THE MARY TYLER WHORES ANNOUNCE DEBUT ALBUM ‘AS FILTHY AS WE WANNA BE’

THE MARY TYLER WHORES ANNOUNCE DEBUT ALBUM ‘AS FILTHY AS WE WANNA BE’

THE MARY TYLER WHORES ANNOUNCE DEBUT ALBUM ‘AS FILTHY AS WE WANNA BE’ TO BE RELEASED SEPTEMBER 25TH VIA CADIZ MUSIC

PRODUCED BY GREG HETSON FROM CIRCLE JERKS/BAD RELIGION

The Mary Tyler Whores, notorious punk rock legends from Florida, are finally set to cement their reputation with their debut album ‘As Filthy As We Wanna Be’, due for release on September 25th via Cadiz Music.

It’s a long and treacherous story that starts in the back alleys of South Florida in 1999 where three degenerates with too much attitude and not enough sense accidentally sparked a cult-level punk phenomenon.

Front and centre was Frankie “Crime” Cassara — vocalist, ringleader, and certified public menace. Beside him, slinging riffs like Molotov cocktails, stood Doobie Tyler Whore, a six-string saboteur with a permanent snarl and a knack for turning any stage into a war zone. And behind the kit, pounding out the heartbeat of the apocalypse, was the late Joey Image — yes, that’s Joey Image of “The Misfits” — you know “Horror Business, Night of the Living Dead, Legacy of Brutality”, Proto-Hardcore Pioneers, Eternal Icons, R.I.P. Rest in Punk Joey.

The Mary Tyler Whores shared stages with punk royalty and longtime friends: The Misfits (R.I.P. Joey), Iggy Pop, GBH, Murphy’s Law, The Casualties, The Bouncing Souls, U.S. Bombs, and countless others. The road stories get carved into the annals of madness, even Iggy Pop would stand hysterically amused from the side of the stage when a fan ripped off his prosthetic leg, with a The Mary Tyler Whores sticker on it, and hurled it at Frankie from the front row — who immediately began bashing Doobie over the head with it, creating a legendary moment of punk rock theatre.

Fast-forward to 2023. After more than a decade running wild in California, Frankie decided it was time to dig up the corpse of The Mary Tyler Whores and shock it back to life. He rounded up his best offenders and the OG wrecking crew reported for duty.

With the band back together,Frankie called his old buddy and childhood mentor, Greg Hetson (Circle Jerks, Bad Religion), to sign on, witness, and produce their debut album “As Filthy As We Wanna Be” at his own Hetson Sound Studios in Encino, California.

Today, the band have unleashed a high-octane and thrilling new single called ‘Hell On Wheels’ that comes with an equally disorientating and bewildering video!

“Hell on Wheels” came out of this off-the-wall spark from my partner in crime, Doobie Tyler Whore our rhythm guitar player and co-founder of The Mary Tyler Whores. This guy would roll into practice and just scream this one line over and over: “My grandma drives a ’58.” That was it. No explanation, no structure just that wild-ass line,” says Frankie.

“Turns out it was real. Doobie’s grandmother drove a ’58 Chevy beatnik lunatic, hot-rod savage, addicted to speed. Pure chaos energy. Completely unhinged in the best possible way. That DNA didn’t skip a beat, it went straight into Doobie, straight into this band. Full butterfly effect of noise, gasoline, and bad decisions. I took that one line and built “Hell on Wheels” around it. It became exactly what this band is loud, reckless and filthy. One of the hardest-hitting representations of The Mary Tyler Whores and yeah, a twisted love letter to Doobie’s grandma and everything she accidentally unleashed.

The “Hell on Wheels” video? Forget it. Faust, our visual madman, caught it in a net and burned it alive. No polish, no pretending, just raw unfiltered live energy, fractured edits, insane mixed-media chaos, and explosive SFX. It feels like a train off the rails at 100 miles an hour with no brakes, full-throttle sensory overload.”

In 2024 and 2025, The Mary Tyler Whores injected four rabid singles—and their brilliantly deranged videos—straight into the bloodstream of the underground: “White Trash Girl,” “American Sex Fiend,” “Savage World,” and their sweat-drenched, DEVO-devoted, buck-wild cover of “Whip It.” Each release slammed down like a slow-motion brawl in a bathroom— loud, idiotic, trashy and hypnotically addictive.

On March 2, 2025, fate swung full circle. Iggy Pop and his BBC Radio 6 producer from Iggy’s own “Confidential Show” in London heard “American Sex Fiend” blasting over the airwaves in the UK. Iggy recognized the chaos of his old friends and, without hesitation, added the track to his BBC show, locking it into his playlist and giving The Mary Tyler Whores a full transatlantic salute from the godfather of punk himself.

Shortly after, they were personally invited by Violent J and Shaggy 2 Dope of the legendary Insane Clown Posse to appear on the iconic stage at the 2025 Juggalo Festival: Gathering of Legends, where they absolutely annihilated the stage to a massive Juggalo crowd. Whoop Whoop! They torched 2025 with a filthy end-of-the-year riot in California supporting T.S.O.L., then headlined their Holiday Slam Festival downtown L.A., dragging fans into total Christmas carnage.

The Mary Tyler Whores will spend end of 2026-2027 tearing through the UK and Europe and hurled straight into the faces of a generation too soft to survive it. The Mary Tyler Whores come back hotter, meaner, and uglier than ever. They crash into the next wave of beaten-down, fucked-up, worn-out kids who need something filthy enough to bite back. Punk didn’t die, it mutated, sharpened its teeth and started laughing in your face!

Say hello to the next big thing. Hell, maybe the last thing standing.

The Mary Tyler Whores are:

Frankie “Crime” Cassara — Lead Vocalist
Doobie Tyler Whore — Rhythm Guitarist
Rob Deuce — Lead Guitarist
George “Korky” Kokkoris — Drums
Aaron “The Proj” Miller — Bass/Guitar

Find The Mary Tyler Whores HERE

Ultrabomb – ‘The Bridges That We Burn’ (Virgin Music Group) 

Ultrabomb – ‘The Bridges That We Burn’ (Virgin Music Group) 

A couple of years ago I was introduced to Ultrabomb for the first time by being recommended their album Dying to Smile “Chris this is right up your alley, you will love it” and oh how DD was right, turns out that it ended up being one of my albums of the year, roll on a couple of years and Ultrabomb are back with album number three the absolute banger “The Bridges That We Burn” 

Legendary Hüsker Dü bassist Greg Norton has been on fire now for the last few years with three fantastic albums. This time, however, the supergroup has had a few lineup changes, now on lead vocals and guitar is Ryan Smith (Soul Asylum) and the man with the sticks, Derek O’Brien (Social Distortion, Adolescents). For any fan of the alternative punk scene, there is no chance this was going to disappoint and that, my friends, it does not. 

Opening the album, we have a mega riff and thundering bassline into the extremely catchy “Darwin Awards” I’ll be amazed if there’s a better opening song on an album this year. 

Straight away, I know that even though the line-up has changed, the quality hasn’t at all, the production here is very clean and loud, and the band are on fire. “Divert/Deflect” is a pounding beast that will have fists pumping during the chorus. 

Next album is the first single off the album and one of the many album highlights, “Artificial Stars”. This could be taken right out of a Soul Asylum classic, the Melodies are everywhere throughout, it’s nearly impossible to get the guitar licks out of your head on this one. 

My favourite song on the album is just around the corner with the excellent “No Cap” with verses that Dave Pirner would be proud of before exploding into a prime Supersuckers-like chorus at breakneck speed. This will have audiences jumping around like lunatics, no doubt about it. 

With a resume from these three musicians it should be no surprise that this album is so good but yet somehow it does, Greg had been away from the music business for so long to have come back this strongly is no joke, his songwriting here is on top top form, Ryan really shines here as well as his voice is so infectious with guitar harmonies all over the place and Derek keeps everything so tight, fantastic stuff. 

We’re on the flip side of the album now and we get another few album highlights the absolute brilliant “Checked Out” which boasts a anthemic chorus followed with a stunning guitar solo and then we go straight into a pounding bassline from Greg in the equally fantastic “Look Forward In Anger” another one that will get fans off their feet around venues (hopefully in the UK as well please).

We’re coming close to the end now, and we are given the smile-raising “BSS” which stands for Bull Shit Song, which had me grinning from ear to ear, and to close out the album, we have the brutal “Mosquito Crucifixion” which is a monster of a song with a huge riff throughout to end a brilliant album on a massive high note!!!

There we have it, Ultrabomb album #3 ‘The Bridges That We Burn’ in the bag, it’s safe to say it will be high up on my end of year list, give it a listen and make sure to buy it!!! 

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Author: Christian Davies  

Balaam & The Angel New video off New EP

Balaam & The Angel New video off New EP

written in response to a real-life story that emerged about a botched cyber-attack on the systems and databases of South Staffs water company. The criminals involved claimed that they were in a position to easily change the chemical balance of the water supply using the company’s own systems, making the domestic supply to thousands of customers poisonous. It exposed the way that criminals could now use digital systems to compromise the most basic of human needs to extort money. The dark and heavy soundscape of the track reflects the deeply threatening nature of the hacker’s activities. 

https://www.youtube.com/watch?v=1pU4GTcWeh8&feature=youtu.be

The band continue their widely acknowledged return to form with another striking collection of powerfully dark and atmospheric tracks and embrace their musical legacy with an autumn tour to celebrate 40 years since the release of the classic “The Greatest Story Ever Told” album.

Following their recently released new four-track EP ‘Love Death Wealth Water’, enduring alt-rockers Balaam and the Angel have now issued a video for one of the EP’s key tracks. Titled ‘Fear Of Poison Water’, the sinister song was written in response to a real-life story that emerged about a botched cyber-attack on the systems and databases of South Staffs water company. The criminals involved claimed that they were in a position to easily change the chemical balance of the water supply using the companies own systems making the domestic supply to thousands of customers poisonous. It exposed the way that criminals could now use digital systems to compromise the most basic of human needs to extort money. The dark and heavy soundscape of the track reflects the deeply threatening nature of the hacker’s activities.
“As an artistic experiment we decided to take an approach to creating the video that mirrored the actual incident,” explains guitarist Jim Morris. “So, we opted to use a random internet search to help us find and contact an unknown film maker who we provided with the track and a short brief as the starting point for the project. We were very keen to allow him/her/them to respond to this limited stimulus in their own way. Any communication that we had was made digitally (no person to person meeting, no zoom calls, no mobile calls etc). The video creator (Humanoire) remained a faceless and unknown person to us (as we did to him/her/them). The result is a piece of work that we feel perfectly complements the track and the very disturbing story that unfolds within the lyrics. A dark, dystopian, nightmare of a piece that packs a solid punch in the face to all of those who view it.”

Catch Balaam And The Angel playing tracks from “Love Death Wealth Water” EP live at the following dates:

Fri 9th July: York, The Fulford Arms

Sat 10th July: Edinburgh, La Belle Angele – Deadinburgh Festival.

Ticket links for all shows can be found via the band’s website: www.balaamandtheangel.co.uk

“The Greatest Story Ever Told” 40th Anniversary Tour:

In August 1986 “The Greatest Story Ever Told” was released on Virgin Records. The album achieved a chart position of 67 in the UK and went onto be released worldwide throughout 1987. “She Knows”, one of three singles taken from the album, charted in the top 75 (peaking at 70) and the period saw Balaam And The Angel headlining shows at UK concert venues like The Town And Country Club, London (now The Forum Kentish Town) and embark upon tours of USA, Japan and various European countries.

Tracks from the album have become firm live favourites prompting the band to feel that it would be fitting to mark the album’s anniversary with a carefully curated UK tour during which they will play the album in its entirety.

“Through the years we have come to appreciate the fact that “The Greatest Story Ever Told” album was a record that represented a very important part of the alternative rock scene in the mid 80’s and was a body of work that connected with audience across the world in a very deep and significant way. For many it was the soundtrack behind the rights of passage that formed their individual views of life and, from the feedback we get, is still an album that they return to alongside other classics from that period. We are keen to be seen to be moving forward with new material but think it there is a clear responsibility on us to mark the anniversary of this release with some live performances” said singer Mark Morris

Hear “The Greatest Story Ever Told” at the following dates:

November:

Friday 20th – Leeds, Warehouse

Friday 27th – London, Bush Hall

Saturday 28th – Birmingham, 02 Institute2

Balaam And The Angel are:

Mark Morris – bass/vocals

Jim Morris – guitar/keyboards

Des Morris – drums

Black Market Heart -‘What Happens in the Dark’

Black Market Heart -‘What Happens in the Dark’

Sometimes it is a simple mention in the PR’s email that makes a difference. Here, it was a reference to Jesus and Mary Chain, which pushed this album up to the top of the listening stack. This trio from Los Angeles is all new to me, and they waste no time on this album, serving up 9 songs in under 25 minutes. They can deftly utilise distortion and feedback into their sound as an added musical element. For the old zine readers, this would be a band you would have read about in Flipside, Hit List, and others, as well as RIP magazine in the mid to late 90’s. This band have made an immediate impression on me.

The title track roars to life with that JAMC influence apparent, but the band still have their own identity. The chorus here is simple but effective. Musically, the album has a very live feel. ‘Don’t Fit Anywhere’ might be my favourite song here, with the urgent tempo and sound reminding me a bit of Bratmobile crossed with an old school Misfits type chorus. There is a cool rhythm to ‘Radio Smash’ that feels a bit hypnotic.

The middle third of the album reminds me again of JAMC where the band use a catchy chorus and feedback to create a hook-filled rocker. Cathartic chaos might best describe the awesome ‘Self Destruct with Me.’ Lyrically, this one also jumps out of the speaker. It’s probably not recommended to fill a pool with gasoline, but it makes quite the image in my head when Spencer Robinson describes it. I hear some Gun Club influences in ‘Without My Pills.’ I really like the drum fills in the chorus by Shawn Medina and really his work across the whole album is spectacular.

The final third of the album kicks off with the rapid-fire beat of ’My Brain is Poison.’ The chorus is again simplistic but powerful. The band switch things up a little with the lighter and still catchy cover of ‘Give Me Power’ where it sounds like bassist Tina Brugnoletti’s backing vocals are more noticeable in the chorus. The band closes out the album with the insurgency of ‘Coyote.’ The trio feels completely in sync musically with some well-placed ‘ooohs’ deep in the mix.

Black Market Heart serve up a statement of musical intent here, emphasising their arrival with dark hooks, waves of feedback, and songs that do not waste time. This one rewards repeat plays as well, and, at 25 minutes or so, I recommend letting it spin several times each time you play it. I look forward to hearing what they do next.

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Author: Gerald Stansbury            

Cyanide Pills – ‘Singled Out’ (Damaged Goods Records)

Cyanide Pills – ‘Singled Out’ (Damaged Goods Records)

Cyanide Pills could be the greatest punk band in the world; they’re surely the greatest punk band to drag their arses outta Leeds. A self-proclaimed “gang of cunts from a desolate land” consisting of Phil Privilage on vocals, Sy Pinkeye on guitar, Alex Arson on another guitar, Alarick on bass and Chris Wrist beating the drums. These lively lads from Leeds have been exciting audiences across Europe and beyond for the past 17 years, and with 5 albums under their studded belts and a whole bunch of single releases, it’s about time they released a greatest (s)hits record, right?

Well, here you go, you lucky fuckers! Here’s a tasty treat courtesy of Damaged Goods for ya. ‘Singled Out’ is all their 7” releases and the corresponding B sides (plus a couple of new unreleased singles) on double vinyl and shiny CD. That’s 33 tracks to devour. Are you excited yet?

You should be, just check out that track list. The A sides are worth the entry price alone. Spikey, power pop-infused punky goodness with buzzsaw guitars and choruses to die for, that is the signature Cyanide Pills sound, and they’ve got the songs in spades. From The Clash meets The Toy Dolls sound of debut single ‘Break It Up’ to the pogoing power pop of newbies ‘Amalia’ and ‘Second Best’, it’s a wild and melodic ride.

You’ll laugh along at the tongue-in-cheek lyricism, from the tale of forbidden love that is ‘Suicide Bomber’ to the political diatribe of ‘Government’, the band remain confidently relevant and humorous in equal measures. You may even ponder if Johnny Thunders did actually live in Leeds.

Highlights include the killer earworm ‘Conquer The World’, the ridiculously catchy ‘Big Mistake’ and recent single ‘Hope You’re Having Fun’. Songs that prove this band ages like a fine red wine.

Then we get to the really tasty stuff. If you’re a fan, but like me don’t collect 7” records, disc 2 is the place to begin. ‘Mail Order Bride’ and ‘Stick Em Up’ were on the flip side of the debut single, and to be fair, either of them could have been the chosen A side. High energy punk n’ roll with distorted riffs and choruses that most bands would die for. Elsewhere, the standouts are plentiful. For me, the ska-infused ‘Lock Me Up’, the Green Day-esque ‘Hooked On You’, and the 70’s glitter stomp of ‘I’m Celebrating’ are winners. These songs go a long way to show Cyanide Pills B-sides stand tall against the A-sides. And just wait until you hear ‘My Mind’s On Strike’, the flip side of the upcoming new single ‘Amalia’. With a verse that pummels the senses and a killer gang vocal chorus, it’s up there with their best.

It is said that true music fans don’t buy ‘best of’ albums, but this collection is a great starting point if you are new to the band, and is essential if you are a fan but don’t collect 7” records. Sequenced in release order, it’s an album that flows well and shows the progression of a band who get stronger song by song. ‘Singled Out’ is a worthy addition to any music lover’s collection from a homegrown band who are up there, standing tall against their contemporaries.

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Author: Ben Hughes

Iselder – ‘The 38th Division’ (Self Release)

Iselder – ‘The 38th Division’ (Self Release)

Centred around the brutal reality of war, The 38th Division explores conflict, destruction, and the human cost left in its wake. Through sheer aggression, the album reflects on the chaos and devastation that war imprints upon the world. Prepare for the march. That’s some heavy introduction, that’s from the Welsh Black Metalists who have nailed their colours to the mast and sing in their native tongue, which is quite refreshing (if you can decipher what it is they’re singing about in the first place because after all, this is bleak black metal at its rawest, most visceral best.

Iselder is the vision of Gofid, who has recruited a band for live shows and got an instrumentalist who goes by the name Neidr. ‘The 38th Division’ is the “bands” third offering, with some jarring tunes in their arsenal. This is potentially a minefield for the gatekeepers of what tasteful and what not in the world of Black or extreme metal, but I’m sure Gofid helps nans across the road and will put the bins out for the frail neighbour at 667 hellish avenue. I might come as no surprise to longstanding readers that I might have left-wing leanings and favour devolution and Independence for Cymru, so of course I have an interest in what Iselder write about and a willingness to help them reach a wider audience with their music, regardless of how fringe and extreme it is. However, this doesn’t give Gofid a free pass this record has to sound good.

The album gets underway with a thunderous chaotic battlecry of ‘The Death Of Wales’ where all the Black Metal tub thumping habits are present and accounted for, as is the demonic blackened riffage and those hellish vocals gargling razorblades over the heaviest of riffage. Bealzibub would approve.

Hold on, kids, the thrashiest bit of Black Metal is up next as ‘Bayonet’ pokes its filthy nose in on proceedings. We’re only three songs in, and I’m exhausted ‘Call To Arms’ is killing it, and I wouldn’t mind if I was standing on a battlefield and this was playing, I’d pile through a brick wall to achieve my goal. ‘Impending War’ sounds like a Gatling gun firing off as body parts fly into the acrid air on the battlefield. This is pulverising and Iselder are nailing it. By the time ‘Glory’ rings out with touches of the mighty Manowar on the extended outro battlecry and sing-a-long, it might have dropped in tempo on the intro, but once the guitar gets rinsed, we’re off into battle again. There isn’t any respite here, and there isn’t a mountain of variety on offer. It’s dark and brutal, but it’s superbly executed, and the twists and turns offer variety, and in a very crowded genre, Iselder have carved a niche for themselves and are killing it on their third album.

If you want a history lesson on Welsh leaders, this isn’t the place, but an Iselder record will certainly point you in the right direction. The last and true Prince of Wales is the subject of ‘Llewellyn The Last’ as it walks a sinister path. The penultimate offering is ‘Trench Warfare’ with its Kerry King-like heaviness on the intro, it staggers through the verse labouring under the heaviness of its riff.

The album signs off with the bombastic ‘Embrace The End’ after the Sabbath doom-laden intro its heads down and thrash like fuck, sounding like a well-produced Hellhammer. This is my favourite track on the album, and it stands head and shoulders over the previous seven. Someone, pour Govid a glass of hot honey and lemon, please, he deserves it.

‘The 38th Division’ is the album Isleder has been threatening, and should see them go into battle for the top of the class in black metal. Darkthrone, Mayhem, et al move over, the Welsh are coming, and they have the artillery and tunes to deliver a knockout blow. If extreme metal is your bag, then this is all killer and certainly no filler. Jesus wept, there isn’t any time for filler for fucks sake these guys have no brakes now turn it up and lay down your soul to the Gods rock and roll!

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Author: Dom Daley

Brad Marino – ‘Agent Of Chaos’ (Spaghetty Town Records (USA)/ Ghost Highway Records (Spain) / Beluga Records (Sweden)

Brad Marino – ‘Agent Of Chaos’ (Spaghetty Town Records (USA)/ Ghost Highway Records (Spain) / Beluga Records (Sweden)

Blimey, just 2 weeks after naming the new Uni Boys platter as potential power pop album of the year, along comes Brad Marino and wipes away the competition with his 5th solo record ‘Agent Of Chaos’. The former frontman of The Connection has released a bunch of quality albums over the past few years. And the singer/songwriter from Rochester, New Hampshire returns with your new soundtrack to the summer.

I’m not exaggerating when I say ‘Agent Of Chaos’ is choc-a-block with potential hits. Killer first single ‘Voodoo’ is power pop royalty with Marino’s signature twangy telecaster, 3 chords and a ridiculously catchy hook. It’s got the magic ingredients all power pop aficionados desire. 

The radio friendly vibe continues with the 60’s pop of ‘Dissin’ & Dissmissin’ and the brilliant ‘Devil May Care’, what a joy it must be to have songs this good in your arsenal at this point in your career. Songs designed to be sung with a smile as you cruise the highway with the top down and the volume up.

Ok, imagine if late 80’s glam rock legends The Soho Roses had kept it together long enough to make a sophomore album? The likes of ‘Blowing Smoke’, ‘I Don’t Want You Anymore’ and the dark and delirious anti-anthem ‘Murder and Violence’ coulda been outtakes. On ‘Agent Of Chaos’ I hear that long-lost cult band as much as I hear The Ramones. Mind you, The Soho Roses were heavily influenced by Ramones and The Buzzcocks, so it sorta makes perfect sense.

Elsewhere, the more punky ‘Sick Of You’ and  ‘Lost Without You’ are about as Ramones as you can get without actually being called The Ramones. Brad knows the formula and he ain’t about to stray too far from the road (to ruin). The vocals, the guitars, the delivery and the sentiment…it’s spot on.

It’s criminal really that an album this good by a great songwriter will go largely unnoticed by the general music buying public, but hey, it’s a familiar story. But Brad Marino has released another banger and ‘Agent Of Chaos’ is essential listening.

One thing you can do to help, is buy the goddamn record, and you can thank me later.

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Author: Ben Hughes

Mr Dinkles – ‘R.I.P.T’ (futureless)

Mr Dinkles – ‘R.I.P.T’ (futureless)

LA and Seattle’s Mr Dinkles is a power pop punk duo made up of Mac Rettig on vocals and guitar and Rocco Ramos on drums. And they waste no time getting straight to the point with their no-frills power-punk songs.

The R.I.P.T EP is the upcoming release that collects their last two singles, along with their latest ‘Letter to Elon’ and two more tracks, for a 5-track wallop of a musical statement.

Ripping straight into the sublime ‘Socialism Ditty’, and the duo instantly set out their mission statement with a two and a half minutes lyrical and sonic attack that delivers on all accounts!

Wasting no time, the duo kick straight into ‘Eat Chips and Talk Shit’. Setting the scene from the perspective of a twenty-something in today’s world.

The latest single ‘Letter to Elon’, immediately sees Weezer come to mind, with the laidback slacker riff melody, which is never a bad thing, especially to these ears anyway. The song takes aim at the world’s wealthiest man and pokes at the world and his disconnection with how the world actually works.

The lo-fi garage vibe of the EP is a welcome sound in today’s oversaturated, mechanical sound. While the sound is clearly top-notch, it’s more the slacker vibe that shines through, especially on ‘Grinding My Teeth’.

The final song on the EP is the previous single ‘I Don’t Really Wanna’, which is also abbreviated to IDRW. The track is a catchy melodic slab of garage rock that quietly sneaks into your conscience and will become the earworm that will bug and delight you in equal measures.

Thanks to this EP, I will be checking out the duo’s back catalogue straight away

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Author: Dave Prince

Flash Kicks – ‘Couldn’t Care Less’ (Wanda Records)

Flash Kicks – ‘Couldn’t Care Less’ (Wanda Records)

The fact its on Wandas is enough to prick my interest so when the needle dropped and I was greeted by spikey happy go lucky snotty power pop punk rock I was over the moon as ‘Addicted’ flew out of the speakers and this German trio flew to the top of the pops at RPM HQ. with a 1-2-3-4 they were off as ‘Work & Buy’ sounded like the mid period Green Day before they hit paydirt as the drums were tight and the the guitars thrashed around like their life depended on it it was the melodies that draw you in.

They say they peddle snotty 77 punk rock, which isn’t a lie, it’s a bit modest as well because there’s more going on here from deepest darkest Cologne. The back beat of ‘End Of The World’ is only half of it because the chorus is a real earworm. Try keeping your feet still and not tapping your toes or throwing shapes. This stuff is infectious. Most of the thirteen tunes don’t venture over two minutes, so boredom isn’t even a factor, and solos are dispensable but in the best possible way keep it lean and cut the fat, it’s all good stuff.

Sighting Angry Samoans and New Bomb Turks is always going to get the thumbs up round here. Go get some Flash Kicks in your life, it’ll be thirteen times better than it was before you heard this record. Buy It!

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Author: Dom Daley

MICAH AND THE MIRRORS – ‘Liar’s Chair’ (Spaghetty Town / Beluga)

MICAH AND THE MIRRORS – ‘Liar’s Chair’ (Spaghetty Town / Beluga)

Denver, Colorado — In a sense, this record has been overdue for a long time, ” shares MICAH AND THE MIRRORS frontman Micah Morris, who might be familiar around here because his former day job was fronting Fast Eddy, but alas, his world got turned upside down after ending his marriage, losing his job, and his band breaking up.

The day after Fast Eddy broke up, He played the last show in Tokyo alone on a Friday night. He called Dan Dixon the next day and booked studio time for this record. What is it they say about clouds and silver linings?

Micah recounted that when he got home, though, he hit an all-time low and felt like he could see myself burning alive on a chair that people had propped up for me. He spent many late nights alone, looking out his window towards the radio towers in the foothills of the Rocky Mountains, staring into a void. He played piano and guitar until the bright hours of the morning, and at times did nothing but sit there and think.

Friends and family came through, and with their support, he regained his mojo and found the strength to start over and not give up on my lifetime of work with music.

Less than a year since Fast Eddy broke up,’ I’m now sitting on ‘Liar’s Chair’ is out in the wild, and with the speakers turned up, it’s time to walk the walk. You’re eased in with the sound of the wilds as an acoustic guitar is picked gently, as ‘Opus’ sets the mood. ‘You’ll See’ follows with Micah’s voice and a strummed acoustic guitar before the bass and drums ease in and the slower, measured intro builds. The song weaves a thoughtful melody, less bombast and dare I say it, more mature and reflective Micah.

The title track is again a dusty morning on the porch with acoustic guitar strumming towards the chorus. Not a million miles from Ashcroft post Verve in style and feel. ‘Condolences’ is more uptempo with the electric guitar sitting proudly in the centre of the mix. A midtempo slice of modern rock n roll with a lot going on from the horns to the rolling tempo, it’s a top tune and melody with excellent vocals that lift the track out of the darkness.

The single off the album ‘Yokohama Mama’ is like the Kinks meets Roxy Music in vibe, late 70s early 80s groove racing off on a great tempo to be followed out of the traps by the jarring punchy ‘Lady Blue Eyes’ before the barroom rocker ‘Hungry Hungry Heart’ is fired off like a swinging boxer who fancies his chances windmilling and dancing feet its got a hint of prime time Hives for good measure.

‘They Might Say’ is a sidestep with the piano stabs like a late-night, early-morning walk of shame, wondering where you got that feather boa from, but hey, this mellow slice of 70s glam is very welcome, adding another texture to an already most excellent record. Before the album signs off, we walk on the wild side with the bass-heavy rhythmic ‘Tortilla Chip’ coming on like a late 80s Jagger Richards thumper breaking out on the chorus.

We sign off with some ” Oh La La “, “After I Die’ which was only missing the honkin new orleans marching band for the last verse. Welcome back, Mr Morris. With a record this good, I can only see brighter days ahead. Go check it out, you won’t be disappointed.

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Buy Spaghetty Town (USA)

Author: Dom Daley