This will let a little sunshine into your Monday morning blues.

Second up we have got this blast from the past.  Firstly to wish Bernie a speedy full recovery from his recent hospitalization and also because Mr. Philip Lewis released a brand new album last Friday with LA Guns on their 30th year as a band but we delve further back when he was singing about being a star!

Finally to finish off this fanciful three here’s one from Black Bombers whos new EP is reviewed later this week. happy Monday folks!

 

Climb in the Delorian and set your clock to the ’80s because The Alarm has been busy overseeing their back catalogue this past twelve months and this coming week sees the band reissue a remastered ‘Strength’ album.  they’ve also remastered the video for the lead and title track ‘Strength’

The video was shot at Jacob Street Studios (a former dog biscuit factory in the East End of London), during the month of September 1985.

Directed by Nick Morris and produced by Fiona O’Mahoney, the video perfectly reflects the lyrical content in that it’s predominantly dark theme is interspersed with bursts of hopeful colour.

“The Strength video marked the first time that we worked with a stylist”, says Mike Peters. “Nick Morris the director wanted us to dress in a way that would fit with the monochromatic film look he was after, and so wanted us all to adopt a certain dress code. Working with the stylist (that he brought in), wasn’t something we were particularly comfortable with, but the girl in charge soon put us at our ease and found some great pieces to add to the black and white high contrast look Nick wanted to achieve. I absolutely loved the jacket she found, which was loaned from a high-end bespoke clothing designer in the fashion district behind Oxford Circus. I’d been allowed to keep it for the live television appearance on Saturday Superstore on the weekend after the video shoot and desperately wanted to keep it for the tour, but the designer wouldn’t sell as they wanted it for their fashion show in Paris. Dave is wearing a shirt from Johnsons, a then super hip rock and roll clothing store at the World’s End area of the Kings Road in Chelsea. His ubiquitous leather jeans which he wore all through the Strength tour and beyond, were from the (I kid you not), hard to find London Leatherman underground fetish clothing store on Queenstown Road, Battersea. Nigel is wearing a pretty dandy high collared shirt and cravat which made him look very distinguished and Eddie is sporting a black satin jacket that he had worn on his wedding day a few weeks earlier”.

Strength 1985 -1986 – An Oral History Updated begins serialisation from this Monday

In other Alarm news tickets for the winter tour are here – and onsale now

03.10.19 ABERDAREColiseum Tickets
04.10.19 FLEETThe Harlington Tickets
05.10.19 COLCHESTERArts Centre Tickets
11.10.19 HOLMFIRTHPicturedrome Tickets
12.10.19 SELBYTown Hall Tickets
19.10.19 CRICKHOWELLClarence Hall Tickets
23.10.19 BROMSGROVE Artrix Tickets
24.10.19 SWINDON Arts Centre Tickets
25.10.19 KINGSKERSWELL Church Tickets
26.10.19 NEWBURY Arlington Arts Tickets
31.10.19 TRINGThe Court Theatre Tickets
01.11.19 NEWBRIDGEMemo Tickets
02.11.19 PORTSMOUTH Wedgewood Rooms Tickets
03.11.19 SHREWSBURYTheatre Severn Tickets
08.11.19 DERBYThe Venue Tickets
09.11.19 DARWENLibrary Theatre Tickets
14.11.19 BURYThe Met Tickets
15.11.19 GATESHEADThe Sage Theatre Tickets
19.11.19 LIVERPOOL Epstein Theatre Tickets
20.11.19 LEEDS Brudenell Tickets
21.11.19 EDINBURGHThe Caves Tickets
22.11.19 ABERDEENThe Lemon Tree Tickets
23.11.19 PERTHJoan Knight Studio Tickets
29.11.19 STOWMARKETJohn Peel Centre Tickets

Royal Republic proudly presents ”Fireman & Dancer”, the newest and arguably sexiest member in our armada of relentless moodboosters! Packed with guitar-riffs the size of Mount Everest, pow-pow-pounding rhythms and lyrics that make Dr. Feelgood himself sweat bullets – it is your solution to, well, everything!

Fireman & Dancer is the first song out of the gate from the forthcoming full-length album ”Club Majesty” – scheduled for release on May 31st 2019.

Pre-Order of ”Club Majesty” – PRE ORDER Royal Republic are also happy to announce our joining forces with the amazingly talented people at Arising Empire / Nuclear Blast!

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Already picking up admirers such as BBC Radio 6  and BBC introducing I Am Lono sound like the real deal with a cold as steel exterior yet it just covers a boiling hot center borrowing from masters of the dark post-punk synth rockers like The Cure and The Mission there is also a healthy amount of pop via the likes of Japan and Bauhaus.

You have the heaving thump of the bass guitar on the sparse ‘Lovers’ with its mechanical drum thud and bass throb it has the echoey vocals and synth layering the song until after the chorus when it soars as the guitar takes over.  Huge sounding record and to be fair a really impressive track too.

Let’s not jump the gun here and rewind to the opener ‘America’. There is a real familiarity to this one – sounds like a dark Visage (if I might be so bold).  I love the bands I’ve mentioned in my introduction and there are shades of all of them in this for sure and ‘America’ reminds me of the post 90’s period Bowie.  Call it art rock or post-punk synth pop I couldn’t care less its captured superbly and the moody ‘Abigail’ sounds huge and should rightfully turn heads as people will sit up and take notice. The production and songwriting is excellent with the songs being really well arranged and none of them outstay their welcome with just the right amount of Guitars and Synth and great vocals throughout. In fact, Mr. Hussey could do a lot worse than check these out and maybe take them on tour with him, his audience would love this.

Available on 10″ vinyl maybe its time to embrace your dark side and get a headful of I Am Lono you might be very pleasantly surprised.

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It might just be the new way in which old Rockers like to do things as Backstreet Girls knock out a brand new track via digital platforms. ‘Angel Face’ is released today from the Oslo Rockers and is the first new music from the band since ‘Don’t Mess With My Rock And Roll’ came out in 2017.

 

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The La Guns are in the house and this time they look and sound happy as pigs in shit and that my friends is reflected in the music.  Now I won’t ever shy away from letting people know how much I love hearing Phil Lewis sing and that goes way back when he was in Girl right through the mighty Torme and into LA Guns who for me were never really part of the heart of cock rock or hair metal although they’ve picked up the flag and ran with it through their career no doubt about it.  The La Guns have always been a bit more than that.  they always had a certain spirit about them for me that’s a flame that burns bright inside Mr. Lewis’ heart always has always will no doubt.

I wouldn’t want to speak for the band but when they did the cuts CD way back they opened up their heart and having Queen alongside Generation X and Hanoi Rocks confirmed for me that my judgment was right.  I’ve not always loved everything they’ve done not at all but I’ve always been drawn back and like an old friend hoping that they still have that spark and can deliver and feeling smug when I can nod my head that the LA Guns are in the house and they’re as good as they ever were and that’s also better than most of their competition and pretty much all the so-called hair metal or cock rock bands.  There was always something about seeing that logo that gets the blood pumping and with this being their 30th year together it feels like they have their mojo intact and are chomping at the bit playing constantly and honing their tunes to reach this point so as the metaphorical needle drops I get ready to dive head first into the new long player ‘ The Devil You Know’.

Kicking off with the lead track ‘Rage’ is everything you want to hear a great big dirty stinking riff that’s biting and snarling and sounds like a band that’s hungry as fuck!  great vocal too. Woohoo! LA Guns are in the house boy! They weren’t joking when they said they were going to capture Zepplin and The Hellacopters in a bottle and shake it up.

The next few tracks are upbeat and varied just like LA Guns of old sure Tracii is playing like his life depends on it but it does sound like he’s playing off the rest of the band and the rhythm is solid and tight and on the grinding title track they have groove for sure.  ‘Needle To The Bone’ has a great ‘guns melody and I’m a sucker for those gang vocals. ‘Going High’ is certainly in that Zepplin riff ballpark it sounds huge.  ‘Gone Honey’ clocks in just under six minutes but takes the listener on an epic journey and I’m all ears as Lewis tells his story on top of some really cool riff-a-rama. More than a touch of old Alice Cooper here.

As we are flying through the albums eleven tracks I have to say that whilst it’s no bullshit Rock n Roll  I’m loving it and it sounds fresh and there is a tonne of energy captured throughout the record. This album is coming out swinging and this is up there with their best – I kid you not.  Without a ballad in sight, we reach the penultimate cut for something even remotely slow or balladlike although the title might give you a glimpse into how this is heading ‘Another Season In Hell’ is pissed off and spitting feathers along the same lines as ‘Over The Edge’ if you’re looking for a pointer, Lewis delivers a magnificent vocal and turns the clock back and shows his peers how to belt out a passionate vocal and then for Guns to set fire to his fretboard – was that really over six minutes long? an epic slice of driving hard rock n roll to end the album proper but wait they turn up the amps one more time and let rip with ‘Boom’.

To be fair I enjoyed that more than I thought I was going to and without the slightest hesitation I’d recommend it to anyone who ever bought an LA Guns record and thought their best was long behind them because this is right up there with the first couple.  If this is Cock Rock then I’m fuckin’ having me some because maybe it is better ‘The Devil You Know’ if the devil you know is this good. Turn it up!

Buy ‘The Devil You Know’ :Here

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 MUCH ACCLAIMED UK PUNK OUTFIT RESURGE WITH NEW SINGLE!

‘Sink’ is released today

 

EIGHT DAYS produce radiating melodic hardcore woven around crushing rhythms and towering vocals. Evoking the guile and power of Rise Against, Pianos Become The Teeth, Black Peaks and Comeback Kid, this South London quartet are primed to break through to the upper echelons of the UK scene.

EIGHT DAYS originally made waves in 2016 for their debut EP, ‘More To Life’. The record rallied support from Kerrang! Radio, Pure Grain Audio, and Alt Corner. However, internal changes within the group disrupted their ascendance. The band took some time out, regrouped with new members and then triumphantly returned with a stunning single, Stray, at the end of last year. The single received extensive acclaim and backing from Kerrang Radio, Punktastic, New Noise Magazine, Moshville, and Maximum Volume Music.

EIGHT DAYS will now up the ante even further with their new single, ‘Sink’. Accompanied by a nifty concept video, this track is the band’s best work to date. The band comment about the creation of the single: “Recording ‘Sink’ was great, it was the second new song we’d done so it was good to feel at home with the process. Lyrically it’s about hitting rock bottom, hence the name. The most meaningful songs come from real situations you face in life and this song’s lyrics surfaced from a recent low point. Writing songs about these situations isn’t all doom and gloom though, getting to play them live is a real outlet.”

Look out for the melodic hardcorers as they plan to tour extensively. With further releases in the pipeline, EIGHT DAYS are sure to be one of the break-out bands of 2019.

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The Get Up Kids today announced their first full-length album in eight years, ‘Problems’ – produced by Grammy Award-winner Peter Katis (Kurt Vile, The National) – will be released May 10th on Big Scary Monsters. The first video from the album is ‘Satellite’ watch it below.

Problems’ is now available for pre-order HERE. The band today also announced two shows at this year’s SXSW:

The band also play at SXSW: 3/13 – Austin, TX – The Mohawk – Polyvinyl Record Co. / Double Double Whammy / Big Scary Monsters + Friends Showcase  (11:45 PM)
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3/14 – Austin, TX – Scoot Inn – Brooklyn Bowl Family Reunion (11:00 PM) : Brooklyn Bowl Family Reunion

Problems examines everything from a life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound – anthemic choruses with sing-along-ready melodies -The Get Up Kids highlight those troubles as a shared experience, giving way to unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant.

The follow-up to 2018’s acclaimed EP, KickerProblems came to life in Bridgeport, Connecticut, with the band – Matt Pryor, Jim Suptic (guitars/vocals), Rob Pope (bass), Ryan Pope (drums), and James Dewees (keys) – holing up together for a three-week span. Working with Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom.

Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19 – all those ‘I miss my girlfriend’ kind of songs” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. “A big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,” says Pryor. “We’re still so connected to our past and where this all came from – it’s definitely a celebration of the fact that we still get to do this.”

The Get Up Kids also play Slam Dunk North on 25th May and Slam Dunk South on 26th May

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THE AEG VIVE LE ROCK AWARDS 2019

 

ALL-STAR LINE-UP ANNOUNCED FOR 2ND VIVE LE ROCK AWARDS MARCH 27th AT LONDON’S 02 ACADEMY

 

THE STRANGLERS CONFIRMED TO HEADLINE!

 

Today, the AEG Vive Le Rock Awards can reveal that the headline act this year will be Guildford rock legends The Stranglers, who will be attending to pick up an award and to perform a very special set!

Killing Joke and Lee Thompson from Madness are now also confirmed to pick up awards. These join ‘70s glam rock queen Suzi Quatro, Glen Matlock and Friends, Ed Tudor-Pole and Steve Diggle/Pauline Murray’s Pete Shelley (Buzzcocks) tribute to play, alongside the final solo performance of Barrie Masters (Eddie And The Hot Rods).

Wednesday March 27th sees the second AEG Vive Le Rock Awards taking place at London’s O2 Academy. Following an internet-breaking debut in 2018 with a special performance from The Damned and Friends, Shakin’ Stevens and more, this year’s AEG Vive Le Rock promises an all-star line-up of performers and legendary presenters gathered under one roof for one night only.

 

‘70s icon Suzi Quatro will be joining us as she celebrates the release of her brand new album ‘No Control’. Glen Matlock and Friends will be tearing the house down with an exclusive hit-packed set and there will be a very special tribute to the Buzzcocks’ Pete Shelley courtesy of Steve Diggle and Pauline Murray.

 

Not only that, but we will be bringing you the ultimate final solo performance from Barrie Masters of Eddie And The Hot Rods and also our top secret extra special headline band which we will be revealing online in the days running up to the awards.

 

The night will be compered by Ed Tudor-Pole, who will also be performing a clutch of his classic songs.

 

Tickets are strictly limited for this unique show and are available now via Ticketmaster.co.uk. There are also a limited number of special VIP tickets for purchase, which include a glass of prosecco on arrival, a pre-awards party and mixing with the stars, a Vive Le Rock annual, a limited edition 2019 Vive Le Rock Awards T-shirt and after-awards party access.