Rob Zombie releases his second single “The Eternal Struggles Of The Howling Man” off of The Lunar Injection Kool Aid Eclipse Conspiracy, to be released March 12th, 2021 via Nuclear Blast.
The LP is Rob Zombie’s seventh studio album and marks his first new album in nearly five years. The Lunar Injection Kool Aid Eclipse Conspiracy is a classic Zombie album to its core with high-energy rages like “The Eternal Struggles of the Howling Man” and “Get Loose” to heavy-groove thumpers like “Shadow Of The Cemetery Man” and “Shake Your Ass-Smoke Your Grass.” The new album is produced by ZEUSS.
Listen to “The Eternal Struggles Of The Howling Man” and lead single “The Triumph of King Freak (A Crypt of Preservation and Superstition)” HERE.
Pre-order The Lunar Injection Kool Aid Eclipse ConspiracyHERE.
As a rock icon and filmmaker with a unique vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of both music and film. RobZombie is a 7-time Grammy nominee, has sold fifteen million albums worldwide to date, and is the only artist to experience unprecedented success in both music and film as the writer/director of eight feature films with a worldwide gross totaling more than $150 million. His re-imagining of John Carpenter’s Halloween in 2007 debuted at #1 and still holds a Box Office record for Labor Day Weekend.
So it’s that day again and the first Friday of the month and Bandcamp gives 100% of its fees to the artist so we want to give you a few pointers of what we would recommend you throw your pennies at. This month I’m heading down under for a trawl through the best music you might not have had the pleasure of hearing from Down Under. Sure you’ve been spending your Smoko time with Amyl & The Sniffers and The Chats but we’re going deeper than a ditch dug by The Cosmic Psycos down on the farm. Never mind the classics like The Saints and Radio Birdman check these beuts out Speed week are first up with their trashy punk rock Garage vibe and a release from September last year. ‘Hey Hey It’s Speed Week’ Available Here
Melbourne noise makers dish up a fantastic seven-track album. “Formed during a chance encounter at Carrick Speedway, Fronted by part-time amateur clairvoyant and nail technician Brandt Domingos, former child actor Tarquin Les Smith III, Brad McDermott and some other cunt on the drums, Speed Week invites the listener on an auditory journey into a theoretical dimension where things often don’t seem as they appear.” Charming. But wait the tunes. Starting off with the old school post-punk of the late seventies early 80s sound that Iggy was knocking out well, that’s the ‘Cost Of Living’ then from there it kicks off with ‘Echo Chamber’. Some great bass thumping and Numans Tubeway Army for inspiration on ‘Phishing’ it’s great stuff and every bit as fucked and essential as your Idles for the style of delivery on the vocals. the next few tunes are brief but who doesn’t like ‘Speed Week Theme’? sounds like Bullseye or Dusty bin right there the mad fuckers. These reprobates are dipping their toes in the past and dragging the sound into the here and now and I like it – I like it a lot so check em out Here
Next up the delights of Private Function and a live recording they did for PBS (Available Here) Its available for free or give what you want and considering these nine tracks were Recorded for the annual 2019 PBS 106.7FM Melbourne Drive Live program, Private Function’s set captured everything involved in the band’s reckless performances and broadcast it live across the airwaves of Melbourne. It’s all killer and certainly no filler and post-Covid these guys need to get over to Europe for some sweaty fun in the dive bars of the UK. It would be awesome to sip a cold beer and bang your head to ‘Duct Tape’. Don’t believe me? Turn it up and get it on these guys are fantastic and imagine filling out the small clubs for a night in with these, Grindhouse and Clowns. Now drink that in for a moment…there I told you. They have two albums available and some singles you can thank us later for helping empty your bank account with more imports. Originally this was on hipster format of choice or one for the ladies as us UK people knew cassette tapes. But it’s 2021 and anyone can play so fill yer boots with their all energy punk rocking tunes.
If that wasn’t enough for you try out C.O.F.F.I.N. and their album ‘Children Of Finland Fighting In Norway’ (Best not ask I guess) whilst its more of a refined taste with the vocals being less of a vehicle for melody and more a pissed off grizzly bear sat up with its paws drawn waiting for pray.
Came out in September of 2020 these hairy bears might be responsible for chasing Covid into the sea and banishing it from the island of Australia because any Man Woman or virus would be a little apprehensive when confronted by some loud obnoxious Punk Rock and Rollers charging outta the speakers yelling like you stole their Top Cat DVD. It’s fast it’s frantic and at times it’s filthy and it’s certainly pissed off. Monster riffs, relentless beats it’s not for the faint-hearted but once you get it you just get it. ‘Average Death’ is anything but whilst having three guitarists is just showing off and fair play to vocalist and drummer Ben Portnoy kicking the shit out of the drums isn’t enough I love it and so should you head over to their page Here
Grindhouse – Can I Drive Your Commodore’ Of course, I had to include Grindhouse. They should be no secret to a lot of RPM readers we’ve interviewed them and they’ve been to Europe and we’re just about to head overseas when Covid hit. Melbourne is their yard and playing as fast and as furiously as possible is the name of their game. Mick ‘2 Fingers’ Simpson is the caped speedo wearing leader of the pack and beer drinking, hard rockin motherfuckers is the name of their game. They’ve stood toe to toe with some of our other favourite garage punk rockers on the Demolition Derby volume two but ‘Can I Drive Your Commodore’ is where we’d like to send you. Its got songs about Hot rods ‘Shit Cocaine’, ‘Cheese’, ‘Gary’ and the death of the Australian Car Industry. Grindhouse kick-ass everyone knows it and if you’ve not investigated then this is your chance to play catch up. Get involved Here
Civic – ‘Radiant Eye’. Another favourite of mine from Melbourne is Civic. How about a single from them entitled ‘Radiant Eye’ and a really impressive couple of songs. With the lead track being a really punchy proto-punk number that soars. I love the horns that enter the game before making way for that glorious wah solo. The B Side sees them cover The Creation, as they shake off the trebley grit for a really excellent version of the 1966 hit, ‘Making Time’ that was also splendidly covered by Stiv and the Lords.
You can take from that what you like but I think it’s fair to say that’s the calibre of artist were dealing with. Don’t be a dummy dive in and get some Civic Here
The Unknowns – ‘Nothing Will Ever Stop’ We head up to the sunshine coast where you’ll find The Unknowns. After releasing some demos which are available on Bandcamp this trio got their act together to record a raw as fuck album late 2020. Its got melodies over the top of some loud punk rock and they leave nothing behind as they speed off with the mixtape being the album ‘Nothing Will Ever Stop’ it’s just some loud Rock and Roll. There is no studio trickery going on here it’s not big and it’s not clever but it is Rock and Roll and we certainly like it. They pinch plenty of licks and scales from the good and the great and rattle the floor toms as they kick up a storm sounding like they’re having the best of times. I love ‘Dressed To Kill’ its carefree noisy Rock n Roll. Check em out Here
Pist Idiots – ‘Ticker’ Mixing it up a bit let me introduce Pist Idiots and you might think they are just another runaway train of a boozy punk rock band from Australia. Well, you’d be wrong. sure they look like they enjoy a beer or two and the name isn’t big or clever (to some) but the tunes on this album we recommend is big boys Rock and Roll. With a really punchy bassline its got a phat sound and they lean from genre to genre but not in a lost sort of way just listen to ‘Roundhouse’ which sounds like Bruce Foxton has joined Thin Lizzy. ‘Sweet Headache’ is melodic as is the rapid ‘Is That What You Want’. Whilst the title track is a twisted fucked up number that veers from some Nirvana style acoustic song with some emotional vocals before kicking right off, top tune indeed. Sydney is where these cats sleep and these seven tracks are varied and a really enjoyable ride. Check em out Here
Next, we op over to Byron Bay to check out Skegss who have one preview track from their up and coming album ‘Rehearsal’ and judging by ‘Valhalla’ its got a lot going for it and with a really catchy melody I love the five-track EP ’50 Push Ups For A Dollar’. they remind me of one of my favourite bands out of New Jersey – Crazy And The Brains but without the xylophone. Carefree rock and roll played with a variety of instruments but loudly and with verve. Check out ‘Hell’ off the ’50 Dollars’ album then ‘Heart Attack’ with its laid back feel. Just a bunch of top tunes and I’m sure the new one will be at the very least more of the same. Check em out at the link
Mini Skirt – ‘Casino’ I was tempted to investigate Meth Leppard just for the name but was so disappointed that they were a growly grindcore band, shame that. So instead let us introduce Mini Skirt again residents of Byron Bay. they released the ‘Casino’ album back in May of 2020 and from the off, it was an album that drew me in as ‘Pressure’ leaned on some of the alt post-punk of Husker Du. ‘Give It Up’ rattles along with a hypnotic rhythmic driving beat. But as it hots up it’s captivating stuff. ‘With Your Hands’ is one from the Stooges handbook and when it’s done as well as this what’s not to like? Don’t be fooled by the laid back nature this is a furious raw and rockin’ album seriously give it some volume and tell me ‘Face Of The Future’ doesn’t hit you right in the guts in a good way but leave enough to get you through ‘Tissue’ but the six minutes of ‘Animals’ is epic and a cracking way to finish off the album – simply awesome. top record.
Zig Zag – ‘Do Better’ An epic 7″ single from Zig Zag with a song that has an ebb and flow that is every bit as emotional as the back story of the singer Kelly. Melbourne is where they’re at and both tracks are excellently produced slabs of epic post-punk. The band are perfectly described as Half garage rock extremists, half disco junkie night cats, careless and free and flaming with pride – and that’s exactly how they sound go check it out.
The Bungaboys are back in town ladies and gentlemen with their sixth (if you include 2010’s Juvenile Jungle) long playing record ‘Heavy Male Insecurity’. A mighty slab of wax containing ten tracks that are guaranteed to blow your warped and fragile tiny little minds.
If you’ve yet to experience the delights of Death By Unga Bunga, this all-new album is the perfect opportunity for you to play catch up with one of the most essential bands to ever come out of Norway since Turbonegro. So, why not take a few minutes of your time to ponder what The Hives meets Ash might sound like put through a sonic blender with just a little Thin Lizzy added for the fun of it, and if that ain’t got you eager to hear this record then surely nothing will.
Look, all comparisons/possible influences aside, for those of us who luxuriated in the aural splendour of the band’s awesome 2018 album ‘So Far So Good So Cool’ I suppose you all just want me to cut to the chase and tell you if the guys have managed to top that album? Well, here’s the answer to that million krone question.
Kicking off with the buzzsaw guitar pop of ‘Modern Man’ the immediate thing that strikes me is that there is no real sonic departure for the band with singer Sebastian Ulstad Olsen once again turning in a Robin Zander-esque mix of bark and bite complete with a sugary twist.
‘Egocentric’ is up next and this for me is where ‘Heavy Male Insecurity’ truly hits its stride. Full to bursting with melody the brilliance of the synth pomp breakdown in the middle of the song is worth your admission money alone.
From here on in there’s honestly not a single duff track or off moment to gloat over like some other magazines seem to delight in doing right now. Nope, this record is a ten out of ten set of ten songs. A truly perfect ten if you will, and I dare you to not be singing along with the likes of ‘My Buddy’ (Weezer who?) or ‘Trouble’ (like Sleaford Mods meets the Ramones – believe it) whilst air guitaring like a teenager to one of the album’s lead singles ‘Live Until I Die’ after just a couple of listens.
At 34 minutes long ‘Heavy Male Insecurity’ is all about the quality of tunes on offer, so for those wondering how the Bungaboys might ever top ‘So Far So Good So Cool’ go out get your CD, LP or if you prefer, the download. Then slam the sucker on your stereo and you’ll very soon be listening to the answer.
Seattle-based blues-rock outfit Walking Papers return with their 3rd album ‘The Light Below’, the follow up to their 2018 album ‘WP2’. Singer/guitarist and chief songwriter Jeff Angell and keyboard player Benjamin Anderson may have lost bassist Duff McKagan and Screaming Trees drummer Barrett Martin along the way due to touring commitments, but that hasn’t stopped the duo from moving forward with their brand of blues-based art rock and taking their sound to another dimension along the way.
Joining the duo on this new album are drummer Will Andrews, bassist Dan Spalding, and guitar player Tristan Hart Pierce.
If you are unaware of Walking Papers, let’s get one thing straight, they are not a party band. They may have Guns n’ Roses and Pearl Jam connections, but Messrs Angell and Anderson have not produced an album of anthemic, stadium rock to take their fans’ minds off a Pandemic ravaged world. What they have delivered is an epic album of pure escapism that takes them far away from their post-Grunge, blues rock beginnings.
‘The Light Below’ is an atmospheric and captivating album from the off and it draws the listener in, unlike either of their previous offerings. Opener ‘The Value Of Zero’ rides on downbeat, tribal rhythms and swathes of electronica. ‘Ultra’-era Depeche Mode springs immediately to mind, this is not the dusty, Seattle blues rock of their previous incarnation, this is dark and foreboding rock music that skulks along in the dark waiting to pounce.
The previous single ‘What Did You Expect?’ follows, “I never promised to be an Angel’ croons Angell over fuzzy guitars and dance beats. Imagine if Trent Reznor had collided with ‘Full Moon Over Dirty Hearts’ era INXS and took them further down the spiral…yes, it’s a 90’s alternative rock thing and that’s a good place to be.
Two songs in and I’m pretty much blown away already, intrigued and excited for what is to follow. And what does follow is, what I can only describe as a masterpiece. ‘Divine Intervention/Stood Up At The Gates Of Heaven’ is the centerpiece of the album. Originally written as one piece of music, it has been split into two for this album. The full, epic 12-minute version was released recently along with a dark, David Lynch inspired video that fits the feel of the song perfectly. Picked, bluesy guitars, pulsating bass that reverberates deep down to the bottom of the soul, and brooding, whisky-soaked vocals that sit somewhere between Ian Astbury and Trent Reznor. The sprawling, cinematic ‘Divine Intervention’ documents Angell’s ongoing ‘conversations’ with departed spirits, and features Stone Temple Pilots Dean DeLeo’s masterful guitar work.
The segue into ‘’Stood Up At The Gates Of Heaven’ is magnificent, the pulsating hypnotic beat enraptures the listener for the entirety. For me, this is what music is all about. This is an album to get lost in, an album to drift away with. With clever use of dynamics, Angell creates soundscapes to enthrall, all you have to do is put on your headphones to block out the world, close your eyes and let the songwriter take you on a trip to another dimension.
Each song is like an all-encompassing art piece, each one different but all following the same theme. The structures, the sonics and the dynamics of each cleverly thought out and played out to complement the other within the context of the album that flows as one whole work of art.
With swathes of Hammond ‘Going Nowhere’ has a gothic, almost ethereal feel to it. Sparse instrumentation, minimal drums, and clever use of space leave room for the singer to work some magic, and the surprise addition of some sexy sax gives a soulful INXS vibe.
At over 9 minutes, ‘Creation, Reproduction and Death’ is a sexually charged, dancerama of darkness. A trip through life towards death, did you take the red or the blue pill? They even tinker with jazz on ‘The Other Shoe (Reprise)’, an instrumental sidestep where unexpected but welcoming sax joins pumping bass and tribal rhythms.
Jeff Angell has mastered the fine art of storytelling on this third opus and he shows us he can still sing the blues on the last two offerings. ‘Where Did I Go Wrong?’ is a bluesy confessional accompanied by warm, clean guitar chords and subtle background keys. And closer ‘California (One More Phone Call)’ is a Black Crowes style ballad. A vocal on the verge of cracking, a love letter, a goodbye to a lover, delivered with conviction and passion, mixed with subdued Hammond chords and little else is all that is needed to leave the listener with a sense of yearning. But a yearning for what? Maybe it’s just to press play and do it all again.
I must admit I went into this review expecting an average, dare I say it ‘classic rock’ album, based on the band’s past output. Little did I expect to be drawn in to an expansive album that ticks all the boxes for what I want from music in 2021. Angell and Anderson have taken their band far from their roots and created a sound that is modern, progressive and dark, full of electronica but rooted in the classic. Overall, I can honestly say ‘The Light Below’ is utterly mesmerizing and completely spellbinding. I know it’s early days, but I feel we may have a contender for album of the year already.
Hip hip Hooray It’s Monday and raining (somewhere) and one of our favourite noise makers has a video for the split they just released with The Supersuckers. ‘Aint Ever Gonna Die Again’ is the song and here’s the video. Love it
Taken from the upcoming LP ‘Lion on A Leash’ out March 26, 2021 on Wiretap Records. Space Cadet features Matt and Dave from The Explosion with The Bouncing Souls’ Pete Steinkopf producing, and features guest spots from Brian Baker (Bad Religion, Dag Nasty, Minor Threat, etc) providing guitar contributions.
Finally, a video to banish any lockdown blues from Rotten Mind an album we reviewed last year. ‘City Rats’ is a banger as is the video. Connect with Rotten Mind: Facebook / Instagram / Bandcamp
Cheap Trick get set for new album with the release of a new single – ‘LIGHT UP THE FIRE’ LISTEN HEREIt’ll be the bands 20th Studio album ‘IN ANOTHER WORLD’ and will be released on APRIL 9th PRE-ORDERS AVAILABLE HERE
“Quick, think of any other American rock band formed in ‘70s who is still putting out albums in the modern era that not only don’t embarrass the band but repeatedly revitalize their career. The list starts and stops with one name: Cheap Trick.” – Paste“Few acts inducted into the Rock and Roll Hall of Fame, as Cheap Trick deservedly was in 2016, are cranking out music as fresh, honest, energized and explosive as these guys… If this recent burst in activity keeps going, they will be the poster boys for how ageing rock and rollers can stay relevant without selling out or trying to be hip…Long Live Cheap Trick.” – American Songwriter
The one and only Cheap Trick have announced today’s premiere of their pummeling new single. ‘Light Up The Fire’ is available now at all DSPs and streaming services. The song heralds Cheap Trick’s eagerly anticipated 20th studio album, IN ANOTHER WORLD, arriving via BMG on Friday, April 9th digitally as well as on standard black vinyl and CD. Limited edition blue and white splattered vinyl will be available at independent record stores nationwide. In addition, a limited edition picture disc will be available exclusively via Target. Pre-orders are available now, with all pre-orders joined by an instant grat download of ‘Light Up The Fire.’
Produced by longtime associate Julian Raymond, IN ANOTHER WORLD sees Cheap Trick doing what they do better than anyone — crafting indelible rock ‘n’ roll with oversized hooks, mischievous lyrics, and seemingly inexorable energy. Trademark anthems like ‘Light Up The Fire’ and ‘Boys & Girls & Rock N Roll’ are countered by more introspective – but no less exuberant – considerations of times past, present, and unknowable future on such strikingly potent new tracks as ‘Another World’ and ‘I’ll See You Again.’
IN ANOTHER WORLD – which marks Cheap Trick’s first new LP since 2017’s double-header of WE’RE ALL ALRIGHT! and CHRISTMAS CHRISTMAS – further showcases Cheap Trick at their most eclectic, touching on a myriad of distinct sounds and song approaches, from the swampy Chicago blues number, ‘Final Days’ (featuring fiery harmonica from GRAMMY® Award-nominated singer and Wet Willie frontman Jimmy Hall) to a timely rendition of John Lennon’s still-relevant ‘Gimme Some Truth,’ originally released for Record Store Day Black Friday 2019 and featuring the instantly recognisable guitar sound of erstwhile Sex Pistol Steve Jones. As irresistible and immediate as anything in their already awesome catalogue, IN ANOTHER WORLD is Cheap Trick at their irrepressible best, infinitely entertaining and utterly unstoppable.
An Incendiary, tragicomic documentary (midway between The Decline of Western Civilization and Crumb) which has been hailed as “Essential Viewing” by CineVue and called “Dark and Irresistible” by director John Carpenter, The El Duce Tapes will chew you up, spit you out, and leave you floored.
This February the fun begins on the 9th with one wild ride. In the early ’90s an aspiring filmmaker and part-time actor, Ryan Sexton, grabbed a camcorder and followed shock rockers The Mentors into the sleaziest and grimy clubs in the Hollywood area. The band, known for wearing black executioner masks over their heads, caused controversy wherever they went with their vulgar lyrics and decidedly non-PC approach. Sexton kept the cameras rolling at all times while putting a special focus on the band’s infamous singer-drummer, El Duce. Now thirty years later, filmmakers Rodney Ascher and David Lawrence have taken the footage and edited it together as ‘The El Duces Tapes’, a documentary that John Carpenter has praised as “dark and irresistible.” One watch will have viewers wanting more El Duce and for that, Arrow has you covered. The Blu-ray comes with a buttload of special features, including unused VHS footage, brand-new audio commentary, and an interview with Steve Broy, aka Dr. Heathen Scum of The Mentor.
Before January is finished we have another session of the Singles Club to round off the first knockings of 2021and as usual the quality is impressive. Hit em up and share the love of the trusty old 45RPM…
Muck & The Mires – ‘I’m your Man’ (Dirty Water Records) We’re starting this weeks singles club with this garage rock hip shakin bundle of energy from Muck & The Mires. As you’ll hear from the guitars this is right on the money sounding like it was recorded live in the moment and with some great melody and BV’s its a right Banger! Don’t doubt it that you need to hear these cats so head over to Bandcamp Here
45 Adapters – ‘Now Or Never’ (Pirates Press Records) Emerging out of the clusterfuck for bands that was 2020, this long-anticipated EP really packs the punch everyone has been hoping for.
It Comes out swinging, and is hit after hit on a pretty cool 12” picture disc that looks like it was printed on glass. The title track, a rip-roaring addition to the Pirates’ sampler “For Family And Flag“ that we reviewed a few weeks ago. It whet the whistle of fans across the globe… and the remaining tracks stacked up on this EP
Summarizing the sentiment felt by many, it really is “Now or Never“! Time to take a stand.
Guerrilla Teens – ‘End of the Leash’ (Self Release) Two downloadable tracks from the epic Guerrilla Teens Hell Yeah! I’ll take that sir. Scott ‘Deluxe’ Drake leads another slice of hellish Rock and Roll from the garage with a bluesy guitar break that leads you down a dark alley where the band is waiting to pound you without mercy they won’t rest and who can blame them as the song tail off into the distance with howls and wah! leaving you satisfied once again with the tracks teased out of Bandcamp. But wait there’s more as ‘Running Away’ is a petulant slice of Rock and Roll that’s got some loose gang vocals snarling away on the chorus. It’s snot captain but not as we know it. I love Guerrilla Teens they’re one of the triumphs of Lockdown and Pandemic. Now get this motherload of songs onto a slab of vinyl and we can put this past twelve months behind us. Bop Showaddy indeed – Buy It! Here
Captain Future – ‘Holy Waters’ (Gypsy Hotel Records) Alex McGowan is the man behind Captain Future and the new album ‘Ghostman’ and the first single taken from the album is ‘Holy Waters’ a bluesy slice of Dub or a dubby slice of Blues, either way, it’s a trip and a trip you should take. Love and hate collide and with the backdrop of what’s going on with certain leaders, it’s a slice of up-to-date right on-the-money music. It’ll creepy crawl into your head and shifting it is hard. Subtle and flavoursome the verses are dark whilst the chorus is raised and lets in the light. clever stuff.
Automatics – ‘Irish Blessing’ (Blank Generation Records ) Taken from the recent Automatics, white vinyl, promotional 4 track ‘Octonary’ EP, and also on the album ‘A Grand Swandive Into The Void’. You might think so what? However, if I were to say Steve Jones and Johnny Thunders contribute then I might just grab your attention and you might prick those ears back and give this some deserved attention. Also featuring SLF guitarist Ian McCallum.
what you have on this EP is quality ’77 punk Rock and Roll. Considering the calibre of the players, of course, these songs have that wonderful crunch on the guitar and when recorded right it lifts a recording. As you’ll hear ‘Irish Blessing’ has a Galic slant and some typical Irish folk leanings from the acoustic guitar to the lyrics. A bit of everything on the EP means – for me, a good proper investigation into the bands back catalogue and great discovering a whole bunch of tunes that passed me by first time and when, as I say. they are as good as this its a joy to discover. Website
Brad Marino – ‘What Do You Know’ (RumBar Records) The Connection, New Trocaderos, Rydells, Jimmy Rydell, and upfront and center; Portsmouth New Hampshire’s Brad Marino has founded, co-founded, written, co-written, performed, and recorded in & on multiple garage rock, punk, and power-pop bands and releases over the last 10 years. 2021, Brad Marino returns with his sophomore Full-Length release, jam-packed with power poppin’ rock and roll extraordinaire… ‘Looking For Trouble’. But to whet the appetite ‘What Do You Know’ is sent around the ether like a cannonball. Sure it’s got melody and a solid rockin’ backbeat and a whole heap of hooks and of course a raw guitar making it a must-hear track. Forging the way forward in powerpop circles. Don’t delay and be sure to hit Marino up and check this out you won’t regret it. Bandcamp
UNDER THE INFLUENCE ‘Moon Flavoured Magnets’ (Riot Records) ‘Moon Flavoured Magnets’ is the follow up to recent singles ‘Body Parts’ and the acoustic version of fan favourite ‘Propaganda Leaks’. Whilst the title comes across as being psychedelic, this track is far from it. It is another storming hardcore flavoured punk track. A vicious and intense punk / Metal hybrid. Its the sound of the roof caving in on you but it’s ok because the band are kicking up a shitstorm and I like that. Noisy Aussie bastards
“Welcome to Kins brain. It’s infused with mushrooms, madness and wisdom but we’ll let you decide… This is a mystical magical poem I wrote to Mother Nature. Touching on human greed, space, time, pollution and disrespect. Sadly, most humans are on a self-driven vendetta. Without a care for what really matters or anything that’s connected to the natural world. The only hope I see for mankind is to reconnect to the moon and oceanic currents by the only way I know, magic of course. That’s what this song is about…. Magic.’’ Facebook
Wildstreet – ‘Set It Off’ (Golden Robot Records) new single ‘Set It Off’ is like stepping back in time onboard bill and teds cock – rock – o’clock time machine. Not quite as dangerous as I was expecting and sounding more like a homage to Def Leps.
“Be yourself and stand up for what you believe. There will be set-backs, scars & bruises but you have to pick yourself up because you will make it to the top.” oh ok righto guys but cmon. I have been transported back in time this covid lockdown has sent me down a wormhole where Warrant and Ratt are strutting up and down the Sunset Strip for sure this would be featured in Bill & Teds next movie for sure all they have to do is wait…and wait…and wait
Midnite Snaxxx – ‘Contact Contamination’ (Slovenly Records) Rough blast of sugar-sweet punk rock with a video to test your brain its Midnite Snaxxx baby and their rapid adjit punk rock is addictive like hidden E numbers in kids confectionery its fast its fun and its addictive like a rapid Siouxie & the Banshees if I might be so bold. Songs outta Oakland never sounded so good did they?
The Shang Hi Los – ‘Kick It Like A Bad Habit’ (Rum Bar Records) A new one on me but it came via Rum Bar so of course I was going to check them out. Coming on like a Jags meets Blondie with healthy dollops of Cars thrown in along with a whole heap of other power pop luminaries this is a great easy listen for a debut single. There’s enough edge to remind me of Johnny Thunders last incarnation with the magnificent Oddballs – now I’m not comparing them quite yet but there are traces of the same DNA going on and that’s always going to drag me in. Love the guitar break on ‘Funeral Home Mint’ These cats love Rock and Roll and pop from days gone by as ‘Stay’ would testify then follow it up with the luscious ‘Skipping Records’ with big chords and big harmonies. It wouldn’t be fair if there wasn’t a Smokie sounding acoustic big finale with those duel vocals working really well together. In such trying times it’s nice to be nice and The Shang Hi Los sound like a really nice band and they’ve got tunes baby that’s for sure.
Hookers & Blow – ‘Time Of The Season’ (Golden Robot Records) Hookers & Blow, the now legendary project formed by longtime Guns N’ Roses keyboardist Dizzy Reed and Quiet Riot guitarist Alex Grossi, recently hit the studios last year to record a covers album that will be released this year via Golden Robot Records. This is the fifth single off the album, a cover of The Zombie’s ‘Time Of The Season’. It follows the release of the singles Shakin’ (Eddie Money), Rocks Off (Rolling Stones) and Ziggy Stardust (David Bowie) and Trampled Underfoot (Led Zeppelin) and a jolly good cover it is too. Polished as fuck but has a load of energy, Decent.
The Cavemen – ‘Am I A Monster’ (Pig Baby Records) I’ll be honest if The Hip Priests aren’t releasing a record the singles club can be a bit quieter but those crazy fuckers from New Zealand releases anything it sure perks this place up and again these Garage Ghouls have released an absolute pair of snotty stonkers in the shape of ‘Am I A Monster’ and ‘Schizophrenia’. The lead track is a stuttering head-shaking noisefest. It’s uncompromising yet totally uplifting and I love it. Imagine a time when these could have toured with The Parkinsons and The Hip Priests now that’s a tour I’d risk.
If the A-side was a rush then the B side is a Rock and Rolla for sure from start to finish and before the second line of the chorus I’m shouting along. One simple instruction from here is Buy It Here
Real People – ‘Life Without A Head’ (Slovenly Records) Rapid shots across the bow Real People aren’t fucking about available on tape (hip fuckers) or digital it’s shouty hardcore folks and tight as a gnats chuff. Lead track is a sprint to the finish and blink and you might miss it slice of Hardcore and it’s good. It’s pretty much the same MO for all the tracks with only one breaking the two-minute barrier but where it might be brief flashes of noise its quality and that counts. As they say on their promo blurb “seven solid minutes of no-frills and cheap thrills” just about hits the nail on the head and that’s what it should be, I like the riffs and the final offering is sharp and the riff is nailed. Check em out Here and thank us later
Cornered – ‘Failure EP’ (Blindsided Records) Dutch Harcore band Cornered are a new one on me but on first play they have that NYHC sound off to a tee, and with that clicky bass they thump their way into the singles round-up. ‘Burn’ is the opener with the Metal edged Hardcore being delivered in fine fashion. ‘Jungle Law’ reminds me of Downset and with a classic seg from Planet Of The Apes introducing the track what’s not to like? It’s short sharp and to the point exactly what no-nonsense Hardcore is supposed to be. ‘Realms Of Misery’ is a measured intro then off into a huge groove. I’m sure live in a tight pit these would be perfect and go down a storm.
There’s a lot going on here and at times it’s claustrophobic but at the same time, it’s good to just lash out and Cornered does it very well this isn’t a ‘Failure’ at all it’s European Hardcore mixing it with the best of em and holding their own. Check em out Here or pick this EP up Here
Yur Mum – ‘Black Rainbow’ (Self Release) The band, consisting of Anelise Kunz (Vocals/Bass) & Fabio Couto (Drums), have decided to unleash the first track from their forthcoming album, ‘Tropical Fuzz’ considering its just the rhythm section they manage to make a hell of a din I’m sure you’ll agree? claiming to not play by the rules would be about right to be fair and the Black & White video makes perfect sense as the track is bleak and cold and wintery. For fans of Therapy? and Placebo would be just about right on this evidence. Interesting stuff indeed. check em out Here / Bandcamp – https://yurmum.bandcamp
The Last International – ‘Modern Man’ (SME, The Orchard Music) Taken From New Live Record ‘Live At Arda. Vocalist Delia Paz, comments: “We live in a time where “Girl Power” has been reduced to a hashtag, used by countless celebrities and companies to sell products. The #metoo movement continues to welcome leaders that directly carry out heinous violence against women and children throughout the world, via drone strikes and crippling economic policies. These victims have been completely ignored by mainstream feminists. Anyone, including myself, who tries to expose this hypocrisy is immediately silenced and shamed. “Modern Man” is a song that gives a voice to the overlooked and disenfranchised women all over the world. I hope it encourages everyone, not just women, to think critically and speak up against all injustices and oppression. We will not be silenced!”
It might’ve taken 20 years but here it is: the original line-up of TheFlaming Sideburns unleashes a brand new album “Silver Flames”. It can be seen as a follow-up to their now legendary debut “Hallelujah Rock’n’Rollah”, which was released two decades prior in 2001.
“Silver Flames” is an album nobody expected to happen. Most certainly it’s out of time and out of place in 2021 but that has never stopped the Flaming Sideburns on their mission. Instead, they launch a rock’n’roll assault at full throttle.
It’s all there from straight-ahead rockers (“Silver Flame”, “Searching Like a Hyena”) to deep psychedelia (“Niburu”, “Reverberation”) and from classic rock (“A Song for Robert”) to pop-tinged choruses (“Perfect Storm”, “Cast out my Demons”). The album is wrapped up by “Trance-Noché” and its unusual combination of Latin American madness and Arctic hysteria — topped with the lyrics en Español.
Pre-orders have started. Digipak CDs, regular black vinyl, and limited crystal clear vinyl edition available HERE
To celebrate the 30th anniversary of their debut album ‘Soulside Journey’, Darkthrone are set to release an extensive 6 LP, 4 tape boxset titled ‘Shadows Of Iconoclasm’ on 2nd April via Peaceville. The limited-edition boxset also includes a 7” alongside a 60-page book and DVD.
This deluxe set marks the formative years of one of Norway’s finest & most celebrated metal exports, as well as highlighting the 30th anniversary of their ground-breaking debut opus Soulside Journey, this extensive vinyl and cassette boxset contains the full early works of the band, much of which sees a release for the first time, including restored material courtesy of Patrick Engel at Temple of Disharmony. From humble beginnings to revered gods of metal, Shadows of Iconoclasm unfolds the band’s early journey towards greatness.
The special cover artwork for this set is inspired by the early works of the band & comes courtesy of notable artist Zbigniew Bielak.
This box set has been compiled and curated with the band and features content from their personal archives – Fenriz comments “We only had a few months to write what would become ‘A Blaze in the Northern Sky’ and we had to blacken up a whole song from the ‘Goatlord’ session, and here and there on ‘A Blaze…’ you can hear a few riffs from ‘Goatlord’. Ironically I ended up listening way more to the ‘Goatlord’ album than I ever did with ‘A Blaze in the Northern Sky’. Maybe because ‘Goatlord’ feels super-real to me and I want to thank Patrick Engel for cleaning up the rehearsal sound without manipulating it much.”
He continues “The real sensation in this box is the live performance from Bootleg Stage Oslo 1990, soundboard sound with live performances of several of the tracks from our Goatlord album, I was so stoked when I discovered this (and no, I never had this on video myself so it was the first time I heard the audio now after over 30 years and it made me very happy. It was a non-alcoholic stage but we were pretty wasted too!)”
SHADOWS OF ICONOCLASMwill be released on Peaceville Records on 2nd April 2021 and is now available to pre-order HERE
‘Shadows of Iconoclasm’ contains:
6 LPs plus 7” featuring:
-A newly remastered 30th-anniversary edition of 1991’s Soulside Journey
-The original Goatlord instrumental rehearsal/album – specially transferred & restored from Fenriz’ original tape
-Live in Esbjerg, Denmark 1990 – first time on vinyl
-Live in Oslo November 1990 –a new digital transfer from the original master tapes from the Bootleg TV archive. Previously unreleased.
-Live in Riihimaki & Lahti, Finland. Darkthrone’s 1991 – first time on vinyl format
-Tracks from Oslo 1989 Bootleg TV appearance on 7” vinyl, including the Celtic Frost cover, ‘Visual Aggression’
-The 4 cult Darkthrone demos presented on cassette tape with their original art & layout
-DVD featuring a new digital transfer of Darkthrone’s November 1990 Oslo appearance from original master tapes, as well as their Finnish tour date appearances
-plus bonus footage from Oslo 1989 & a previously unseen track from their September 1990 Oslo gig
– 60 page book with a large collection of band photos, plus text covering the early years of the band as featured in the ‘Black Death & Beyond’ book, including additional text for this release, plus bonus chapters compiled from rare Darkthrone titles
-Band promotional photo print replica
-Soulside Journey art print
-Posters of the original Darkthrone logo image drawing & gig poster promoting their Oslo live appearance from September 1990
The LP is Rob Zombie’s seventh studio album and marks his first new album in nearly five years. The Lunar Injection Kool Aid Eclipse Conspiracy is a classic Zombie album to its core with high-energy rages like “The Eternal Struggles of the Howling Man” and “Get Loose” to heavy-groove thumpers like “Shadow Of The Cemetery Man” and “Shake Your Ass-Smoke Your Grass.” The new album is produced by ZEUSS.
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