PETE WAY (UFOWAYSTED) will release his solo album ‘Amphetamine‘ on a limited edition on white vinylsignednumbered and with an embossed sleeve – limited to 500 copies worlwide on December 13th, 2019 via Livewire / Cargo Records UK. The album will also be available as a signed CD. This release is a reissue of the original album from 2000 by the UFO legend.

The vinyl and CD can be pre-odered Here

PETE WAY is currectly touring with his new outfit – The Pete Way Band:

Thu 28th Nov 2019 : Eleven, Stoke
https://bit.ly/2VEDG0G

Fri 29th Nov 2019 : Winter Storm, Troon
https://bit.ly/2FddJ2u

Sat 30th Nov 2019 : The Church, Dundee
https://bit.ly/2Is3clV

Sun 1st Dec 2019 : Waterloo, Blackpool
https://bit.ly/2Ig4GQW

Fri 6th Dec 2019 : The Wharf Theatre, Tavistock
*Support : Burnt Out Wreck
https://tavistockwharf.com

Sun 26th Jan 2020 : Real Time Live, Chesterfield
*Support : Burnt Out Wreck
http://bit.do/favVv

Tues 28th Jan 2020 : Robin 2, Bilston
*Support : Burnt Out Wreck
http://bit.do/e7dMZ

#petewayband
www.facebook.com/petewayofficial
www.peteway.co.uk

I guess the fact you’re here reading this means you have anything from a passing interest in Rock and Roll or you (like Us) love Rock and Roll.  We’re not here to give you our views on Brexit nor will we push our beliefs on you (not here anyway) but I’m sure we all agree that we love live music and the fact that bands outside of the megadomes need to make a living or its simply not possible to continue touring at all.  With the uncertainty with Leaving the EU we need to let politicians know that whilst it might not be a priority to them but letting touring bands continue to take merch and pay their way across a tour needs to remain otherwise it won’t be viable to do it.  so we urge you to sign the petition and pass it on and get as many of your mates to sign it as well.  Just click the link, Ta very much.

 

Sign The Petition Here

With a bunch of great live shows charging around the UK and the never-ending list of great albums being released RPM has a top 20 for you pop pickers and this list includes Michael Monroe and his ‘One Man Gang’ and one off the brand new More Kicks album the awesome ‘Blame It On The Satellite’. Giuda guitarist Lorenzo has an album ready to go entitled Zac and we have ‘Count On Me’.

There are some old-timers still kicking up a shitstorm like Necromantix who have a new DVD / CD out and Sonny Vincent has a Testors tribute album that’s available with all proceeds going to a great cause that we fully support and will be reviewing this coming month so we have a Testors original in our playlist.

Rocker Pete Way hits the road this month for some live shows and has a vinyl issue of his ‘Amphetamine’ album. After finishing another round of superb dates with The Wildhearts Ginger gets back on the saddle and begins an acoustic band run of shows entitled Ginger and The Sinners. Also on tour is Wayne Hussy whos doing the rounds with his guitar and passages from his autobiography.

Recently released was the awesome and intriguing 40th-anniversary demos and sessions of Tubeway Army’s ‘Replicas’ so we’ve added the classic ‘Down In The Park’ to our list. Recently Rebellion Festivals announced some cracking additions to 2020’s line up and that included some RPM favourites so how could we not include the likes of The Hip Priests who also have some shows this month so have an earful of ‘I Hate The City’ ponder the lyrics and remember it when you go to vote UK peeps.

A new album and some live dates on the way see a welcome return to the awesome Urban Voodoo Machine with their brilliant ‘Johnny Foreigner’.  Announcing tour dates for 2020 Redd Kross are a shoo-in for our playlist. Finally, with an official release and stock, The Brothers Steve make our playlist with ‘Angeline’ from the fantastic ‘#1’ CD.

This month also sees the New Model Army play every corner of the United Kingdom with a proper tour to back up their excellent new album so ‘Where I Am’ makes our playlist.

To finish off this November playlist and to highlight our diversity we have a hattrick of rock from South Wales to show the hills are indeed alive with the sound of music as Buck and Evans ‘Sunrise’ is up and there is the return of Forever Vendetta with ‘Come Alive’ and to close off the November RPM playlist we include Deathtraps who are busy putting the finishing touches to their new album so we’ve included ‘Get Loose’ so take their advice and ours and get loose and we’ll see you in December when we’ll have a splash of new tunes to rock the year out!

The Scaners follows-up on their 2019 LP  (Dirty Water Records/Adrenalin Fix Music) with a new 7″ featuring a little nugget off the long-player called “X-Ray Glasses: On.” An exact release date is yet to be announced but it is expected out in December via a consortium of labels including Adrenalin Fix MusicDangerhouse SkylabSpaghetty Town Records, and Ghost Highway Recordings. Below, you can watch the band’s video for “X Ray Glasses: On” directed by Hugo “Frogy” Reymond.

AIRBOURNE have unleashed an official music video for their current single, ‘Backseat Boogie’; shot at their sold-out Copenhagen show at Amager Bio just last month, this latest clip captures fans rocking out to new songs from the recently released studio album, ‘Boneshaker’, for the very first time.

 

The Swedish sextet Hellsingland Underground released their fifth full length studio album, called “A Hundred Years Is Nothing”, on August 30. The sound on this album is a big step forward for the band, both sound- and songwriting wise. You can still sense their early day folk and blues influences, but you’ll also hear echoes of Pink Floyd, Queen and The Doors. Mini-moogs, mellotron and accoustic guitars has been added into a perfect mix of great personal lyrics, and some of the finest songwriting to ever come from a Swedish rock band. “A Hundred Years Is Nothing” is their strongest album to date, no doubt

 

Having seen the Damned play well in excess of 50 times in all sized venues and festivals all across the land with various line ups and with varying end results to my evenings this was another of those must-attend shows from the never-ending list of must attend Damned shows from Original line up to seeing them perform with not on or two Damned bass players but four on stage at the same time to anniversary shows of varying years service in Circus tents to prestigious shows at the Roundhouse, Royal Albert Hall and Town and Country club to this the latest and most audacious project.  The Damned putting on a show at the Palladium in London on a school night with a thousand vampires and a troupe of Circus freaks performing whilst the band plays.  What could possibly go wrong?

On my way to the venue, I reminisce about the time Vanian didn’t turn up in Cardiff and how far we seem to have come from that shambolic night and what on earth was about to unfold.  I expect the unexpected as far as the Damned goes because whatever we thought might have happened was probably always going to be wide of the mark but with Hammer Horror and Circus of Horror on board at least they wouldn’t let the curse of the damned fuck this one up could they?

We emerge from Carnaby Street to the rear of the venue where the horse-drawn Hurst resided after the funeral procession and entered the prestigious sold-out venue and as we took our seat (yup seats) the circus of Horror were being put through their paces as they swallowed swords of varying lengths and swung on trapeze by their teeth or contorted their bodies into unimaginable shapes we witnessed the elaborate stage set that was more in tune with the likes of Dio or Iron Maiden but this was The Damned and immediately you knew this wasn’t going to be just another live performance by a band I’d loved all my life pretty much. 

Before Sensible, Gray, Pinch (sat atop of the castle entrance) and Monty took to the stage with elaborate makeup and costumes and immediately you knew this was going to be something else, something altogether different from the norm, something you hoped it was going to be – not just another great set but a show, a performance, something out of the ordinary. , A show so totally Damned like.

The opening song of the evening’s act one was the haunting ‘Beauty Of The Beast’ and then bang! ‘Wait For The Blackout’ was introduced and Vanian entered the set looking every inch the Vampire he’s spent his life preparing for.  Hammer Horror had their man prepped and looing the part with his badger strip back for the evening as he proceeded to prowl the Palladium stage as if he had done so for the last few decades.  A natural performer in his oils it would seem of course he dreamt up this evening – this was Vanians night.

‘Plan 9’ followed quickly then it was time for the last single and the backdrop screen was providing some superb footage and the lighting was exceptional giving these songs the drama they deserved this evening. ‘Grimly Fiendish’, ‘Dr Jekyl’, ‘Shadow Of Love’ all sounded excellent and then it was time to Ham(mer) it up with haunting renditions of ‘Absynth’ with added trapeze artist swinging by the hair followed by ‘Under The Floor’  I have to admit when they get stuck into the Gray era of ‘Strawberries’ and ‘The Black Album’ I’m more than happy. Of course we had ‘Nasty’ and ‘Eloise’ complete with a string quartet (no expense spared) but ’13th Floor Vendetta’ was amazing as was the finale to the first Act a stunning play through ‘Curtain Call’ complete with the violin duel that was exceptional theatre darlings as Vanian prowled and Captain used his lager can to great effect before the curtain indeed fell as act one was done and we could all toddle off to pay extortionate money for a beer and an ice cream before act two was to unfold and how could they possibly top that?

Act Two.

Top that they jolly well did. ‘Tightrope Walk’ opened up part two followed by ‘The Dog’ but where is Vanian?  we can hear him but see him we cannot.  alas, all is to be revealed as he emerges is Nosferatu full makeup from the long fingers to the bald head and big ears. Brilliant makeup and totally fitting with the evening. Considering the prosthetics I’m amazed how he even spoke let alone sing and the fact he forgot a few lines here and there was understandable. ‘Neat Neat Neat’ made way to the biggest twist of the evening as they pulled off a blinding cover of ‘Bela Lugosi’s Dead’ for the middle section of ‘Neat’ but this still wasn’t panning out as a typical Damned encore if you like sure they did ‘New Rose’ and ‘Love Song’ but they also added a vamped cover of ‘People Are Strange’ before ‘Smashing It Up’ before finally calling it a night with the new song from the new compilation ‘Black Is The Night’ and after a final bow and a few words of wisdom from the departing Pinch we left via the exits and streamed out into the cold London night air having witnessed the craziest most daring evening of Damned entertainment in all their years of making noise noise noise.  

 

I’m glad I made the effort to attend it was indeed one of those special nights it wasn’t a typical gig it wasn’t your typical setlist but it was your typical Damned experience.  I’m sure there will be more Damned gigs to come where we can all throw beer down our necks and pogo to Machine Gun Etiquette and marvel at ‘Fan Club’ but tonight they did something different and my God they bloody well pulled it off! Still original, still loud, still the best and still The Damned! Now, as pinch succinctly put it as his last words as a member of the band, “Now Fuck Off!”

Author: Dom Daley

 

 

picture of Vanian Nosferatu used by kind permission from Dave Mayes.

In the summer of 2006 Paul Di’Anno was asked if he would like to perform with his German band “Phantoms Of The Opera” at a city festival in the small Westphalian town of Waltrop.  At that time also with “Fury In The Slaughterhouse” and “Sydney Youngblood”. After initial scepticism about how to get the expected pop and disco fans, they decided to play the gig. Especially since the two “Re-Vision” musicians, bassist Gonzo and drummer Dom, who formed the rhythm foundation of the “Phantoms”, had a home game.  And that scepticism vanished and suddenly turned into pure magic at the moment the band entered the stage. The city festival crowd mutated into an enthusiastic metal crowd, celebrating Paul and his boys through their brilliant gig.

 

The show was also completely recorded by producer and FOH man Thomas Mergler. At home, however, he found that the recordings were unusable due to an error by the monitor crew.

 

After more than 12 years Thomas found the tapes again by chance. And he managed to save the old recordings with the help of more modern technical possibilities.

 

The result is 100% Kick Ass Rock without tricks and overdubs.

 

The band presents itself in top form and serves the audience various classics from the Maiden early phase and from the solo career of Paul Di`Anno.

Goth rock from the 80s plays London show for the first time in God knows how long and get all the balding former Goths out in force to pull shapes and sing their hearts out and remember what it was like in the good old days. Uh, nope not really to be fair to the brothers Morris.  Recorded almost twelve months ago this mammoth seventeen song set brings back memories for sure but boy do these songs sound just as good today as they did back in their heyday. Recorded back at the end of 2018 in the Islington Academy shows the strength of the band’s catalogue to fill a decent-sized venue

‘Sun Family’ that pulled in the first singles and EPs and ‘The Greatest Story Never Told’ (the first album proper) and ‘Live Free Or Die’ are the focus of this set and are well represented to be fair and a decent spread throughout the set although the band have played sets of the first two albums complete side by side but here that’s not the case and a good flow is captured.  It is awesome to hear ‘I Believe’ amongst the likes of the more atmospheric ‘She Knows’ whilst the harder rockers such as ‘Long Time Loving You’ from the Live Free album reminds me of the classic ‘Alright Now’ riff and I’m pretty sure Balaam and the likes of The Cult and The Mission were all listening to similar records around the time so it makes sense I guess but that’s not taking anything away from ‘Long Time Loving You’ because it sounds great . The band sound well-rehearsed and tight.

The sprightly ‘Slow Down’ reminds me a little of The Teardrop Explodes if they were more of a rock band. I always loved Des Morris’ rhythms it was very tribal and created an atmosphere that complemented what the rest of the band were doing.  ‘Light Of The World’ being a great example he could have just thumped out the rhythm but there’s more going on than that.

I’m torn as to what my favourite Balaam album was and after listening to this Live album I’m leaning towards the ‘Live Fast’ era it was more in line with a lot of what I was listening to at the time and its stood the tests of time really well. ‘Would I Die For You’ sounds excellent and to follow it up with a rousing ‘Big City Fun Time Girl’ followed by ‘Love The Things’ then ‘I’ll Show You Something Special’ rockin’ out before the finale of a stunning rendition of ‘Isabella’s Eyes’ and then they’re done.  It’s a great snapshot of a band playing songs that are over thirty years old and making them as relevant today as they were when they first hit the airwaves.

If you’ve not got those records anymore and want to rediscover your youth or you want to know what goth rock sounded like or you just want to impress your friends with a cracking live album (sure it’s still a thing) then ‘That’s Not The Real World’ is the real deal. Get yourself some Balaam And The Angels in 2019 it very good indeed.

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Author: Dom Daley

For the third straight year, The Hold Steady will be returning to London for three back-to-back shows, taking place over the first weekend in March. Friday, March 6th and Saturday, March 7th will be at Camden’s Electric Ballroom, and Sunday 8th March will see the band hit Bush Hall in Shepherd’s Bush.

 

 

Tickets are available below – On sale Fri Nov 1st at 10am GMT

6th March [buy tickets here]
7th March [buy tickets here]
6th/7th March Combo Ticket [buy tickets here]
8th March Bush Hall [buy tickets here]

As with other weekend celebrations, fans will have additional ticketing choices, including a weekend ticket covering both Electric Ballroom shows and an option to buy a VIP Soundcheck ticket, as well as a limited-edition event merch bundle.

Earlier this year, The Hold Steady released their seventh studio album, Thrashing Thru The Passion, a collection of five brand new songs and five songs released digitally between November 2017 and March 2019. It was the band’s first album in five years and found fans throughout UK and US media. Pitchfork said “The Hold Steady treat rock the way Penn & Teller treat magic: They deconstruct it, demystify it and expose it warts and all, but do so out of love and a belief that its behind-the-scenes machinations are every bit as beautiful and intriguing as the polished final product.” It also achieved 4* reviews at The Guardian, NME and Uncut.

The Hold Steady: Website | Facebook | Twitter | Instagram

Before I write another word, you might have noticed (if your from the local area) I’m a headliner missing, no Henry’s Funeral Shoe who were said headliner, yours truly made the conscious decision to abstain, having already seen them any number of times, what drew me tonight were the opening two bands.

Openers Dead Shed Jokers have to me released the LP of the year in All the Seasons, produced by ex Tortoise Corpse’s Tim Hamill in his studio down in far West Wales, which you can pick up on Band camp (Sadly the Corpse have long since necrosed, but if you fancy listening to some absolutely stunning technical thrash, dig deep into the metal graveyard), in fact its not just me who’s been raving about this release, I think every mag that’s reviewed it has been stunned by how good a record it is, and I hope this is the one that drags them kicking and screaming out of the underground, I mean its even trending as I write in HMV in Cardiff.

Buzzard Buzzard Buzzard, I had heard nothing but good things about live. And coming off the back of a tour slot with Miles Kane, recent Radio 1 coverage and a feature in NME, these are another Welsh band going places, shows how vibrant and diverse Welsh music is at present.

Opening to a more than half full priory the Dead Shed Jokers proceeded to tear the place a new one, no compromise and with only playing songs from the new LP, the band absolutely nailed it. Live the music takes on a whole new dimension, it’s complexities driving rather than slowing things down, when you watch the band, influences flick through your mind but ultimately what you are listening to is so unique the influences pale into insignificance, this is 100% original and I love the refusal to bend or re-shape the sound for the mass market.
Now I have to say after reviewing All the seasons I didn’t realize how much of a monster Dreams of North Korea was going to be live, you could have picked my jaw up off the floor. The only shame about tonight’s performance was it was too short!! Fact!

Now talk about rock music on the other end of the spectrum, as Buzzard Buzzard Buzzard kicked in their set I found myself transported back to the ’70s, frontman Tom very definitely channelling his inner Bowie drawing down early days Jagger when preening was par for the course, and recalling classic Glitter band, Bolan, Wizzard et al. And for the whole duration of the set, the band got tighter and tighter with the crowd expanding more and more, dancing and smiling taking over en masse with tracks like Late night city, Love forever and double denim hop, bringing the stomps.

Two bands, one pushing a totally new direction for rock music, the other caught on the revivalist train each relevant now and today, showing how strong rock music in Wales currently is, it doesn’t get much better for a Saturday nites entertainment.

Author: Nev Brooks

California legends Redd Kross have announced their first UK and European headline dates in several years including two intimate dates at The Lexington in London which promise to be evenings to remember.

Steven McDonald had the following to say:

“This is the most comprehensive headlining tour we’ve done of the UK and Europe since ‘97. We are beyond thrilled to be bringing our booty shaking, mind melting party to your shores. So get your head fixed right and polish up those dancing shoes, because we are ready to DO THIS!”

The evergreen band’s latest album, “Beyond The Door”, landed in August on Merge Records to critical acclaim worldwide. Long famed for their raucous live show you can catch the band live on the following dates:

25.04 – The Albert – Brighton
27.04 – The Deaf Institute – Manchester
28.04 – Broadcast – Glasgow
29.04 – Brudenell Social Club – Leeds
30.04 – The Exchange – Bristol
01.05 – The Lexington – London
02.05 – The Lexington – London

Tickets now on-sale from reddkross.com

Order the album via Merge Records

Further details on Redd Kross & Beyond The Door:

Beyond the Door is available now on CD, digitally, and on limited-edition opaque purple Peak Vinyl in the Merge store.

Beyond the Door is an album inspired by the band’s “total commitment to having the best f*cking time we can have while we’re all still here” (what they like to call “The Party”). Musically, it’s guitars, bass, and drums topped with a generous portion of sweet vocal melodies often delivered with an ambiguous edge. The album marks Redd Kross’ most collaborative record to date. Steven describes this evolution: “Jeff is still very much the driving force behind the compositions, but with more help from me than ever. Jeff and I haven’t shared this much of the writing and singing since Born Innocent in 1981.” Guitarist Jason Shapiro and drummer Dale Crover (Melvins, OFF!) are longtime members of the Redd Kross live band, but this album marks the pair’s recorded debut with the group. Mixed in Los Angeles by Steven McDonald, Beyond the Door includes notable guest appearances from Anna Waronker (That Dog), Geré Fennelly, Buzz Osborne (Melvins), and Josh Klinghoffer.

On the surface, the album title is a playful reference to an Italian horror film the McDonald brothers watched as children, a loose rip-off of both The Exorcist and Rosemary’s Baby that stars Juliet Mills of ’70s television program Nanny and the Professor. But like all things Redd Kross, it would be a sad injustice to stop digging there. No one knows what lies Beyond the Door… but we’re all in front of it.

Inspirations as varied as K-pop, glitter gangs, embarrassed tweens, long-term relationships, a mysterious character named Fantástico Roberto, and much more all contributed to Beyond the Door, an album that lures the listener into Redd Kross’ secret club full of riddles and inside jokes, with the ultimate reward of the perfect pop moment!