yes, Gyasi could be the only man to pull off leopard skin flares and red stack-heeled boots in 2022). ‘Androgyne’ is Ziggy Stardust with countrified slide guitar and well-placed handclaps. ‘Fast Love’ channels T-Rextasy to the max, and ‘Kiss Kiss’ adds some New York Dolls swagger to the mix with honkytonk keys, sexy sax and Johnny Thunders guitar licks. Every song is a banger, hands down, and there’s enough diversity to keep the interest, even for the modern playlist generation.

The thing is that Gyasi is wearing his influences just as well as he wears his threads, man! But he also throws in modern day twists and turns to keep it contemporary. There are hints of Brit Pop going on and he always manages to create killer hooks and choruses that will stick like glue. Take ‘Feed Your Face’, it’s everything glam rock wannabees for the last 40 years have failed to master. Take a pilfered Bowie riff, add a killer chorus and a bunch of handclaps and bobs your uncle, you’ve got a potential hit single!

Then, just when the naysayers will have him nailed as a Bowie rip off artist, he goes and takes the listener on a sentimental trip to Haight-Ashbury. ‘Walk On’ is as Summer Of Love as you can get without putting on a Mamas and The Papas record. A live feel is created with its acoustic intro, it reeks of the San Francisco sun, reefer and doe-eyed hippy chicks with flowers in their hair. Or is it just a Kula Shaker song? I don’t care, all I know is, that it’s the coolest trip my ears have heard in ages and I love it!

Elsewhere, the acoustic ‘Little Tramp’ delivers Led Zep 3 vibes and was probably written around a campfire in the company of faeries, wolves and other such mystical beings. I think I even heard a flute on it! And then to round things off he somehow manages to channel the influences of both Pink Floyd and The Beatles in the epic ‘Godhead’.

Gyasi takes the rock n’ roll swagger of Zeppelin, the bad boy boogie of T Rex and combines the theatre of Queen & David Bowie with the campness of The Rocky Horror Picture Show, all rounded off with catchy hooks and killer choruses that are all of his own making.

While you may argue there is nothing original in rock n’ roll these days, I feel that this album is the most exciting and complete record I have heard this year, hands down. But ‘Pronounced Jah-See’ is more than just a throwback to rock n’ roll’s golden years, it’s a statement of intent that Gyasi is here to take on the world and be the poster boy for the next generation, and that’s just the attitude we want from our rock stars, isn’t it? Music lovers, you ask where the future festival headliners are…I present you Gyasi, give him your stages!

Buy Here

Author: Ben Hughes

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Jo Dog and Paul Black find a ‘Tree For Shade’ check out the new video

Jo Dog and Paul Black find a ‘Tree For Shade’ check out the new video

‘Everybody Rains On My Parade’ takes the listener on a rough and tumble journey that feels both timeless and immediate. It’s an album full of honest passion for the joyful rebellion of Rock ‘n’ Roll.

Jo Dog and Paul Black are both well known figures in rock circles, playing with a veritable “who’s who” of top shelf musical talent. Jo was first thrust onto the international stage when his band, The Dogs D’Amour, burst out of London with their album ‘In The Dynamite Jet Saloon’ spawning two UK Top 40 hits co-written by Jo. 
 
After The Dogs disbanded, Jo relocated to California and played with Shooting Gallery, Hanoi Rocks’ Andy McCoy’s band, who toured with KISS.  He then worked with Guns N’ Roses guitarist Gilby Clarke – performing on his gold-selling debut album ‘Pawnshop Guitars’.
 
As well as Sonic Boom, Jo is also working on the debut album from Jo Dog & The Desperados – a trio featuring Jo and his former Dogs D’Amour hounds Steve James and Bam.


 
Paul is a veteran of the Hollywood rock scene, notably a founding member and the original singer and songwriter for L.A. Guns. His songs ‘Sex Action’, ‘Never Enough’ and ‘No Mercy’ launched the first two L.A. Guns albums to Gold record sales status. In addition, Paul began his career with the legendary underground L.A. punk band, The Mau Maus, whose first album was produced by The Doors’ Robby Kreiger.
 
With Sonic Boom, the duo have locked into a songwriting groove that effortlessly blends their diverse backgrounds into a cohesive whole.
 
The 12-track album displays a deep affection for the British rockers who reinterpreted American Blues for stadiums full of young rock ’n’ roll fans. The Rolling Stones and the Faces loom large as spiritual godfathers, with the grit and authenticity of the Delta Blues masters at the foundation. The songs roll by, distilling the essence of various aspects of these influences into a concise love letter to the rock ‘n’ roll world… as if the great double albums of all time have been compressed into a lean, single disc. Pieces of ‘Exile On Main Street’ are grafted onto bits of Dyan’s ‘Blonde On Blonde’, while the ambition Of ‘The White Album’ collides with the perfectly restrained power of The Allman Brothers ‘Live At Fillmore East’. The title track, ‘Everybody Rains On My Parade’ is an instant classic with lyrics that casually dismiss critics and naysayers with an undeniable pop flourish. The rest of the track list sparkles with gems like the uplifting ‘Tree For Shade’, and the infectious ‘Up For The Late Show’. Elsewhere the epic ‘Blue Like the Morning’ creates a vivid mood that is almost cinematic in scope while ‘Jesus Drives A School Bus’ is a classic blues rocker.
 
Produced by Gabe Lowry at Fox Force Studios, in Hollywood, California, the album boasts an irresistible muscular swagger balanced with the laid back hip-swing of the coolest records in your collection. Gabe shares additional recording credit on the album with Muddy Stardust. In addition to his work on the production side of the album, Muddy (Burning Tree, Chris Robinson Band) also joins Jo and Paul on bass, keyboards & vocals with Dennis Morehouse (Gilby Clarke) on drums, Tony Snow (Dramarama) on percussion and backing vocals, Chris Joyner (Soul Asylum, Wallflowers) on keyboards, and bassist Tony Babylon (Izzy Stradlin Band, Sylvain Sylvain) rounding out the band.
 
‘Everybody Rains On My Parade’ is out now on CD, 180gm vinyl and via all digital / streaming sites.

Photocredit Anjeanette Stairs
 

Quazimofo – ‘King Of The Trash’ (Savage Magic Records)

Quazimofo – ‘King Of The Trash’ (Savage Magic Records)

Turn up the stereo! Quazimofo are on the player and they’re bringing the noise – pure unadulterated punk n fuckin roll. the baton has been handed down from the likes of EF, Gluecifer, and The Dragons. The cats out of the bag and Quazimofo are carrying the blazing torch forward with their no-bullshit, amps to 11 Rock n Fuckin’ Roll.

Orange County, California’s the base for these punk rockers. It’s ten tracks of zero fucks given Punk n Roll played from low-slung guitars with the required amount of spit and sweat that bands who do this shit properly need. From the opening chords of ‘Five Times A Day’.

The songs rock and the tempo is generally high octane. Some strong melodies throughout and there are some stand out tracks. ‘It’s Broken’ has a cool meandering intro that breaks out into a juggernaut of a swashbuckling guitar lick where the vocals soar and the rhythm is kept solid as a rock towards the chorus of sorts like prime Velvet Revolver (if I might be so bold) they then turn up the pace for ‘It’s For The Best’ that just thrashes about rebounding of a cool vocal not a million miles from Bad Religion or some Bob Mould with brutal guitars over a cool subtle melody.

The title track ups the tempo and pours petrol on the fire that’s been smouldering in the engine room again a subtle vocal with some well-placed backing vocals. This is an album that didn’t register when I first started playing it – sure, some tunes were instantly gratifying but as a whole it was definitely a slow burner but when it clicked it has been the album that keeps giving something extra on each play.

‘Leave Me Alone’ eases into the verse with some cool gang vocals and a rollicking riffs. This band isn’t fucking about as ‘Pay It Back’ demonstrates – no fucks given on any level. be it an all-out punk rocker like ‘Pour One More’ or the harder rock songs it’s a no brainer that this record benefits from being played loudly. ‘Suffer’ and the quite brilliant ‘Why Do I Care’ are real highlights of this album.

If you’re looking for a new band who rocks like fuck then Quazimofo might just hit the spot. Riff after Motherfuckin Riff all the way baby! Buy it!

Bandcamp

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Author: Dom Daley